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Everything Will Be Okay

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Everything Will Be Okay

A divorced father picks up his eight-year-old daughter Lea. It seems pretty much like every second weekend, but after a while Lea can't help feeling that something isn't right. So begins a fateful journey.

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Release : 2015
Rating : 7.4
Studio :
Crew : Production Design,  Cinematography, 
Cast : Simon Schwarz
Genre : Drama Thriller

Cast List

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Reviews

Alicia
2021/05/13

I love this movie so much

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InformationRap
2018/08/30

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

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Jenna Walter
2018/08/30

The film may be flawed, but its message is not.

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Dana
2018/08/30

An old-fashioned movie made with new-fashioned finesse.

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Horst in Translation ([email protected])
2016/11/25

"Alles wird gut" or "Everything Will Be Okay" is a German/Austrian co-production from last year (2015) that resulted in a half-hour live action short film that managed to impress awards bodies all over the planet. The movie is entirely in German language, so you may want to get subtitles. The writer and director is Patrick Vollrath, who has been writing and directing short films since 2009 already, bus this one here is easily his biggest success so far. And the reason is that his effort was nominated for an Academy Award. And even if he lost to "Stutterer", it is still a great achievement. This is the story of a desperate father who tries to fly out of the country with his young daughter because his ex-wife is about to assure he does not get to see her daughter anymore. Is the title true and will everything really be okay eventually? Watch for yourself and do not keep reading this review if you want to avoid spoilers.The sad thing about this short film is that even if the daughter is safe that there are really only losers eventually here, most of all the father and also the daughter because this day was probably a traumatic event that she will always remember. I think Simon Schwarz does a pretty good job, but that's no surprise looking at his long and successful career. The child actress is Julia Pointness and she gives one of the best child performances of 2015 for sure. Her work should not be discredited because it is "only" a short film. The best thing about the film is probably the emotional moment when Schwarz' character confesses at the end that he has nobody and nothing besides her in life. The weakest moment is perhaps when the daughter tells him that he has to admit that he made something wrong and regret it. This did not feel like an authentic kid's reaction at that point. Overall, however, the good outweighs the bad and I am fine with the film's Academy Award nomination. It's maybe not good enough to win, but then again it's at least as good as the winner I mentioned earlier. Plus, the subject here (fathers' rights) is probably a lot more relevant. Go see it! You will not be disappointed.

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film_person007
2016/02/21

This was my favorite film out of the five Oscar shorts (almost tied with "Day One"). I'll start by saying it's comparison with the "Room" is obvious.It was intense, darling and flawlessly made. No plot holes or questions. Nothing done in bad taste and while the ending was dramatic (and daring) the story wasn't all in all horrible (like Room). No one almost died and no one was rapped (like in the movie Room) however the intensity and story style was matched.Perhaps the short format is better for a story like this and if Room had been a short, is would have been better but again I mentioned that this film lacked the distasteful subject matter that Room did.

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jtncsmistad-82689
2016/01/01

From thequickflickcritic.blogspot.com/ The Oscar-shortlisted German Short "Everything Will Be Okay (Alles wird gut)" touched me in a particularly personal fashion. As a father, I found it wrenching to process this chronicle of a scheduled visit between a divorced dad and his young daughter as it rapidly disintegrates into a dark and ominous journey of utter desperation and debilitating sadness.Though I am not divorced, I certainly identify with the overwhelming love that Michael (a searingly heartbreaking portrayal from Simon Schwarz) has for his baby girl, Lea (8-year-old Julia Pointner in a stunningly moving performance beyond her years). Without reservation I can not condone the extremes to which this deeply troubled man goes to secure his child for his very own. Still, I absolutely comprehend the all-consuming emotions invested in doing whatever a parent must to care for and protect those whom you love literally more than you love your own life.At different moments in the film, little Lea is assured by first her father and later her mother that "Everything will be okay". Yet in the wake of the spirit-shattering final scene we have just witnessed, we are sure only of this: While it is a comfort well intentioned, for this conflicted child caught in the crossfire of scathingly contemptuous parental warfare, it is a promise that can never truly be honored.For more of my Movie Reviews categorized by Genre please visit: thequickflickcritic.blogspot.com/

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David Ferguson
2015/12/22

Greetings again from the darkness. Dramatic short films are challenged with generating an ultra-quick connection with viewers. German director Patrick Vollrath begins the film by showing a man anxiously pacing and buzzing the gate bell outside a suburban home. Our instincts that tell us he must be in some kind of trouble fade a bit when an 8 year old girl runs into his arms exclaiming "Daddy!" Lea (newcomer Julia Pointer) clearly loves her father, and we quickly figure out this must be the scheduled every other weekend visit resulting from a recent divorce. Lea's excitement is palpable as they stop off at a toy store where her dad tells her she can pick out any two items she wants. A simple gesture that's probably repeated thousands of times each weekend, re-ignites the instincts we felt in the opening scene. Some "little" hints confirm our suspicion as the two hurriedly rush to an appointment at a government office and then on to the airport.Simon Schwarz plays Michael Baumgartner, the dad who transitions from anxious to warm/loving to purely desperate. His performance, and that of young Ms. Pointer, are realistic and so spot on that we as viewers are sympathetic to both. It's an exceptionally tense and dramatic half-hour reminding us that in a broken family, it's rarely the case that "everything will be okay", and sometimes things escalate into a literal tug-of-war that is heart-breaking. This is expert work from a filmmaker that understands the magic of short films, and it's little wonder the film has been so well received at AFI, Cannes and numerous other festivals.

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