Watch The Miracle on 34th Street For Free

The Worst Film Ever

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Is there anyone who has not yet seen the original (1947) "Miracle on 34th Street?" Should there be such a person and he or she comes across this 1955 shortened TV remake of the film, it's worth watching -- but, just barely. This probably never plays on TV anymore, and one can understand why. It's no match for the original. One would have to pity the writers who had to reduce the 96-minute original to way under 60 minutes. There was too much in that original to even try to condense it all. Something had to go, and that usually was the filler that tied the parts together. So, this TV adaptation comes across as choppy. Viewers are robbed of too much information to have the story unfold smoothly, as in the original. Still, there is the semblance of the main story here, and the performance of Thomas Mitchell as Kris Kringle helps make it at least palatable. His performance and a rough but still evident main story are the only reasons why this adaptation deserves even five stars. Note though, that this is a different, rougher Kris Kringle character.Unfortunately, for this film, Mitchell's is the only part worth mentioning. There isn't another performer who comes close to the counterpart performance in the 1947 film. And, the subplots of the film – i.e., the romance between Doris Walker (Teresa Wright) and Fred Gaily (Macdonald Carey) and the transformation of Doris are incomplete and hardly believable. They happen too fast, with so much missing in between. I can excuse some significant changes from the original (i.e., the courtroom scene with reindeer), as an effort to spice up the gutted remnant of a great film. Other changes alter the substance of the story (i.e. Doris having the idea for the Post Office to deliver Santa's mail to the courthouse). I had seen this film on TV long ago, and watched it again recently since it was on my DVD of the original movie. Once the original film's copyright expired and it became part of the public domain (early 1970s), all the remakes before and since then were probably doomed to any future viewing. This second-rate scaled back remake fits in that group.

This is a television version of "Miracle on 34th Street". In most ways, it's the 1947 film all over again but with a few plot lines eliminated and an insanely fast delivery. The actors literally deliver their lines at break-neck speed--and it makes for a curious and unimpressive film. In no way at all is the film better than the classic version--and in most ways it is inferior. While Macdonald Carey and Theresa Wright try their best, they just aren't as good as John Payne and Maureen O'Hara. The same can be said for Santa. While Thomas Mitchell was okay--he just wasn't as sweet and wonderful as Edmund Gwen. However, the biggest difference is little Susan Walker. While Sandy Descher was competent, she wasn't even close to Natalie Wood--who delivered one of the best performances of a child in any film of the era.So, if this film is based very closely on the original, is VERY rushed and in no way is as good, you may be tempted to say 'why bother watching this 1955 version?'--and I'd insist that you are 100% correct! An odd curio but nothing more.

Condensing one of my favorite film's--the 1947 version, into a 45-minute show had to be a mistake. Scenes that made the original great were omitted or condensed. One of everyone's favorite scenes in the original was when they hauled in all those bags of mail in the court room. This quickie version had just two men shown bringing in mailbags! The opening where Kris had applied and been hired for the job of Santa instead of filling in on an emergency basis definitely started this train going off the tracks and it became a total train wreck with the added scene described by other reviewers here.The original had a scene in Sawyer's office where Kris, frustrated, gave him a light tap with his cane. Most viewers could easily side with him at that point. This 1955 version has it played where Kris gives a full overhead swing clobbering Sawyer on his head from behind, in front of a room full of children and their parents.I cannot picture any type of Santa Claus viciously clubbing someone in front of a bunch of children. To me, this changed the whole tone of the show.Even without that scene, the rest of this show seemed speeded up. My DVR can play things where you hear everything but it runs faster than it took to record. I kept checking to make sure I wasn't doing this by accident.The scenes they took out were instrumental in making the original a great movie. I imagine most anyone seeing this version first would have no interest in watching any of the other fine versions that got the full treatment. As presented, the show is disturbing and lacks most of the charm of the original.

Thanks to the recent 'Special Edition' release of the 1947 classic "Miracle on 34th Street", this first 'remake' of the tale, included in the 'Special Features', is available for everyone to enjoy...and while it lacks the magic of the film, it is certainly entertaining in it's own right! There were, surprisingly, five versions of the Valentine Davies Christmas story produced over 47 years, each offering a different emotional 'spin' to the question, "Could Santa Exist in a Materialistic World?". The 1955 version, aired as an episode of "The 20th Century-Fox Hour", was certainly the closest in 'look' to the original (utilizing footage from the film, to help offset a tiny budget, and offering Herbert Heyes, reprising his role as Mr. Gimbel), and benefits from a first-rate cast of major stars (Teresa Wright and MacDonald Carey, who had worked together in Hitchcock's "Shadow of a Doubt", John Ford 'stock company' stars Thomas Mitchell and Dick Foran, Orson Welles' Mercury Theater alum Ray Collins, and veteran character actors Hans Conried and Whit Bissell). While 10-year-old Sandy Descher lacked the skeptical sweetness of Natalie Wood in the key role of young Susan, veteran director Robert Stevenson, juggling a large cast and short running time, kept things moving so quickly that her shortcomings were easily overlooked.I'm a great fan of Oscar-winner Thomas Mitchell, and his portrayal of Kris Kringle is a gem, but he seems more a bearded leprechaun than Santa Claus, with a 'snap salute' greeting, and Irish mischief concealed behind those twinkling eyes! In a major divergence from the film, he actually DOES strike Sawyer (John Abbott), in front of a roomful of children, for attacking his claim of being Santa Claus (which, in the original, was a trumped-up charge to get Kris committed). Edmund Gwenn's portrayal was, and still is, the yardstick by which all "Santa Clauses" are measured...and, truthfully, no one else has ever come close.The major problem in the 1955 production isn't in the casting, however; it is in the brevity. A magical story of renewing one's sense of wonder and innocence, of rediscovering love and why we need Santa Claus, requires time to unfold, and less than an hour simply isn't long enough! Despite all of the talent involved, this version never comes across as more than an 'abridged' copy of the original, and would be easily 'passed over' without it's classic ancestor's name attached to it. But it is still fun, and worth viewing!