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Phenomenon II

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Phenomenon II

George Malley lives in a small town and is well-liked. One day he sees a strange flash of light in the sky and his life is radically changed. George has mysteriously become highly intelligent.

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Release : 2003
Rating : 5.1
Studio : Touchstone Television,  ABC Productions, 
Crew : Director,  Writer, 
Cast : Jill Clayburgh Peter Coyote Christopher Shyer Terry O'Quinn
Genre : Drama Science Fiction

Cast List

Reviews

Kattiera Nana
2021/05/14

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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Artivels
2018/08/30

Undescribable Perfection

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FeistyUpper
2018/08/30

If you don't like this, we can't be friends.

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Philippa
2018/08/30

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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john-shannon-903-426510
2010/11/20

While this TV movie is based on Phenomenon (starring John Travolta), and while a lot of the lines are the same, I did find the original movie quite sad and without hope. I think we need to see more hope in "TV movies" and "movies" in general. This was a very positive movie on every level. Like "a beautiful life" it touched on the connectedness of all things, and that our brains are hardly ever utilized to its full extent. Liked the spin on relationships - with the Autistic child "Jay", how George understood and could get through to him, when so many could not. Would have loved to have seen this become a TV series - its not too late for it to happen - with say someone like th SciFi channel (syfy), who pick up series like this when many other channels don't. (Surface was one such example). This movie went further than the original so to that extent its both a remake and a sequel.

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daves_of_yore
2007/11/05

Why wasn't this fine film made for theatrical release? This movie is as good as "The Fugitive," and "Chain Reaction." The leading role played by Christopher shyer was outstanding. I sure wish this was an ongoing TV series which I imagine what the film was expected to launch. The plot of a person with special abilities is one that does draw one's attention. It's an old film concept and has been done in different ways. An old Twilight Zone episode had such a person waste his powers. But in this film the leading character tries to use his remarkable mind in ways that are helpful to others. The leading actor played his role with dignified restraint which made him all the more likable. I would watch that actor in any role or film.

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Michel van Dijk
2006/07/29

Very sad, that people make the exact movie twice, with the same script, and that only a few years after the first one. I don't understand why they made it twice, but i guess they are having there reasons for it. It's almost miserable that they used they exact lines that John Travolta used on the first movie. I just don't understand why they made it twice, with only a few years between it, it's against all movie rules. And the second one is even worse, you see almost no emotion in the leading role called george, it's like he studied the first movie (John Travolta), and is trying to act like John Travolta, almost like a robot, because i totally mis the emotion in his words and face. If you remake a movie, than make it good.

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Dimarc
2003/11/01

I can't figure out why this is called "Phenomenon II"--it's more accurate to call it "Phenomenon, Too". Gerald Di Pego wrote both scripts, but this is no sequel. A complete re-telling of the original, maybe he felt a re-write was in order? Presented by Walt Disney--complete with an appearance by Michael Eisner alongside the original Phenomenon's John Travolta, this new version explores more of the dilemma of our hero's quest to learn and contribute as he faces his apparently impending end.George Malley (Christopher Shyer), mechanic in 'smalltown', CA--smart, but no genius--sees a bright light in the sky that seems to overwhelm him. From then on his mental prowess skyrockets, complete with extra sensory perceptions including telekinesis, premonitions, and telepathy, but also severe insomnia and headaches. Having been shunned by frightened and jealous townsfolk, including his own mother (Jill Clayburgh), George must now find a way to live in a world that either hates him or exploits him the moment he's brought to light.The original supporting roles seem to be downplayed in this version in lieu of adding some new figures. The initial love interest is a local potter (in the original she's the chair-maker across the street), and in both stories she distances herself despite George's sincere efforts to get to know her better. But instead of inevitably opening to his interest as in the original, the new script has her gently but firmly shutting the door surprisingly early.Once it's revealed that George's increased mental abilities are the result of an inoperable tumor, the two stories finally diverge as George sets out to live and learn as best he can, for as long as he'll live--he's told it's a matter of weeks. We also see an aspect here that was not explored the first time around. Along with his new mental faculties, George seems to have healing abilities as well. This suggests that perhaps he can hold the tumor at bay for some time to come, if not indefinitely.Oddly, there's something significant missing from this latest telling--an ending. Fade-out sees our hero standing by himself gazing at the sunset through the distant Golden Gate. This, after successfully misleading and evading the NSA (who mistakenly believe him a military computer saboteur), having successfully installed himself in yet another small town as an electronics repairman, having reached a withdrawn, child-prodigy and healed the rift between the boy and his father, having made a new acquaintance with a mounted police woman (with an unruly horse and a broken VCR), all while continuing to send his ongoing, independent, scientific research to his professorial contact at Berkeley. Hardly a spot to wrap things up.Now I don't read up on TV news, so I certainly wouldn't know if there was a plan here or not, but this thing screams 'TV Pilot' loud and clear to me. The performances are appropriately warm and the direction secure, but the writing is definitely more about continuing conflict (vs. tying things up in two hours).Seems to me we've got a new spin on 'The Fugitive' as George strives to maintain his freedom (and perhaps clear his name), continue his quest to use his gifts for the common good of man and mankind, and, of course, stay alive. If they develop his relationship with the police woman, then we'll either see some tap-dancing as he's forced to hide his identity from a possible love interest, or convince her to become his partner in goodness.While the workings to set up a series pilot are obvious and numerous, they seem sound. If they do launch a series, I'll watch. Whether it grows or tanks, I'm interested to see what more's in store for George.

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