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Dying Room Only
A married couple are traveling on a deserted desert road at night. They stop at a diner and the husband goes to the men's room. He never returns and the wife begins to suspect serious foul play.
Release : | 1973 |
Rating : | 6.8 |
Studio : | Lorimar Productions, American Broadcasting Company (ABC), |
Crew : | Production Design, Director of Photography, |
Cast : | Cloris Leachman Ross Martin Ned Beatty Dana Elcar Louise Latham |
Genre : | Drama Thriller TV Movie |
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Reviews
Why so much hype?
Good movie but grossly overrated
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
The film's masterful storytelling did its job. The message was clear. No need to overdo.
Apparently there was enough interest in "Dying Room Only" that made Warner Bros. release this on DVD on 1/19/10. Its on a web-site called www.warnerarchive.com. This is also a re-mastered print which isn't too common for made-for-TV-movies. I just ordered mine and it is definitely worth the investment. TV airings of this movie have all since passed and probably won't get the time of day any longer, so the DVD is worth it's weight in gold. ($19.99) It is crystal clear and the movie is un-cut. There aren't any extras or special features but it is still a treat. Kudos to Warner Bros!! (who has the Lorimar Productions library of movies).
This TV movie is obviously the inspiration for the 1998 Kurt Russell thriller, "Breakdown". But in this earlier version the story is told from a distaff point of view as a woman (Cloris Leachman) desperately searches through a grim little community for her missing husband. Menacing locals Ross Martin and Ned Beatty get to play bad guys for a change and do a great job as they stymie Leachman's efforts at every turn. The music is well arranged and atmospheric. The final showdown is reasonably suspenseful. Oh, and you get to see a young Dabney Colemon as Leachman's husband- well, for a minute anyways as he soon vanishes in the first act. Trouble with this movie is, like his rather pedestrian work in "When Michael Calls", director Phillip Leacock's uninspired direction doesn't bring home the thrills that this interesting story (written by Richard Matheson, author of "Duel") had the potential of delivering. A great premise, but not a great movie. If you want to see a superior version of this story, just rent the unofficial remake, "Breakdown".
A favorite t.v. movie from the 70's. Again, Richard Matheson creates atmosphere and suspense out of almost nothing as a couple stops at a remote diner/motel and the husband never returns from the bathroom. From the bathroom? Who writes a suspense movie where the husband apparently falls in the toilet? The man who brought you the vindictive 16 wheeler of "Duel." Unlike that clever but overpraised feature, "D.R.O." (What's up with that title? It can't be a play on "S.R.O." can it? You don't buy tickets for the toilet?) stays close to realistic scale, and the less than apocalyptic climax is a face-off by two determined middle-aged women. Complain all you want - it worked for me then, it works for me now.
Married couple driving through the desert stop off at a diner; the husband goes into the men's restroom and never comes out. A fascinating premise for a so-so TV-made thriller which does give Cloris Leachman (Phyllis on "The Mary Tyler Moore Show") one of the four best roles of her career (the others being "The Last Picture Show", "Young Frankenstein" and "A Girl Named Sooner"). Ross Martin is truly scary as the diner's proprietor, and the movie creates amazing tension amidst a realistic rural scenario. Too bad the script isn't as thought-out as one would like. After viewing this on video, a friend and I debated long into the night about what might've been done with the concluding events. The movie doesn't cop-out exactly, but neither does it give us any truly thrilling answers to the wife's predicament. Overall, worth-seeing for Cloris and the promising premise, but I was "Dying" for a better denouement.