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If you don't like this, we can't be friends.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

By the time the dramatic fireworks start popping off, each one feels earned.

With all certainty, I am convinced that Scott Young's original novel about the tragic love affair between brash hockey player Billy Duke and high-flying rock star Sherilee Nelson, was nothing like this mediocre cinematic fare.Perhaps the night before he signed over the film rights, Scott was out socializing with son Neil and cohorts Crosby, Stills and Nash. He probably had no idea that Johnny Bassett's film crew would make his masterpiece into little more than a CTV Movie Of The Week. Young was immortalized with a cameo in the movie, alongside some of his pals from the old press box in historic Maple Leaf Gardens. We see lots of hockey stars, but mysteriously, no rock icons. A bit of a disappointment, considering the thrust of the plot.Its sad when you watch a film to enjoy the thespian abilities of George Armstrong and Derek Sanderson, more than the main actors, Art Hindle (in his pre-E.N.G. days) and Trudy Young (former CBC child star). Seeing the entire 1971 Toronto Maple Leafs roster is a treat for hockey fans of the day, even with painfully wooden speaking roles for Jim Dorey, Paul Henderson, Mike Pelyk and Rick Ley, just to name a few. True acting is found only in scenes featuring veterans Austin Willis and John Vernon, who mainly appeared together, perhaps so they didn't blow the weaker mimics right off the screen.Noteworthy about FACE OFF also, was the coming out role for by-now-grown child actress Trudy Young, who heretofore was best known as the sassy little spindle from TV's "Razzle Dazzle", "George the St. Bernard" and guest appearances in "The Forest Rangers". Trudy performed all of the special music in the film and even wrote many of the tunes. She subsequently scored only one major TV role later in the seventies as the waitress on "The David Steinberg Show", just before apparently plummeting into oblivion.It appears FACE OFF joined her in such a plummet, as it is available nowhere in the vast video wastelands. Still, it holds a fond place in the hearts of many Canadian boys and girls who were teens and pre-teens in the early seventies. If anyone out there owns the rights, why not give it a shot on DVD? Even I'd hand over a toonie to rent it!

This movie is for diehard hockey fans only. Me and my friend Jay are probably the only people who have this movie on tape and play it on a regular basis. the acting is terrible but who cares? Long live Billy Duke. I wish he was skating this coming Tuesday against Carolina. This is a classic hockey cult film.

I always find the films of the canadian tax shelter to be sort of surreal: The snowy locations the washed out cinematography, the stilted acting...canadian gothic. This film is one of my personal faves. It is SO 70's that it almost seems from another world or dimension or something. It's really kind of haunting and poetic, with a sense of doom pervading the whole production and the ending makes little sense. Combined with the endearingly awful songs, and truly touching performance by Trudy what's her name, the viewer feels like they dreamed the movie. Very weird and strangely, cheaply beautiful...

What can one say. Face Off was yet another of a seemingly endless supply of late '60's and early '70's "youth" movies produced in Canada with the aid of generous government grants and tax breaks. This movie was unusual in that it actually developed an audience, and was seen by more than 20 people in a real theatre, a claim that few of it's contemporary's could make. The film is now popping up on the Canadian satellite TV networks, and is even getting some international play (I saw it on Trio recently). The movie itself is a somewhat turgid romance/tragedy, featuring doomed love set amongst the Toronto Maple Leafs (which, as any Leafs fan will tell you, is the only type of love appropriate to that team). The film stars a miscellany of young (and unknown) actors who were active in Canada during the period, plus a young looking John Vernon, who was starting to make a name for himself in Hollywood when this film was made.The film is extraordinarily '70's looking (can you believe those sideburns), with the low end production values and slightly fuzzy cinematography which marked these type of films. Acting is adequate, but nothing special. Probably the main reason to see this film (aside from re-visiting '70's fashions and hair styles) is for the hockey scenes. It is interesting to compare both the equipment (no pads or helmets in those days) and the playing styles with todays NHL. Even in a fictional setting like this movie, the emphasis on movement, speed, and style contrasts markedly with the steriod induced thuggery which passes for hockey in today's NHL.See it for the hockey, or to re-visit the 70's.5 out of 10..