Watch Don't Worry, We'll Think of a Title For Free

I like the storyline of this show,it attract me so much

Very very predictable, including the post credit scene !!!

Highly Overrated But Still Good

Admirable film.

This was a lost film for decades, until someone at Turner and United Artists resurrected it for a few TV showings. Apropos of all the other reviews here, unless you enjoy 60s culture as viewed by middle-aged men of the period, the movie will leave you at a loss. Morey Amsterdam, who co-wrote and produced, and Rose Marie are alternately embarrassing and silly. Morey's one-liners were dinosaurs on the vaudeville circuit and would have been rejected immediately for the Alan Brady Show. A low-budget and unfunny pastiche of bad jokes that simply painful to sit through. However, there is some amusement in seeing Richard Deacon try in vain to rise above the material. A few of the cameo roles are of historical interest. A bomb at the box office when first released in 1966, this film is best left in the vault.

I went across this film on TV and watched it mainly because I had enjoyed a lot the first "The Dick van Dyke Show" and everybody but the main couple was there. In my opinion they didn't think of anything at all here, not just the title.The conclusion could be that the cast was comfortable on television but the big screen was too big for them. Director Harmon Jones started making some average or below average pictures but ended up filming episodes of different series of the little screen; this was probably his right place. Rose Marie and Morey Amsterdam don't reach at all their funny performances with van Dyke and several cameo appearances by well known comedians don't help either.Can't recall a single smile with this one.

I hoped the lazy, arch title would be deceptive. It isn't. The movie is a series of one-liners, improbable situations, and lackluster cameo appearances.The joke in "The Aristocrats" is said to be old. Hey, it can't be as old as some of the ones used here; and it's much funnier.Someone who had never seen The Dick Van Dyke TV show would be at a loss here. The stars are that show's delightful Rose Marie and the less delightful but reliably amusing Morey Amsterdam. Richard Deacon, also from the show, plays two roles.Typical of the ineptitude displayed throughout is the "Beatnik" party the primary characters attend. At it, clean-cut people dance in very square fashion to music with a bland sound that predates rock 'n' roll. This music actually sounds like the theme song to "The Munsters" TV show. That show was pretty lame but it had distinct characters. To show how really bad this is, by comparison to this exceptionally slapdash and unfunny movie, "The Munsters" seems like Restoration Comedy.

Even by the dismal standards of mid-1960s spy spoofs (others have titles like "The Last of the Secret Agents?" and "The Maltese Bippy"), this is a forlorn little comedy, shot on Desilu sets and looking like a quickie TV show. Every Desilu TV star on the lot that day puts in a witless cameo (Irene Ryan, Danny Thomas, Carl Reiner); the rest is Rose Marie and Morey Amsterdam, Buddy Sorrell and Sally Rogers in all but name, exchanging lame repartee as a bumbling pair of friends to a nubile bookstore owner (the conspicuously untalented January Jones), all of them caught up in labored international intrigue. Amsterdam co-wrote the screenplay and thus has only himself to blame, but he and Rose Marie look distinctly unhappy amid the low-budget surroundings, and the movie's reputation as a legendary stinker is well deserved. Harmon Jones, who actually has a good movie or two to his credit, directs in a grab-the-paycheck-and-run style that's winceworthy.