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Redundant and unnecessary.

If you don't like this, we can't be friends.

Excellent adaptation.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

I was very young when I saw Invasion on TV many, many years ago. The dead man lying on floor, fire poker beside him, two rather attractive female aliens standing impassively over him, somehow stayed in my mind (for some reason) for a long time. Shortly afterwards, there Invasion was referenced in a beloved compendium of B Movie sci-fi I bought in a church jumble sale. Childhood, eh?Anyway, I watched Invasion again a few weeks ago on a cable channel. It is a product of British science fiction period from the late Fifties to mid Sixties, taking its cue from the likes of Quatermass or Village of Damned; maybe not in the same league as those classics, but still enjoyably effective nonetheless.I don't think I need to repeat the plot and, yes, there are a few holes (what happend to the second alien? Did they kill the nurse?), and rushed ending, but when most of today's low budget sci-fi and horror revolves around CGI, found footage, gore and zombies rehashing, Invasion is a reminder of the quiet powers of understatement.

One in a series of low budgeted, virtually forgotten science fiction thrillers released in the UK in the mid 1960s, including THE EARTH DIES SCREAMING, this is a sombre, intellectual look at an extraterrestrial visit upon earth. Set in one location, a small village, the action is played out slowly and eerily over the short running time, with the emphasis on a creepy atmosphere instead of special effects. In fact, there are virtually no SFX in the film, apart from a wobbly rocket take off at the end. The budget was obviously the reason for this, but it forced the writers to deliver a more literate script than we might have had otherwise (just take a look at films today like VOLCANO, where the writers don't really bother anymore).The cast is full of virtual unknowns, with only a couple of familiar faces. Saying that, the acting is still all to a high standard. Edward Judd (ISLAND OF TERROR) is the big name, and once again he plays the square-jawed action hero who spends most of the time running around in the sewers and basically being an all round pillar of the community. Cult fans will also notice Fu Manchu's daughter, Tsai Chin, in the film as a nurse. There is little action in the film, but instead a strange kind of siege, in which the doctors and nurses discover they are surrounded by an impenetrable force field (shown in one clever moment where a guy's car runs into an invisible brick wall and smashes up), with the alien visitors closing in. The tension here is quite high, and the film uses NIGHT OF THE BIG HEAT's trick of having the temperature constantly increasing, both an ominous sign and a factor which quickly affects tempers and makes it difficult to think.The eeriest moments are of aliens wandering around in the forests, watching and waiting, or when a man has a heart attack after two alien girls approach him. There is some fun to be had from the conflict between the doctors and the local military (always an ongoing conflict of interests in these films), and the scenes involving the alien at the hospital, which can only speak after touching a human. Quite clever when you think about it. The only bad thing about the film I would say is the rushed twist ending, which leaves the viewer a bit confused and should have been slowed down a bit. Still, this doesn't detract from a nicely engaging tale.

This British film is a good example of how intelligence and care can be very adequate substitutes for big budgets and endless CGI. It was made in the sixties but I can watch it again and again while bloated modern sci-fi films are seen and soon forgotten. It is a low key film and the people in, in the face of something alien, get on with their jobs as best they can. This makes them more like real people than a lot of films do. Each one is fallible and anxious, trying to cope with the unknown. Edward Judd is his usual morose self but is a plausible doctor. Valerie Gearon as another doctor is great. The scene where she is discovered sprawling on the carpet, reading a text book and listening to music makes you warm to her instantly. She was an under used actor in British films.The plot is simple; a strange man in a rubbery suit is knocked down in the road, taken to hospital and discovered to be an alien. Meanwhile two other aliens are searching for him. And that's it. The atmosphere of suspense is quietly conveyed by the lighting and the black and white photography. At one point a force field is established around the hospital. There is no CGI to show this but car stops dead and kills the driver, the temperature goes up, the hospital workers react. One believes in that force field without a penny being spent on a special effect. That is good film making. There are many such interesting British films of the fifties and sixties that need re-appraisal and will be worth looking at again when we have tired of over blown under nourishing block busters

One night in Britain, electronic devices stop working briefly and a strange fog. A man returning from a party hits a strangely dressed man on the road. When he is taken to hospital they find he may not be totally human. With two more aliens on the loose the hospital finds itself under siege inside a force field. The captured alien tells stories of prisoners and a cruel society - however which of the aliens are really the threat?This is a very simple sci-fi film. To set it in context I watched it with Species 2. Now Species 2 had a huge budget and plenty of special effects, whereas this didn't have any - it's aliens are basically Asian actors and actresses rather than big rubbery effects. The story is very effective and it manages it by never fully playing all it's cards. We're told several stories from the different aliens and it's not right until the end that the truth is revealed. It's not fantastic, but it's a quite good story that gets more dramatic when the hospital is encased in a force field.The main reason the film succeeds is it's production and direction. The direction draws menace from shadows and innocent everyday items and adds a great tone to the film that special effects wouldn't have done. The production adds to this - the use of music is excellent - for example near the start a military unit is watching a radar screen with dramatic music, when the radar cuts off so does the music - the silence being eerily effective.The weaknesses are mainly around the aliens - they're not great actors and it shows when they have to do any length of talking. Other than that it's perhaps a little too slow and simplistic for modern audiences.Overall it's a very atmospheric thriller that makes up in mood what it lacks in special effects.