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The Dark Wind
An Indian police officer is mixed up in murder and drug smuggling on the reservation.
Release : | 1991 |
Rating : | 5.5 |
Studio : | Carolco Pictures, StudioCanal, Seven Arts Pictures, |
Crew : | Director of Photography, Stunt Coordinator, |
Cast : | Lou Diamond Phillips Fred Ward Gary Basaraba Guy Boyd Blake Clark |
Genre : | Drama Thriller |
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Reviews
Sorry, this movie sucks
Excellent adaptation.
Absolutely the worst movie.
One of the most extraordinary films you will see this year. Take that as you want.
I like "The Dark Wind." Though it didn't follow the novel to the last detail, it did follow it much more than the subsequent "Mystery" TV movies did. And this one definitely has the flavor of the Hillerman novels. It's not a blockbuster. In fact THIS probably should have been a TV movie as well. While they cherry-picked some details from other novels, the details of Navajo life and behavior that Hillerman describes in his novels are there. Some people didn't like that Leaphorn was inserted in the story though he wasn't in the original novel. I didn't mind that at all--they were intending to make more of these and the most popular stories have both characters. And the handling of Leaphorn is SO MUCH better here than in those Mystery TV-movies (in which they made Leaphorn Chee's "City Guy" foil.)There is one thing I want to clear up though--the "boom mic mistakes: so many folks mention. The boom mic that intrudes in to several shots in the home video version (which is the only version we have, unfortunately)is NOT A MISTAKE BY THE DIRECTOR OR THE CINEMATOGRAPHER. It is an error in the transfer of the film to the home video format. Many 1.85:1 widescreen films shot in the 80s and 90s were really shot at 1.33:1, non-anamorphic. The "widescreen" effect was then achieved by masking off the top and bottom of the image. Sometimes the studios did this on the print itself, but sometimes they would leave it to the projectionist in the theater--if he/she projected it so that each side reached the edge of the screen and centered the imaged vertically, the "masking" was achieved simply because the top and bottom of the image was bleeding off the screen. I know that was done because back in the day I saw several films where the projectionist did not center the image vertically and all kinds of stuff the audience was never meant to see would be visible--boom mics, lights, rigging, and etc. I have specific memories of seeing this in "Cheech and Chong's Next Movie" and Richard Pryor's "Busting Loose." So, if the folks who released "The Dark Wind" to home video back in the day had given a crap, they'd have either 1) masked the film to 1.85:1 or cropped it in on ALL sides for a proper old-type TV 1.33:1 ratio. Anyway, if you have a widescreen TV (and wide is the norm now) all you have to do is blow up the image so that the right and left sides of the image go all the way to the edge and the tops and bottoms get cut off(on my Samsung it's the "Zoom 1" setting). THEN you'll see the image as it was meant to be framed, with no boom mics in sight. AND, I might add, the landscapes and other scenes will look much more impressive as well, as it emphasizes the wide horizons.
Plenty of films of this vintage suffer from boom mikes in frame and the top and dolly tracks visible at the bottom: this is an artifact born of failed productions. When the camera operator composed the shot, he had been told the film was being made for theatrical release, in a 1:1.85 ratio and so when the boom dipped down slightly, but not enough to make it into the "letterbox" they let it slide. Then, after the film failed on the festival circuit or preview process, etc and was dumped to video no one cared to correct the errors - they were all just trying to dump the project on the market as quickly as possible. Had the final "release print" been made, instead of a video transfer from the camera original (mivees and all) we would have been spared the spectacle of seeing mister boom mike. Most of these types of film were being dumped onto the video market before consumers cared to see letterboxed releases, so the transfer was made full frame.
This is the most awful movie ever made. It was great to laugh at however. The boom mic falls about a foot in to picture during two scenes, including the climax. Also characters seem to give out evil and over exaggerated laughs for no apparent reason. And what is with the little random white kid sitting on the bed of the water shamen, handing out cigarettes. Also the plot seems to just drift around aimlessly. Characters are thrown in for no apparent reason, then forgotten about. Stupid meaningless references are thrown in like the very first bootleggers coming back at the end. What is the point? Also a great scene to laugh at was when Lou Diamond was solving this brain buster of a mystery and kept writing "why?" on his paper.Watch this movie and try not to laugh at it, I dare you.
The Robert Redford films are always beautiful - spectacular displays. The "Meeting of the Spirits and the Real World" on the mountaintop, with thunder, lightning, bon fire with sparks flying, wind blowing, dancers' shadows, and chanting is almost worth the price of admission. I have read the book, and thought the casting was good, but the hairstyle of Jim Chee didn't match the character. I enjoyed the film, and urge others to see it, although many of the actors are not Native Americans which is a failing to many viewers.