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Admirable film.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Blistering performances.

This is one of those WWII era musicals where a studio assembles all their top talent for an all-star extravaganza. The stars' appearances are incorporated via a very thin plot. The plot doesn't matter, because the real point in watching this film is to see the musical talent. This film stars Kathryn Grayson who is the daughter of military colonel John Boles and Mary Astor. Grayson is a singer who is performing onstage with Jose Iturbi. Grayson decides to put her musical career on hold in order to entertain the troops on her father's base. One of her father's new recruits is acrobat Gene Kelly, who is drafted into the Army, but would rather be in the Air Force. Kelly and Grayson end up falling in love (of course). Things are complicated when Astor wants to take Grayson back home because she doesn't want Grayson falling in love with a soldier. Astor tells her that being the wife of a soldier is undesirable because the army will always be a priority. There is also another subplot where Grayson tries to get her parents back together. The highlight of the first half, IMHO, is Gene Kelly's "Let Me Call You Sweetheart" dance with a broom.However, all of that plot is meaningless, because the second half of the film is where all the action is. Mickey Rooney appears as himself. He emcees the show and also provides some impressions along the way. The best performances in the second half are Eleanor Powell, Lena Horne and Judy Garland's. Lucille Ball, Ann Sothern and Marcia Hunt appear in a skit with Frank Morgan, and Donna Reed and Margaret O'Brien appear in a routine with Red Skelton. Virginia O'Brien does another of her awful deadpan routines with Gloria de Haven and June Allyson providing support. Gene Kelly's stunt double performs a trapeze act. Kathryn Grayson come out to sing another song while, almost literally, "thousands cheer" - the soldiers that is.Thousands Cheer is an average film viewed from today, although it is fun to watch for Kelly, Garland, Powell, and Horne. As little as they gave Kelly to do here, you can tell MGM just didn't know what to do with the fellow yet After all he had only been on the MGM lot for about a year. However, they did give him some great comic bits. I guess you have to view this one from the wartime perspective of when the world was a canteen and morale boosting on the home front was the order of the day.

Thousands Cheer had a lot going for it from the get go, the biggest selling point being the amount of talent involved. While it is not a great film there is still plenty to enjoy and on the most part the cast are well-used.Thousands Cheers' story is very thin and very contrived with the lead in to the film's second half feeling rather abrupt and the script is even thinner with a lot of hokey dialogue and too many moments where it sags in energy. A vast majority of the cast are great and are well-utilised, but Mary Astor is wasted with not very much to do and Red Skelton is more irritating than funny.It is on the other hand very well-made with lavish sets and gorgeous photography while the Oscar nomination for the music score was deserved, it's very characterful and lush. The songs are not exactly memorable, apart from Honeysuckle Rose, but they are very pleasant and don't bog the film down at all, they are also very well-choreographed. Of all the show segments the highlights were Gene Kelly's dance with the mop, Eleanor Powell's tap dance, Lena Horne's beautiful rendition of Honeysuckle Rose and Judy Garland's uproarious The Joint Is Really Jumpin' in Carnegie Hall. You do wish that Gene Kelly had more dancing to do but he is dashing and very watchable and Kathryn Grayson is charm personified and sings beautifully.All in all, not a great film but I would be lying if I said I didn't enjoy it. 6/10 Bethany Cox

Although the production values for "Thousands Cheer" were very, very nice (since it was made by MGM), I thoroughly hated practically every minute of this dreadfully dull film. The plot was thin, the main character VERY unlikable and the variety show was, for the most part, dreadful. In so many ways, you can find better films than this one."Thousands Cheer" is a WWII propaganda film that is part story and part a variety show featuring MGM acts. The star is a very young Gene Kelly. He has just been inducted in the military and spends most of his time complaining and just being unpleasant. For some bizarre reason, the Colonel's daughter (Kathryn Grayson) has fallen for him. But, because he is almost always in trouble and is so troublesome, the relationship seems doomed.In addition to this plot that I could not care less about (mostly because Kelly's character was just unlikable and argumentative), the film had a VERY long sequence that was a variety show of MGM stars supposedly performing for our troops. Mickey Rooney was the emcee and it featured some mostly bland performances by the likes of Frank Morgan, Judy Garland, Red Skelton and Eleanor Powell. These sequences made me a bit mad because similar stuff was done so much better in Warner's "Stage Door Canteen" and "Hollywood Canteen". These similar variety shows intended to entertain and bolster our troops were just much more fun.So it obviously sounds like I didn't like this film--and that is indeed true. The problem is that there were many, many wartime armed services films that were better and there were variety shows that were better. Despite "Thousands Cheer" being in color, it just didn't deliver and was a terrible role for Gene Kelly.

OK Plot begins to bog down, then gets completely interrupted by a parade of stars, some of them annoying, some great. Highlight of stars is Judy singing, Mickey's impressions and Eleanor Powell seen in color. Highlight of movie is Gene Kelly's only dance number (the famous one with the mop). Really good actress Mary Astor is once again wasted.