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Purely Joyful Movie!

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

This movie was so-so. It had it's moments, but wasn't the greatest.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

LANDFALL is an interesting little war picture, made in Britain in 1949 and long forgotten by most people - that is until it showed up on the Talking Pictures TV channel (God bless 'em) here in the UK. The film is an interesting little morality play in which a good-natured RAF man (played by Michael Denison in the usual British stiff upper lip spirit) accidentally blows up a British submarine that had strayed into the wrong waters.The story that follows is somewhat slow and stately, but always engaging. Denison's protagonist is a sympathetic one who undergoes a pretty dark story and it all builds to an effective and surprising climax that works a treat. The supporting cast is full of familiar faces including Maurice Denham, a youthful David Tomlinson, the reliable Sebastian Shaw, and a trio of newcomers who would become familiar faces in future years (Paul Carpenter, Harry Fowler, and Laurence Harvey).

This is an acceptable WWII film that I watched courtesy of Talking Pictures TV channel, with the scenes featuring aircraft offering something for aviation enthusiasts.The first few minutes plodded a bit with one protracted discussion between Rick and Mona and then another between Rick and newly-arrived pilot Binks; the "musical" efforts of the latter were almost irritating. But unlike another reviewer here on IMDb I thought there was good chemistry between Rick and Mona - and between Rick and Binks.Denison's initial breeziness irked somewhat, but he performed well enough after he thought he'd sunk a British submarine. The sub-theme of class difference didn't quite work because Patricia Plunkett as Mona seemed too superior for a barmaid working in a pub popular with servicemen.The actors playing senior naval and air-force officers were effective.After I'd watched the film I thought that it seemed very much like a plot by Nevil Shute, and a check of IMDb showed that it was.

This entry has a special place in my affections; after watching it I made a point of noting it was based on a novel by Nevil Shute, of whom I had never heard. I went the next day to my local library in search of the novel and in lieu of Landfall itself - presumably out on loan - I took out another Shute title and enjoyed it so much that I eventually bought every Shute novel and still re-read them with enormous pleasure. I was slightly concerned that this early effort would not hold up but I was pleasantly surprised that it still held my attention although not as richly detailed as the novel. I thought Patricia Plunkett caught Mona particularly well, not a raving beauty nor quite an English rose but a warm, level-headed ideal wife-in-the-making. Glad to find it again.

Being something of a Nevil Shute devotee, I have been trying to track down a copy of this film for some time and finally succeeded.This is one of Shute's simpler stories but in common with most of his novels, it concerns the issues of good people doing a job well. It should be read, or viewed, bearing in mind the time that it was written and the social and political climate of the time. Landfall is no exception to this caveat applicable to many films of the time. I was relieved to find that this was a straightforward adaptation of the novel and was told without any twists and turns and unnecessary changes to the plot (unlike "Far Country" - a mangled adaptation of a later Shute novel). I was also pleasantly surprised to find that the acting was much better than I expected in a 1949 film of this type. The issues of class difference were nicely handled and the story is just enough to fill the time. The main protagonists are portrayed well by the leads, particularly Patricia Plunkett, who resists the temptation to overdo the differences between her barmaid character and her flying officer boyfriend. A few of the lesser parts are a little conventionally and slightly woodenly handled but the ensemble of Maurice Denham, Kathleen Harrison, Nora Swinburne and Margaretta Scott are reliable. The early flying scenes are reasonably convincing but they go downhill somewhat with the special (or not so special) effects in the bomb trials. This really doesn't matter too much in the context of this type of film where the important aspects are the story and the character development.A simple story, well told. It would be nice to see it added to the collection of available classic movies on DVD.