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Merton of the Movies
In 1915, Kansas theatre usher Merton Gill is a rabid silent-movie fan. When he brings Mammoth Studios free publicity by imitating star Lawrence Rupert's heroics, they bring him to Hollywood to generate another headline; he thinks he'll get a movie contract. Disillusioned, he haunts the casting offices, where he meets and is consoled by Phyllis Montague, bit player and stunt-woman. When Merton finally gets his "break," though, it's not quite what he envisioned.
Release : | 1947 |
Rating : | 6.3 |
Studio : | Metro-Goldwyn-Mayer, |
Crew : | Costume Design, Director, |
Cast : | Red Skelton Virginia O'Brien Gloria Grahame Leon Ames Alan Mowbray |
Genre : | Comedy Romance |
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Reviews
Sorry, this movie sucks
So much average
When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
"Merton of the Movies" is a Red Skelton movie that sure lacked originality. It's based on the movie by the same name from 1924 and was already remade in 1932. Additionally, the plot bears a very strong resemblance to a Harold Lloyd film from 1932--"Movie Crazy". So, while this 1947 film is nice, it's all terribly familiar. Plus, the Lloyd film was a heck of a lot better.Skelton plays the title character, Merton Gill--a rube from a small town that thought his path to becoming a movie star was by taking a correspondence course. So, when he wins a trip to Hollywood, he incorrectly assumes it's because of his diploma--but it's really just a publicity stunt. However, he's not deterred and tries to get work as an extra. But he's a clumsy oaf and seems to be out of place in dramas-- until his girlfriend (also an actress) convinces the studio executives to use his terrible footage and just market the films as comedies. Soon, Merton is a star but has no idea everyone is laughing at him. What's next? This is a rather agreeable film but not much more. Skelton has done better stuff but it's a decent time-passer provided you haven't seen these other films--then it just seems a bit repetitious.
Kansas theater usher (and dramatic acting school graduate!) thwarts a robbery and is brought out to Hollywood by train in the Silent Era strictly for quick publicity; he winds up living on a park bench waiting for an acting job, and finally gets one filling in for his idol, an irresponsible star who's been hitting the bottle. Third film-version of a play by Marc Connelly and George S. Kaufman, based on Harry Leon Wilson's book, now revamped as a comedic vehicle for Red Skelton. Earliest scenes are best, with our dimply, aw-shucks hero politely scheming his way onto movie sets, with amusing results. Slapstick sequence at a high-toned Men's Club seems to belong to a different picture, although the pay-off there is also funny. Runs out of steam towards the end, however Skelton and Virginia O'Brien are a good match. Direction by former-choreographer Robert Alton is quick on its feet, and there are some big laughs in the first hour. **1/2 from ****
Today as part of a Red Skelton tribute on his birthday TCM showed this among many of his other movies, and I'd like to say that even though I only tuned in in time to see only half of this movie, Merton was no disappointment! You're not exactly splitting your sides, but you are entertained and amused as long as you are watching it. Skelton makes it look so easy, but achieving what he was able to while keeping his comedy clean as a whistle is pure genius and well worth watching!
"Merton of the Movies" is one of the best movies I have ever seen, and it is one of my personal favorites. Red Skelton and Virginia O'Brien are both smashing as usual. The role of the naive, unknowing Merton Gill/Clifford Armytage is perfect for Skelton. The role of the knowing, comforting, concerned Phyllis Montague is perfect for O'Brien. It also provides a decent view into the workings of Hollywood and of the private lives of the stars during the silent film era. It is also a very touching movie, as we see O'Brien's increasing concern for Skelton's well-being. This is a must-see for any comedy fan, and those who love a good romance.