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The Sixth Column
Two different alien races are at war. Representatives of each race have landed on Earth to battle it out here, but they've taken human form and they can only spot other aliens through the use of special glasses.
Release : | 1970 |
Rating : | 6.4 |
Studio : | Thomas/Spelling Productions, |
Crew : | Art Direction, Set Decoration, |
Cast : | Lloyd Bridges Angie Dickinson Harry Basch Daniel J. Travanti Allen Jaffe |
Genre : | Science Fiction TV Movie |
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Reviews
The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
Good films always raise compelling questions, whether the format is fiction or documentary fact.
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Story: It's very simple but honestly that is fine.
The story idea behind "The Love War" is really neat. Too bad it's undone by a huge and obvious plot problem.The film is set on Earth in the present day. Two teams of aliens are having a private war among us and they look just like us. But, if the aliens use special glasses, they can see their enemies and kill them. On one side is Kyle (Lloyd Bridges) and he spends most of the film running about avoiding the other aliens and killing them when he gets the chance. Along the way, he meets an apparent human woman, Sandy (Angie Dickenson) and she sees him make one of his kills disappear! Instead of killing her or erasing her memory somehow, he brings her along with him...something that doesn't make a whole lot of sense. What makes even more sense is that he automatically assumes she's a human and NEVER uses his special glasses to see if she's the enemy. And at the end, guess what...she's an alien baddie...just like EVERYONE watching the film guessed long ago!Predictability is a serious problem and so is how quickly the pair seem to fall in love...it just makes no sense. I wish they'd just worked out the plot problems better before they filmed this one...because it had real promise.
At last after years I know the name of this film, with this title no wonder I couldn't remember it. What is it about this film that causes those who saw it when young to remember it so well, like others who have commented on this I saw this aged about 8 to 10 years old on British TV in the mid 70's, I remember a trailer for it but not the very beginning, perhaps I missed it and that is why I couldn't remember the title. I remember some scenes so clearly however and have never seen it repeated and no one else that I described it to can remember it. Perhaps it is the ending that caused it to stick in my mind the first film I have seen with such a twist, will people who have seen the sixth sense feel the same. The heroin is there to be saved or help the hero , not in this case a real femme fatal, but not happy about doing it. Micale Cain said why do they remake good films, they are already good it is the bad ones that need remaking to make them better, if not a direct quote it describes the gist of what he said. I am not sure if this could live up to my memories of it , but I would like the chance to see it again, would I be disappointed? hopefully not
Like a lot of other reviewers, here, I saw this a long time ago. It was telecast on old Channel 9, out of New Jersey. I tuned in a little bit late. But, I stopped channel-surfing when I recognized who the stars were.Lloyd Bridges, the veteran air-traffic controller from that hilarious disaster-spoof AIRPLANE; and Angie Dickinson, the sexy actress who played the first slasher-victim in Briam Depalma's DRESSED TO KILL!I think the real reason Channel 9 telecast that particular movie, however, was the presence of co-star Daniel J. Travanti (credited in the film as "Dan Travanty"). The latter was then-known as "Capt. Frank Furillo, NYPD," on the NBC crime-drama HILL STREET BLUES.If you've read the other reviews, you already know the basic plot. Two teams of aliens--three beings per team--fighting for possession of our unsuspecting planet. And, Ms. Dickinson's character as a poor innocent by-stander caught in the middle.For those who have grown up with series like X-FILES, THE VISITOR, and STARGATE: SG1, this premise will not seem new. But, back in the early/mid-Eighties, when Channel 9 first aired this, it was refreshingly innovative! To me, anyway.And, like the other reviewers, I sincerely wish it would be re-released on DVD. If only so I can see my parents' reaction to the twist ending (they're big fans of the movies' lead actors)!
Like most of the comments here, I'm working off of my childhood memory. But the fact that I remembered the title after all these years has to count for the quality of the storyline, low-budget or not.I have several scenes of this film stuck in my brain - which I won't give away here should we actually get a DVD box set of the Best of the Movies of the Week some day (hint, hint). But I have to go on record as saying that Spielberg's DUEL isn't the only TV film ABC produced under the Movie of the Week banner that is worthy of note. I'd venture to guess that there were a dozen of these suspense/horror/sci-fi genre films nearly as good (or better) as much of the summer movies we're seeing in theaters these days (and I'm talking about storytelling, not effects and explosions). That may not say as much about the quality of those TV movies as the lack thereof in modern films. But LOVE WAR in particular, was one I watched every time it was on and has held up - at least in my mind.I'd love to see it again, if only for the sake of nostalgia.