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Model Shop
While trying to raise money to prevent his car from being repossessed, George is attracted to Lola, a Frenchwoman who works in a "model shop", an establishment that rents out beautiful pin-up models to photographers. George spends his last twelve dollars to photograph Lola, and discovers that she is as unhappy as he.
Release : | 1969 |
Rating : | 6.6 |
Studio : | Columbia Pictures, |
Crew : | Production Design, Set Decoration, |
Cast : | Gary Lockwood Anouk Aimée Alexandra Hay Carol Cole Tom Holland |
Genre : | Drama Romance |
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Absolutely the worst movie.
This story has more twists and turns than a second-rate soap opera.
It’s sentimental, ridiculously long and only occasionally funny
The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
Model Shop (1969) Director: Jacques Demy Watched: May 2018 Rating: 5/10 An "A" for effort, Proves Demy should stick with French, Not co-writing this. George refuses work, Loves a girl he hardly knows, Fears the draft and death? Abysmal acting, Especially Hays who has No language excuse! Aimée plays "Lola", With far less dazzle this time, Though still beautiful. Props for nostalgic L.A., "Spirit" band, life insight quotes. #HaikuSonnet #PoemReview #French ---- Haiku Sonnets are comprised of 4 3-line haiku plus a couplet of either 5 or 7 syllables, totaling 14 lines, the same number of lines found in a sonnet. (5-7-5, 5-7-5, 5-7-5, 5-7-5, 7-7/5-5) The perfect pairing of Asian and Western poetry?
Distinguished French New Wave writer-director Jacques Demy's first American film, 'Model Shop', is a belated sequel to 'Lola', his 1961 directorial debut. Both films feature Anouk Aimée as Lola, the sexy, somewhat mysterious love interest. In the earlier film Lola is a French "cabaret dancer" (prostitute) pursued by three romantic rivals. In the latter film Lola, now approaching middle age, works in a Los Angeles "model shop," i.e., a quasi-pornographic establishment that rents out cameras and beautiful pin-up models to amateur photographers. This time around Lola has only one ardent suitor: George Matthews (Gary Lockwood), a 26-year-old unemployed architect with a dimwitted 22-year-old girlfriend named Gloria (Alexandra Hay), a beloved Triumph TR3 about to be repossessed, and a newly arrived draft notice that might send him to Vietnam. After spotting Lola in traffic the usually blasé George is instantly smitten. He follows her back to the model shop and spends his last twelve dollars photographing her—and becoming more intensely infatuated. Lola submits to a one-night stand with George but will not allow the relationship to deepen: she only wants to return to her 14- year-old son in France as soon as she can afford the airfare. A desultory day-in-the-life saga, Model Shop beautifully evokes draft-era existential insecurity—and the desolate urban sprawl that is modern Los Angeles. The California rock band, Spirit, supplies the music. Trivia: Jacques Demy wanted Harrison Ford to play George Matthews but Columbia opted for Gary Lockwood, because of his starring role in Stanley Kubrick's '2001: A Space Odyssey' (1968) he was a much more famous actor at the time. More trivia: Fred Willard has an uncredited cameo as a gas station attendant. Further trivia: In 2005 Sundazed Records released Spirit's previously unreleased soundtrack album, 'Model Shop'. The film was a commercial failure. DVD (Region 2 – France; 2008); DVD (2009).
... even though it had flaws. Oh, did it have flaws.Despite the stilted, downright on-the-nose dialogue in later scenes between George and Cecille's characters, and some just plain unrealistic bargaining with the repo men, I liked it.Admittedly, it was mostly because of the diegetic music, the POV car shots, and the generally understated tone of the piece. One can tell this was the product of French thinking, without a doubt. The narrative is very reminiscent of the Dogme (I know, I know, not French, leave me alone) school of film making, though the last scene, with its non-diegetic music, violates a rule or two.In the end, however, the film uses the setting, script, and acting (for good or ill) to tell the story without reliance on plot device or other contrivance (the draft notice doesn't count because it was a real fact of life in 1969). If the performances of some of the main actors seem uncompelling, it is because the characters themselves are uncompelling. If George's girlfriend was worth keeping, wouldn't he have kept her? If George was worth keeping, wouldn't Cecille have stayed? The emptiness of their lives is reflected in the alacrity that is shown in escaping from them.The moral of the story is: Why don't we all just have our MG TDs picked up and be done with it?
The Model Shop which was made in 1969, is not out-dated today. Gary Lockwood plays a 26 year old who spends an entire day driving about town looking for something meaningful, as the threat of being drafted looms in the background. Clearly a somewhat typical 1960s film in the category of Summertree or Hail Hero, Lockwood has everything, but has nothing. Symbolism abound, and a great take on the American Dream. The film is low-key, as is Lockwood's performance. Unable to feel, or numbed by life's surroundings. Only after receiving his draft notice does Lockwood's character finally admits for the first time that he's afraid of what the future holds. The "Head in the Sand" feelings of many Americans in the 1960s who felt the war in Viet-Nam had nothing to do with them, is exposed here, until it's too late to feel, too late to care, and too late to love. The Model Shop is a "model" of modern film-making.