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People are voting emotionally.

For all the hype it got I was expecting a lot more!

Excellent, Without a doubt!!

Perry Mason steps down as a judge to defend his former secretary and one time sweetheart Della Street whom has been accused of murdering her new boss, the computer science tycoon Arthur Gordon. Assisted by Paul Drake Jnr, the son of his former private eye associate Paul Drake, Perry discovers that Gordon was about to cut off his family without a cent. Since all of them were in dire need of money, they all had a reason to want him dead. Perry and Drake discover that Gordon was really killed by a hitman called Bobby Lynch, but he too is murdered and time is running out fast for the pair to find out which one of the family hired him and to clear Della's name...First and best of the numerous revival made-for-television movies, which returned the great Raymond Burr to his best loved role (along with Ironside) as Erle Stanley Gardner's ace defence attorney Perry Mason. It sizzles with cracking chemistry between Burr, Barbara Hale and William Katt (Hale's real life son) who plays the son of Perry's old private eye colleague Paul Drake. The actor William Hopper who had played him in the hit 1950's-60's TV show died not long after it had finished as did William Talman who played the famous DA Hamilton Burger. Here, Mason is paired with a young DA called Barbara Scott (Cassie Yates) who thinks that she is on to a "dead bang winner" partly because the circumstantial evidence against Della is overwhelming, but also because she believes that Mason is "rusty". Her boss, sceptical of her confidence of victory asks "Do you know how many times Hamilton Burger said that?" in an amusing nod to the original series. Her courtroom scenes with Burr are quite fun to watch as she isn't prepared for Mason's unorthodox courtroom antics. And, like Burger always did, she underestimates Mason's considerable abilities as a sleuth in which he always looks beyond the circumstantial. Yes, you've guessed it! - Scott loses just like Burger always used to.Raymond Burr and Barbara Hale are a joy to watch here. Although she is now Perry's client, she acts as though she is still his secretary. "You do realise that you are the client, don't you?", he asks as if putting her in her place. She replies, "For the first time I know what its like to be the accused, I'd like to stay busy." "Well, in that case I will need detailed information on all the family, especially their finances." In a touching moment, Della turns to Perry and says "I don't know if I've ever said this, but its nice to see you again" and you can see by the way Perry responds that he is moved and we are invited to wonder if there really was a romantic angle to their relationship.The interplay between Burr and Katt's struggling private eye is at its strongest here. Perry makes it clear that he disapproves of his undisciplined lifestyle: he has ran his father's once thriving business virtually into the ground and he scraps a living on routine divorce cases when he isn't moonlighting as a jazz musician and the "novel" he is meant to be working on has barely got started. Mason is very hard on Drake during the investigation by dismissing his efforts even when he has got vital leads and clues, which he has literally diced with death to obtain for him. Initially, we think that Perry's attitude to the young lad is unjust, but later we can see that he is actually very fond of him and it was just his way of getting Paul to focus on the job at hand.The supporting cast is excellent with Holland Taylor, Kerrie Keane, David McIlwraith and Roberta Weiss stand out as the murdered man's family all of whom, in the best murder mystery tradition, have something to hide and are all not exactly trustworthy. Richard Anderson also deserves mention as the family lawyer Ken Braddock as does Patrick O' Neill as the ruthless tycoon Arthur Gordon. Dean Hargrove's script plays as fair as can be with the audience leading to a satisfying denouement and Ron Satlof's direction is pacy, slick and smooth.

This film is interesting not for what it is, but its place in a the scheme of things. By itself, it is dreadful, every bit of it. Taken alone, there are inherited characters played by actors who were accidents. There is an attempt to play with a formula that got worn out, so there is a hipster detective and a couple car chases. The "77 Sunset Strip" model is followed here, I think because the original series competed with it (and its ilk). The formula that worked before was scrambled here, but in the later episodes of this second time around, they got better as they went back to basics.The thing is worth considering because of the stage of evolution it represents. The detective story was a great invention, a big step forward in narrative types. It was followed by the mystery novel, where the reader and writer engaged in a tussle for control, sometimes (in the later form) complicated by a detective who has as much control as the writer. This was high art, in fact still is in some form in literature.Film picked it up and evolved the noir form, perhaps the greatest American invention. In written fiction, the standard model is based on the reader trying to determine the murderer by assembling causal dynamics. Erle Stanley Gardner changed the formula in a clever way. He wrote tons of Perry Mason stories from his "fiction factory," using a very strict formula. In his stories, it is impossible to guess the murderer (or sometimes two) by understanding cause. Instead, you eliminated all that could have done it, because the solution is the least likely. Gardner in his day was the most popular author in the English language.So while film took the mystery form and evolved it into noir in amazing variety, TeeVee picked up this strange deadend on the evolutionary tree. The stories were imported wholesale, with the characters modified significantly. Perry was less a playboy and Della was not his lover. No big deal. I think the long run of this show established the form of the detective story we have today when it is distinct from noir: viewers don't want to work at figuring things out. They just want to collect all the pieces as the movie proceeds and see how they assemble at the end, the assembly done for them.When Perry went off the air, it was a sad end to the more pure negated form (negated because of that "least likely" business). So when he came back with this relatively long form, it was hugely anticipated. I recall this. And I recall how we celebrated the show and its successors, not because they were good but merely because they existed. Again. This negated the negation of the negated form.Ted's Evaluation -- 2 of 3: Has some interesting elements.

After a 20 year absence from the small screen Raymond Burr who is now, older, stouter, and grayer and with a beard returns to television in the first of several two hour made for television films. Burr had a legion of fans as Mason and his return was heralded with high ratings every time one of these films was broadcast. In the interim like many good lawyers and some mediocre ones, Perry Mason became a judge and was now an appellate court jurist. But when a friend's in trouble, Perry quits it all and returns to active combat in the courtroom. Back in the original series William Hopper as Paul Drake was a defendant in one episode. Here it's the only other living cast member at the time from the old series, Barbara Hale as Della Street.Della's gone on with her life as well. She became a secretary and later executive assistant to the wealthy Patrick O'Neal. With the kids and second wife O'Neal's got, no wonder he began relying heavily on Della Street to run his business. When O'Neal is stabbed to death by a killer in drag to make it look like Della broke in, she's arrested and of course she turns to Perry as her attorney. Biggest mistake the perpetrator made, didn't the individual realize just who Della worked for before. Definitely should have found another patsy. But as the case developed it turns out that not only did O'Neal have to be killed, but that Della had to be framed in order to solve get out of the potential jackpot the killer was in.This became a family reunion in another way as Barbara Hale's son William Katt came on as Paul Drake, Jr. The script had it written that Paul Drake was now retired and the Drake Detective Agency was in the hands of his son. But it's clear that Katt only considers it a part time gig. In fact when we first meet him he's doing another gig, playing a saxophone at a jazz club. Perry takes him on, but doesn't quite take him seriously enough. Katt has to earn his respect and that's a running theme throughout the film.Perry Mason Returns is a good start to eight years of Perry Mason films, all anticipated by the legion of fans Raymond Burr developed for Erle Stanley Gardner's famous defense attorney.

The first Perry Mason Series ran from 1957 until 1966, In the mid eighties until it's star's (Raymond Burr) death in 1993 there was a belated revival bringing Mason a new generation of fans in several TV Movies along with original sidekick Della Street (Barbara Hale) and new P.I Paul Drake JR (William Katt). This is the first such movie and one of the better ones for it has Della street accused of murdering her boss and so Mason and Drake frantically try to find clear her name.all in all an above-average TV Mystery8/10