Watch Cry 'Havoc' For Free

Really Surprised!

Overrated and overhyped

A lot more amusing than I thought it would be.

A clunky actioner with a handful of cool moments.

What a pleasure it is to see such an amazing cast of women put together in one film. Today we are lucky to get more than 2 women in a film unless we get a comic book movie. This cast has almost as diverse a cast of good women actresses as any movie I have seen.This is a stage play made into a movie about army nurses dealing with the Japanese invasion of Bataan. Thank goodness it does not go to the conquest as I can not imagine a group of women and what would have happened to them if an invader got to plunder them.This film deals with the desperate and the more desperate situation as the invader gets closer and closer.There are a few men, most notably a dying sequence by an uncredited Robert Mitchum but for the most part the ladies coping with the war and with each other are the subject here. There is very little love interest and more concern about the demands being put on the nurses in the situation. Sometimes even their faces get grim and dirt.The reason this ensemble is only together for this one film is the war effort. Margaret Sullivan only had 21 acting roles in her career and one of these ladies only had 4 roles in her career. Others like Blondell had lots more screen time. The screen play base makes this one solid. The war propaganda effort made it possible to put this cast together. A real one of a kind film from the MGM studios.

Some of the brightest female stars of the 1940's get a chance to get dirt on their Max Factor faces in this "Women in War" drama which took them to Bataan, the location of a Robert Taylor war movie made the same year. Here, the women are nurses, brought out to aid head nurse Margaret Sullavan and her commanding officer (Fay Bainter), and conflict arises to the difference in their personalities. However, in wartime, everybody must pull their weight, put aside petty squabbles, and band together for the cause.In addition to Sullavan and Bainter are the billed above the title Ann Sothern and Joan Blondell whose on-screen personalities were so alike that they sometimes seemed like sisters working at separate studios. Sothern has more to do here as a somewhat rebellious personality. She is classier than her MGM series character Maisie, while Blondell plays a burlesque queen who amuses everybody by referring to her job being similar to a banana. It is obvious that Blondell was cast for her name value rather than for characterization. Since she had been at MGM for more than just a few years, Sothern gets more meat to bite into with her part, Blondell simply adding a bit of comic relief to the wisecracks which seemed to be tossed up in the air for either her or Sothern to catch.There are some very tense moments here where the women are pretty much all alone, no American or other Ally soldiers there to protect them from the villainous Japanese. This is where the film becomes very similar to Paramount's "So Proudly We Hail" which is certainly superior dramatically. Both rank equal in nail-biting emotion as to the fate of these lovelies who may be able to flip acid off of their tongue to deal with the others but won't be able to defend themselves against the enemy that surrounds them.The always colorful Connie Gilchrist adds color as the cook, giving motherly advice towards the girls who venture into her kitchen, while Bainter provides a mentor-ship towards the women, especially the somewhat hard Sullavan. Marsha Hunt, Dorothy Morris, Heather Angel and Ella Raines round out the major female stars supporting the others, and each of them have moments to shine where their dreams seem threatened by the ugliness of war. Like "So Proudly We Hail", this contains a rather downbeat ending which is certainly within the reality of war and opens all kinds of thoughts as to what might be in store for these women.

I agree with almost all of the comments above, except in one important aspect. In calling "So Proudly We Hail" 'superior' to "Cry Havoc," the writer overlooks the fact that, as in most Golden Era films, women's stories were almost exclusively told in relation to their romantic relationships with men. What hobbles "So Proudly We Hail" (and it is a terrific film, don't get me wrong), is its constant undercutting the challenges and dangers faced by WWII American nurses in the Pacific by shifting the characters' priorities to romance. That detail is handled very nicely in "Cry Havoc" by having almost no men appear. "Smitty" and "Pat" face off over a man, sure, but we never see him and so it becomes a greater conflict about command, duty, subordinating oneself to the greater good etc. And face it, as wonderful as films from this era are, its all too rare (then and now!) that those kind of issues are presented as significant to women. So in some ways, although "Havoc" could be considered more static and talky (from its stage origins, as mentioned above), I find it "better" than "Proudly," because I feel it lets the women stand front and center -- and stay there. Enjoy this rarely seen film!

'Cry Havoc' is Richard Thorp's 1943 film about the courageous women Army nurses and volunteers on Bataan during WWII. The film suffers a bit from showing it's stage origins, but offers a terrific ensemble cast of actresses, all giving top-notch performances.Margaret Sullavan is wonderful as Lt. Smith, an Army nurse secretly married against the rules to an officer on Bataan. She is suffering from malignant malaria, but refuses to leave Bataan for treatment, wanting to be near her husband, but also unwilling to desert the overworked nurses and volunteers. Sullavan was always great at suffering nobly on film (as in 'Three Comrades,' 1938), and again gives a beautiful, moving performance as the dedicated nurse, keeping both her marriage and illness to herself.Ann Sothern and Joan Blondell share top billing with Sullavan and give terrific support as two of the volunteers. Blondell is funny as the former Vaudeville performer who entertains the other women with a demonstration of her old striptease act. And Ann Sothern, who was sooooooo beautiful, is marvelous as the tough, straight-talking waitress with her sights set on an Army officer, unaware he's Sullavan's husband.The supporting cast includes Fay Bainter, Marsha Hunt, Ella Raines, Heather Angel and Connie Gilcrest, all excellent, and a bit by young Robert Mitchum as a dying soldier.Not a classic WWII film, but recommended for fans of the actresses.