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Simply Perfect

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

It is totally possible that I am not as gifted as others at analyzing films. I am certainly no critic, simply a chick who loves the movies. Personally, I enjoyed this one. It was dark, strange and surprisingly sweet. I won't pretend to be Ebert or the other guy by commenting on various camera angles, lighting choices, plot development or editing. I can only say that I was completely engaged in the story, genuinely concerned for the main character, and disturbed (in a good way) by the strange animation. I enjoyed it, you may not. Since its finally available on DVD from amazon.ca why not pick it up, watch it and judge for yourself? Don't go by what a bunch of people (including yours truly) with too much time on their hands have to say.

From the first frame to the last I was completely caught up in the unique visual world created by first time director Aaron Woodley. The dark, cluttered prop house where the majority of the film takes place is a nostalgic and otherworldly cave of magic and threat. It is the home to childlike Chep, an employee who rarely leaves except to immerse himself in old films at the local cinema. When a production designer named Fran enters the prop house looking for a pair of genuine rhinoceros eyes, Chep is instantly smitten.This film is rich in mood and atmosphere. It also has some great laughs and offbeat characters that are genuinely intriguing and not just annoyingly "quirky". The film is amazing to look at and there is even some creepy stop animation. But it is Chep who is the heart and soul of the film. Proving that he is more than just a pretty face, Michael Pitt delivers a heart breaking performance as the sweet and self conscious, reclusive who becomes increasingly desperate to please Fran and increasingly delusional about the nature of their relationship.Being cool, funny, creepy and touching all at once can't be easy but Rhinoceros Eyes is all of those things and more - a cult classic for the future.

Having just seen Rhinoceros Eyes, I want to tell fans of indie drama and horror to run, not walk to see this film if it comes anywhere near your town!The film is a coming of age story about Chep (Michael Pitt), a reclusive young man with an unfortunate past, living in a prop shop...and in a fantasy world fueled by cinema and the props he surrounds himself with. Supporting characters include his boss (Matt Servitto of Sopranos fame), his love interest, and "the cop". Interesting characters float in and out of the story in a way that never fails to entertain and disturb.I was reminded of films like Donnie Darko, and Repulsion; but Rhinoceros Eyes is its own entity. It is a creepy and frightening as it is funny and quirky. This film has some excellent camera work, and plenty of the symbolism indie film fans love to talk about afterwards. While the FX are reminicent of 70's childrens shows, this film is chilling, disturbing and fascinating all at once.Maybe I should say it again, See This Film!

As one of the 6 films I had a chance to see at the 2003 Toronto International Film Festival, it would have to be at the bottom of my list of recommendations. Slow doesn't begin to describe this somewhat "inspired" tale of a prop-shop worker named Chep (Pitt). Chep himself is a bit slow and experiencing some fantastical delusions. I felt like most of the movie, revolving around the search for some bizaar props, was filmed in ultra slo-mo. The dialouge was poorly timed, the acting was so muted it became painful (with the exception of supporting player Victor Ertmanis as "Sweets") to watch and the end so anti-climatic and directionless, I wondered how I would get those 90 minutes of my life back. I have read it compared to "Donnie Darko" and after seeing it, the only way that comparison works is that both carry a emotionally tortured lead characters. Pitt seems to summon more of a Giovanni Ribisi in "The Other Sister" (quietly endearing), than Jake Gyllenhaal in "Donnie Darko" (emotionally complex).Without being to harsh, Paige Turco as the object of Chep's affections is a total casting zero. It's not terrible, but not memorable. Hopefully first time director Aaron Woodley will step back a bit from his attempts to be so "indie profound" in his next project.