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Skylark
As her fifth wedding anniversary approaches, a woman realizes that she is fed up with always coming in second to her husband's advertising business. Just at the moment when she is trying to decide what to do, she meets a handsome attorney, and their innocent flirtation begins to turn into something a bit more serious.
Release : | 1941 |
Rating : | 6.2 |
Studio : | Paramount, |
Crew : | Art Direction, Art Direction, |
Cast : | Claudette Colbert Ray Milland Brian Aherne Binnie Barnes Walter Abel |
Genre : | Comedy Romance |
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Waste of time
Just perfect...
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Or, if you prefer, Comedy Lite, because 'Skylark" is only semi-funny. I can only guess Director Mark Sandrich didn't have a good feel for comedy as several scenes which could have been funny seemed forced and heavy-handed. A Leo McCarey or Mitchell Leisen could have gotten more mileage out of them, but, as is, "Skylark" is unsatisfying and leaves you feeling unfulfilled, like Lite beer or diet soda.Other reviews recount the plot, but just let me say that the main reason to watch this one is to watch several old pros give their all and try to make a mediocre picture better just by their presence. It belongs mainly to Claudette Colbert, who tries mightily and comes off the best of the principals. She is ably supported by Ray Milland and Brian Aherne, who also do their best. Walter Abel does not come off so well and is better in straight drama parts. And the old pop standard 'Skylark" is apparently not from this picture. I put my star rating in the heading as the website no longer includes them.
Very cute movie, about a wife that is sick of playing second fiddle to her husband's advertising job. It is obvious that he loves her but, he is so obsessed with his job, and little else, he loses her. Claudette Colbert is great as usual, and has some very funny scenes. She proves she was never afraid to get messy as long as it got a laugh. Ray Milland is dashing, but we don't like him in the beginning of the film when he makes Colbert apologize to his clients wife for running off with her other man, played so well by Brian Ahern. One of the funniest lines is when he "gifts" his clients his cook. Mona Barrie who plays the best friend of his wife says: "Lookie, lookie, lookie, there goes cookie". She leaves Ray, and then he realizes what a mess he made and tries to win her back. She gets involved with Ahern, who is charming and attentive and totally lovable. Ray lies about quitting his job, but she catches him in the lie and that is that. I really like this film, it is funny and touching and we are wanting Ray to win her back. He is so good looking and when he realizes that she is all that matters, we see him wear his heart on his sleeve for her. In the end, love conquers all over the job and the dog food. Just as a note.....I just came across a Vanity Fair article about Claudette Colbert where she said that she and Milland had planned a tryst at her secretary's apartment. Both were married at the time. She got half way there and turned around and went home. No tryst but she admired him all thru her life. Milland was a big womanizer, and maybe she thought better of the situation. They are so good together that it does not surprise me.
I like these actors in most everything I've seen them in, but this one has a whiff of cheese going bad in the fridge. Ray Milland is psychotic over his search for financial success and kicks his wife around like a dog. Colbert has lost her mind and her self-respect as she whimpers fondly around him hoping for a pat on the head. And then things turn weirdly comic as Brian Aherne drops in to distract her.A divorce seems comfortably inevitable; she and Aherne seem soul mates for sure, until Colbert's own psychosis turns her back towards a scheming Milland. Me oh my, who will she choose? Is anyone following this? I could have used cue cards for applause and hissing because the director didn't know where this thing was going. And it didn't get there.This mishmash was not fun, and now I've got to carve off the mold to salvage a single bite of cheddar goodness. One of the few times I've rated a film at less than the user average, but at only 103 voters, this fuzzy stinker seems to have kept most of them out of the fridge.
Although I saw this film in a copy of rather poor quality, I enjoyed it very much. The script was clever, very efficiently tackling a problem commonly faced by married couples: the husband is so devoted to his career that he neglects his wife without even understanding it and a third person is soon there to take advantage of the situation. We follow with interest the reactions of the heroes. At first, we completely justify the wife, but later on we take sides with the husband, and wish that true love wins. Both Ray Milland and Claudette Colbert deliver lessons in acting, they are simply magnificent. Brian Aherne and Walter Abel are also very good. In short, a very entertaining film, that leaves you with a sense of good feeling when it ends. I sincerely hope that it is soon available in an official DVD, it certainly deserves it much more than so many mediocre films that are currently in circulation.