Watch The Kansan For Free

Very very predictable, including the post credit scene !!!

Pretty good movie overall. First half was nothing special but it got better as it went along.

The film makes a home in your brain and the only cure is to see it again.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

No need to recap the plot. Though conventional in most respects, this western does have some imaginative wrinkles. The Victor Jory character (Jeff) is a real novelty for the western format. Unlike most oaters, we can't tell where his loyalties lie. His intentions remain something of an enigma, which adds greatly to the plot since we can't be sure what he'll do next. With his unusual looks, Jory is perfectly cast. Then there's the super slick Albert Dekker who uses his extraordinary business guile instead of a six-gun to take over the town. All in all, it's a fine cast of colorful movie veterans, especially the froggish Eugene Palette.I get the feeling someone in production was aiming for an epic scale western. Consider features like the host of extras, the big shootouts, the massive barroom free-for-all, the cattle stampede that's not all stock shots, along with the well-mounted musical numbers. The trouble is they spent all their money on big events but filmed in the very un-epic LA area scrublands, which gives the visuals a flat, pedestrian appearance. The story may be grandly conceived but the canvas is ordinary, at best. All in all, it's an interesting, slightly offbeat western.

Bystander Richard Dix stops a bank robbery by the James gang. Badly injured, he awakens to find himself unwittingly elected the town's new marshal, at the behest of local bank president Albert Dekker, who turns out to be a tyrant who wants Dix firmly under his thumb, a position the marshal has no plans to assume.The best things about this are the presence of Dix and Dekker, as well as a rowdy saloon fight that has people swinging from chandeliers and rioting uncontrollably. Everything else is too derivative and too mediocre to be memorable.Look fast for George Reeves as Jesse James.

This obscure 'B' Western stands a cut above most with some creative writing and rather good performances by the principals. The film also offers a number of elements that I hadn't seen before after reviewing almost three hundred Westerns in this forum. Though a standard feature for this venue, the barroom brawl here is one of the longest and best staged fights you'll ever see, initiated by cattleman Tom Waggoner's (Eugene Palette) response to a couple of cowpokes who reach for their guns (see my summary line above). Once the fur starts to fly, you'll notice a couple of saloon girls join the action, and they manage to get the upper hand in their respective segments.Speaking of saloon girls, there was also a spirited song and dance rendition of 'When Johnny Comes Marching Home' by an actress who wasn't the female lead, another rarity. For that role, it was a surprise to see Jane Wyatt in an early film appearance, looking rather gorgeous as the hotel manager in Broken Lance. She spends her time in the film balancing her affections between the picture's star, Richard Dix, and Victor Jory, portraying the brother of town boss, Steve Barat (Albert Dekker). Jory always manages to succeed well in his roles, and is one of the few actors who can pull off hero and villain roles just as easily. In this one he straddles the fence for pretty much the entire picture, keeping you guessing on which way he'll turn by the finale. Speaking of which, one gets a fairly good impression that Jory's character didn't make it, but if this was a serial, he would have shown up in the next chapter.Then there's Willie Best in a comic relief role, used unfortunately to so much of the stereotype of a scaredy cat black man when facing danger. There was also an unfortunate line uttered by John Bonniwell (Dix) when he asked 'Bones' to "Come here boy". This was a pretty common occurrence in pictures of the era, and subliminally comes across as racist. With today's rarefied sense of political correctness, the comment was certainly noticeable, however Bonniwell treated Bones well throughout the rest of the picture.As for the story, a couple other reviewers do a good job of explaining the basic plot, so I won't dwell on that. With my viewing, I was on the lookout for supporting and uncredited actors that often pop up in these oaters, and "The Kansan" is a gold mine if you pay attention. Robert Armstrong is a Waggoner cattleman behind a mustache, and Rod Cameron is on board as a cowhand. It's easy to miss George Reeves in that quick shoot 'em up opening scene as Jesse James, while Jason Robards Sr. operates as one of Steve Barat's bank tellers. The rest of the uncredited cast holds a whole pile of bit actors whose names pop up in Westerns all up and down the Forties and Fifties.

Richard Dix was such a versatile actor and while he could play anything (he even started a series based on "The Whistler" a few years before he died) I think it was Westerns that he was best suited to. "The Kansan" was his last western and the supporting cast reads like a Hollywood Who's Who - Albert Dekker, Eugene Palette, Victor Jory, Robert Armstrong, Willie Best. It might not be from a big studio but the cast is tops!!!John Bonneville wakes up in hospital, not knowing what has happened to him. He has been made Marshall because he stopped the James Gang from robbing the town bank. He was just passing through and is not too keen on being made a Marshall. Most of the town are eager for him to have a go, especially Eleanor (Jane Wyatt, looking very fetching) who not only nurses him in hospital but also runs the town hotel.Sheriff Steve Barat (Albert Dekker from "Dr. Cyclops") has bought up a lot of land and is charging huge fees for people wanting to use the roads. When Bonneville's old friend, Tom Waggoner (Eugene Palette) asks him to help get his cattle across, John realises the Sheriff isn't as honest as he thought. He also realises why he was made a Marshall - so he could be just a pawn in the Marshall's scheme. There is a fight in the saloon that is action packed and very realistic. When the two bandits who caused the fight, are released from jail on bail, Waggoner is killed. The Sheriff, who put up the bail plans to ship the bail money to Kansas, with his brother's help. Victor Jory plays Jeff and even though he is at first eager to help his brother (he has gambling debts) he ends up on the right side of the law. His death saves the town.Robert Armstrong plays Malachy a bandit who helps John and Willie Best plays "Bones" in yet another humiliating depiction of a black man.Recommended.