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Absolutely Brilliant!

After playing with our expectations, this turns out to be a very different sort of film.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

The acting is good, and the firecracker script has some excellent ideas.

If they had cut out (or at least shortened) all the scenes of Cliff Robertson walking (usually up or down some stairs) from "Dominique", it could have been an effective 30-minute episode of a TV mystery series - and that's probably what it should have been in the first place. I like the plot of this movie: it keeps you guessing all the way and it ties up all the loose ends before it's over. But Michael Anderson's direction is, with a few exceptions (Robertson seeing the tombstone with his name on it, the murder of the doctor), stiff and pedestrian. The characters are lacking in personality and humor, though it's always a pleasure to see Jenny Agutter, for my tastes perhaps the most beautiful actress in 1970s cinema. ** out of 4.

Creepy thriller concerning a selfish American businessman (Robertson) supporting his interests through a marriage of convenience to his wealthy English wife (Simmons), until she commits suicide as a result of his emotional bullying. Her instructions are for her will to be read on their wedding anniversary in a few weeks' time, and as that day draws nearer, visions, apparent apparitions and strange goings-on haunt Robertson to the point of virtual insanity. Convinced that his wife has returned from the dead, he enlists his new chauffeur (Ward) to exhume her body, not once, but twice, where he makes a shocking discovery.Atmospheric, tense and suspenseful throughout, I found Simmons' portrayal of the emotionally crippled wife compelling and her 'resurrection' even more stirring. Gaping plot holes, contrivances and other poetic conveniences while no means forgiven, are somewhat disguised by director Anderson's flair for creating tension out of the limited material. The cast however has considerable depth, with veterans David Tomlinson, Jack Warner, Dame Flora Robson, and Ron Moody in a pivotal supporting role. Jenny Agutter, Judy Geeson and Michael Jayston are also prominent.There's Hitchockian moments and more than just a little reminiscence of the similarly titled French classic "Les diaboliques" (1955), and yet despite the somewhat borrowed theme, I still found myself in the grip of "Dominique" and was rewarded with some heart-pounding moments. Not perfect, but entertaining nonetheless.

I was pleasantly surprised at this movie. Expecting B-rate 70's schlock (not that there is anything wrong with that) I witnessed a movie that actually held my attention without me having to snipe at it for entertainment. My major complaint - this movie was too long by half. We got a few too many scenes of Ballard waking up, putting on his house coat, and walking to somewhere. Something else happens - Ballard puts his housecoat on again and walks. Acting was stiff at best, and it looks as if somebody forgot to pay the light bill, but those could be overcome by a somewhat interesting plot line, a unexpectedly brilliant ending, and some psych. intrigue I didn't think possible in the 70's. I just wish somebody would talk more than 1 sentence somewhere in the movie.

A wealthy wife is convinced that his equally wealthy husband tries to drive her mad by scary voices and haunting portents at their country mansion. After her sudden death, she seems to return to haunt the husband.Predictable and fairly restricted all-star suspense shocker on the lines of "Les Diaboliques" with very occasional moments of "frisson".