Watch The Great Scout & Cathouse Thursday For Free

Purely Joyful Movie!

Good movie but grossly overrated

Best movie ever!

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

It is so strange to find the flower of one's bountiful youth at the peak of Hubbard's Curve forgotten so thoroughly in my own lifetime, and I'm still long from dead.I read all the reviews and all the commentary threads & posts, incl stan who has it on DVD and the oh so insightful contrasts & comparisons with similar flicks and associated genres.Now if someone would just talk about the movie, other than repetitive spoilers. Like me. This movie might have made it to the theatre but that theatre was probably in Saskatchewan or Shreveport. This movie was made in Mexico, as in just across the border in pasture someplace between Tijuana & Tecate, better known as south San Diego, a favorite of Hollywood producers when their cast wants per diem and won't go to the high desert on the road to Vegas one more time.It was made at a very curious time. The Vietnam War had finally ended the year before, and hope was blooming that the spectre seen to include everything from redbaiting to censorship was possibly on the run from a restored mass common sense. As such, the brief bare female breast scene and dialogue of moderately vulgar epithets AIRED ON NATIONAL BROADCAST TELEVISION as an episode of ABC Movie of the Week in an effort to keep that waning franchise vital via casting itself as a purveyor of bold and daring content, at which it failed and was quickly forgotten as a hugely attended mass media franchise in the shadow of cable TV's subsequent meteoric rise.That no one has yet to remark on this insignificant landmark held by this film demonstrates to me that anything prior to Ronald Reagan as president is remembered no more than Truman at Yalta, a curiosity to be shoe horned into a lustrously cast period biopic.

The American Western had gotten kind of tired by the early 60's and ended up moving overseas during that decade where it begat the Spaghetti Westerns or Euro-Westerns. There is no doubt these films really revitalized the genre, but what was especially interesting is the influence they in turn had on the American genre in the 1970's. This is most obvious perhaps in early American Clint Eastwood Westerns like "Hang 'em High" and "High Plains Drifter" which traded on Eastwood's mercenary "Man with No Name" character. The more left-wing political Eurowesterns, meanwhile, probably had at least some influence on American films like "McCabe and Mrs. Miller" and "Pat Garret and Billy the Kid" (as well as on overtly political pseudo-Westerns like "Billy Jack"). This rather obscure American film is especially interesting though because it really betrays the influence of the third type of Eurowestern, the slapstick-comedy Westerns typified by the "Trinity" films of Terence Hill and Bud Spencer.This movie is also interesting in that it casts two the scariest screen heavies of all time--Lee Marvin and Oliver Reed--in roles that sre not only sympathetic but funny. Reed plays an Indian(!), which easily could have been a disaster, but he turns out to be quite funny as a resentful half-breed who kidnaps a bunch of prostitutes in order to infect them with a dose of clap he has in order to create an epidemic that he hopes will reach all the way to the White House! He quickly forgets about this hare-brained scheme, however, when Marvin's character enlists his aid in getting revenge on an old partner (Robert Culp) who swindled them both and stole the Marvin character's perpetually unfaithful wife (Elizabeth Ashley). Rounding out the gang is character actor Strother Martin and Kay Lenz as "Cathouse Thursday", one of the prostitutes who decides to stay with her abductors. And this itself becomes a problem because she is the favorite of a lesbian madame (Sylvia Miles), who commands her own gang and owns the only motorcar around. It all comes to a head at a boxing match/political charity for the election of William Howard Taft.Besides Marvin and Reed, the other main asset of this film is Kay Lenz. Lenz was a very appealing actress but not a traditional Hollywood beauty (she was kind of like Sissy Spacek or Hilary Swank), which often got her cast in "loser" or "outsider" roles like the title role in the ridiculous TV movie "The Initiation of Sara". After her memorable debut in "Breezy", she also kind of got typecast as a younger woman romantically involved with much older male partners ( William Holden in "Breezy", Lee Marvin in this). She was definitely very cute (she was once married to 70's heart-throb David Cassidy) and Hollywood should have done a lot more with her.This isn't really a classic Western (and it's pretty hard to find right now), but is an interesting and entertaining film.

This is American International Pictures mid 70s drive-in movie idea of Blazing Saddles meets Cat Ballou via Paint Your Wagon. Believe it or not, it is actually funny. Renowned for making budget imitation versions of popular genres or other blockbusters, AIP often just made their own remake of whatever was popular. Bonnie And Clyde? AIP make A Bullet For Pretty Boy or BoxCar Bertha or Bloody Mama, etc. Westworld? AIP make Futureworld. on it went. Until after Superman they made Meteor and went broke. Sad really because AIP had a place in pre Video and DVD Hollywood after Republic Pictures and Allied Artists also went out of the biz. GREAT SCOUT is a Lee Marvin western style 'romp' with an excellent cast. It imitates those initial films above (possibly also The Cheyenne Social Club) and adds some phoney animation (cartoon dots supposed to be a beehive attack) rude Native American Indians played by Oliver Reed (!) and Black Bart style gunslingers. It's all slight and silly. Cross reference the films mentioned and it is all no worse than something Ann Margret and Arnie and Kirk Douglas once made. GREAT SCOUT is a sitter for a cult revival on DVD.

An outstanding and irreverent comedy. Lots of belly laughs! Cannot understand why it is not available on DVD yet? Even though that pretty well sums up what I have to say, more is necessary if I want this to appear, so here goes.Marvin, Reed, Crenna and Lenz all have a gift for comedy that was not always appreciated. Lenz is at her most fetching and can light up the screen and steal scenes, even from such veteran actors. Amazing also the way the old West stuff is still so applicable to modern life. Guess the dynamics of human nature and the relationship between men and women never change much. People a hundred years from now could watch this film and get the same laughs as the same absurdity in human situations will still exist then.