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I don't have all the words right now but this film is a work of art.

Good concept, poorly executed.

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

I recognized the title, it stars Paul Sorvino, so it sounded intriguing when I saw it was on "Flix". I just finished watching it so I came here to see if other folks thought the movie was as bad as I thought it was.Why is Paul Sorvino's character in love with this ballerina? He sees her and is instantly smitten--no matter how annoying she is, he can't help but love her all the more. Yeah, they were going for Jimmy Breslin--that was pretty obvious. I kept waiting for the story to make sense--to see a reason behind all the dreck--but I was sadly disappointed. I thought Paul Sorvino was attractive in a "husky" kind of way (that's the description given for Flix) and all the "I've seen the X-Rays" nonsense was over the top--"You could bleed to death", etc...."I....can't....walk".. "No--I want HIM to carry me out for my bow". I really don't understand why the film makers didn't see how bad it is/was. I think "The Turning Point" was out the year before so they saw an audience for "Ballet dancer as protagonist" type movies, but forgot that you really need a plausible storyline or, if you're doing a "character study", you need to make your characters three dimensional and believable. They failed miserably on both accounts. And I couldn't tell what type of accent the ballet dancer was trying to affect. At times it seemed slightly Russian, at times, slightly British--nothing consistent. I guess they figured that after Turning Point, all you had to do was get a pretty ballerina...women LOVE to watch pretty ballerina's in pain for their art, dying (maybe) and falling in love.

When you read about this film you wanna cringe. I have seen it countless times and yet I cringe myself! So what is the attraction here? I think that for me, it's the offbeatness of the romance. I find it super refreshing to have an oddball coupling between this NYC Jimmy-Breslin-like columnist and a down-on-her-luck (health-wise) ballerina. You feel embarrassed for Paul Sorvino at his unsubtle approach to wooing this woman. Like the guy in the bar who can't take a hint. He's a bit overweight (at least as a would-be suitor for a ballerina. Hope that doesn't sound unkind) and possibly a tad too old for her. Nice change of pace from Greek God wooing Super-model. The Bill Conti score has stuck in my head all these years later, which is a pretty good sign. However some of the acting is just dreadful. A subplot involving a young Puerto-Rican boy befriended by Sorvino's character is just hilariously bad. But the opening scene where Ditchburn is warming up to Carole King draws you right into this story. Good luck finding it. You'd think that Lifetime would be re-airing this or even WE, but I haven't seen it on in quite a few years.

This is a wonderful movie. I've only seen it twice, and I've been looking for it again for ever. I'd buy it if I could find it. While it's sad, it shows three things -- how much a man can love a woman, how hard some people want something and how hard people work to overcome their limitations.

It has been a long time since i have seen this movie. I thought the story line was very good and the dancing was also. It was a sad love story, story of illness and dancers strength and courage to follow their dreams. Paul Sorvino is a great actor and is good in everything i have seen him in, he has come a long way in his career since then.Hector Jaime Mercado who played Roger Lucas the dancer and I grew up together and I remember the dreams of a dancer first hand.To me this was a very good movie and cast. I would love to see it on T.V. again after all these years, I think people will enjoy to see it again also. Thank You for letting me put in my input on "Slow Dancing in the Big City"