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The Tanks Are Coming

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The Tanks Are Coming

An American tank crew fights its way into Germany in World War II.

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Release : 1951
Rating : 6.2
Studio : Warner Bros. Pictures, 
Crew : Art Direction,  Set Decoration, 
Cast : Steve Cochran Philip Carey Mari Aldon Paul Picerni Harry Bellaver
Genre : War

Cast List

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Reviews

FuzzyTagz
2018/08/30

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

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ThedevilChoose
2018/08/30

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

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Invaderbank
2018/08/30

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

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BelSports
2018/08/30

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

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kapelusznik18
2015/05/27

****SPOILERS*** Story of the 3rd armored division in it's battles from the breakout from Saint Lo in Northern France to the teeth of the what was called impregnable 350 mile Siegfried Line. That's on the German Belgium & French border with tough and indestructible , he never as much got a scratch during entire movie, Staff Sgt. Francis Aloysius, or just "Sully" to his fellow GI's, Sullivan played by the ruggedly handsome Steve Cochran. It's Sully's leadership and determination that in fact has his tank unit breach the Sigfried Line and make possible the invasion of Germany in late 1944 but it came at a steep price. With just the US Military, not including the British Canadian & French allies, suffering well over 200,000 casualties, with some 50,000 KIA, in the process.Hated by his men at first for driving them for days without sleep against the far less in number but more superior in experience and firepower & experience German Panzer units who's kill ratio was something like 10 to 1 against US armor. Never the less the spearhead 3rd armored reached the Sigfried Line with it's massive tank traps bunkers and honeycombed with underground tunnels way ahead of schedule just before the winter set in. And for some five months fought a seesaw and stalemate battle with the German forces that cost it the loss of some 75% of it's men and almost all its tanks that were quickly replaced which the German losses weren't. During that time it was "Sully" who kept his unit, the 3rd armored, together by leading from the front, not the back, in his lead tank that really inspired his men. The one person who hated "Sully's" guts the most Pvt. Danny Klowicz, Paul Picerni,soon realized what a real fine "Joe" he really was by giving credit to his battle hardened men. That in a letter to his CO. the Sleeping, whom "Sully woke up with a stiff kick in the butt, Capt. Bob Horner played by Robert Horton, who at age 91 is still round with us today, giving them all the glory in his drive to Siegfried Line without once mentioning himself. There's also in "Sully's unit German born American GI Heinrich "Heinie" Weinburger, Robert Boon, who's main reason for being in the US Army is to free his grandparents from living under the Nazi dictatorship. It was when "Heinie's" grandparents were freed that the stone faced and unfeeling Sgt. "Sully" broke down for the first and only time in the movie and showed, what seemed to be almost impossible for him, genuine emotion even though after all they were Germans. The screenplay was partly written by Samual "Sam" Fuller who some 30 years later wrote and directed a very similar film, this time in living color not black and white, about the 1944-45 war in Western Europe "the Big Red One" that in real life back in WWII he was an actual member of.

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roger-604
2015/05/26

While this movie was a fairly non-objectionable way to kill 90 minutes since nothing else was really on, I have to say that most of the acting was pure HAM! I was even laughing out-loud as Marconi was gasping and wheezing (for dramatic effect, I suppose) during the radioing-in of the coordinate information for the artillery barrage. Then there was Sullivan's on then off again hayseed accent and mispronunciation of words. There's the fact that MAJORITY of the equipment (tanks and assorted vehicles) that are period incorrect. The blatant insubordination of just about everybody to their superiors. The miraculous overnight (literally) transformation of Sgt. Sullivan from reckless and abusive horse's arse to everyone's buddy and "stand-up" tank commander. Let's not forget the clips of actual scratched and grainy WWII battle footage that was spliced (without ANY attempt of matching whatsoever) together with the newly filmed footage. The terrain of Fort Knox and surrounding areas of Kentucky used as various locations in Germany again without any serious attempt of blending/matching to real European terrain. There was even a bright and sparkly 1950's style concrete and steel overpass in one shot. And the list just goes on. Now.... like I said, It wasn't a hideous movie. At least there were cool tank battles to watch but the acting! Eeeegads!!! Overall I'd say this reminded me of a cheesy 1950's B-grade sci-fi movie (fun but unbelievable) except the subject was American WWII tankers. Anyway...... that's just one guy's opinion, of course! :^)

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Fred_Rap
2010/01/27

The director Lewis Seiler followed up his stark, exciting D-Day aftermath saga "Breakthrough" with this utterly humdrum companion piece. The story concerns the Third Armored Division's push through France toward the Siegfried Line, and it's a measure of the film's dramatic shortcomings that the stock shots of Panzer tanks and American iron bellies seem far more compelling than the actual footage.Steve Cochran brings a spark of surly charisma to the proceedings as a bluntly unsentimental sergeant who takes over a squadron consisting of some of the dullest, least engaging, most ill-defined dog-faces ever to battle it out on a Hollywood sound stage; these ciphers almost make one long for the clichéd likes of William Bendix's Brooklyn lug and Richard Jaeckel's combat-green kid.The dreadful screenplay by Robert Hardy Andrews has the temerity to give Cochran a change of heart, and by the climax the snarling top kick is shaking hands with cowering German citizens and even cuddling a stray pooch! Crusty old warrior Sam Fuller is credited with the story; he must have choked on his stogie when he saw the finished product. With Phil Carey, Mari Aldon, Paul Picerni, Robert Horton, Harry Belaver.

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xerses13
2007/08/14

THE TANKS ARE COMING (1951) covered our (U.S. Army) Armored SpearHead and its problems during the war in Europe (WWII). The main problem being our Tanks were just not as good as our opponents the Nazi Germans. A captured German Tank Commander once commented "One (1) of our tanks are better then twelve (12) of yours, but you always have a thirteenth (13th)". True, we could (and the Russians) out produce by a factor of ten (10) to one (1) or more. That did not help the crews inside these coffins when inadequate armor (and firepower) gave little or no protection at all.The movie starts off clearly showing these inadequacies. As our Tank Platoon with Shermans takes on a German Panther (a disguised M36 sitting in). Our shells bounce off, theirs go right through. The film illustrates this well with the guns sound effects. Our guns sound like cap pistols the Germans like thunder. The story goes on from there as determination and guts have to overcome technological limitations. Toward the end our hero's get a M26 Pershing which had both the Armor and Gun to take on their opponents in a equitable manner. A little late for those who already had made the supreme sacrifice.It took awhile but lessons were learned and are reflected in the current equipment of the U.S. ARMY. The M1A2 Abrams and the other Armored Vehicles are World Class and second to none. Their only equivalents are also made/used by our allies (for the most part). One (1) further note this film should not be confused with the Warner Brothers Short of the same name made in 1941, also reviewed.

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