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Tit-Coq
After returning home from war, an ill-tempered young soldier must deal with his sweetheart having married another man.
Release : | 1953 |
Rating : | 7.1 |
Studio : | |
Crew : | Director of Photography, Director of Photography, |
Cast : | Fred Barry Monique Miller Denise Pelletier Clément Latour Juliette Béliveau |
Genre : | Drama Romance War |
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Reviews
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
This film is so real. It treats its characters with so much care and sensitivity.
It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
MANY SPOILERS The movie is based on a play and it shows,even in the scenes outside Canada.This is a gripping melodrama in spite of its conventional directing ;"Tit Coq" (=Lil' rooster) was born Under a bad sign :he is an orphan,and what is worse (at the time ),an illegitimate child.The key to the movie is the Xmas celebration,complete with midnight mass (with a choir singing " IL Est Né Le Divin Infant"),followed by the traditional Réveillon (meal) and games (forfeit)and dances .Tit Coq ,a guest in his soldier mate's house realizes all that he's missing : a whole family ;when he falls in love with his chum's cousin ,he wants them to be chaste till the wedding which would take place when he returned from war for the two soldiers are sent to Europa.The beloved fiancée ,Marie-Ange ,would like to wait for this sincere man ,but her family is urging her to marry a buck .When he returns from war,the unfortunate soldier meets again a married woman ,who does not love her handsome husband .She's about to walk out on her husband ,but the military chaplain -who ,from the very beginning of the story ,shows the straight and narrow to the private- ,prevents her from leaving her home ;he's got a sledgehammer argument in that context: should they start over in another town ,or another country ,their son would be a bastard and her family would turn away from them.Tit Coq's tragedy would repeat and would lead both of them to despair.Closer to French melodrama than to American style,Tit Coq sometimes recall some of Jean Gabin's characters in the thirties.Writer/director Gratien Gélinas ,who plays the character he created ,is less handsome than the French star but he is as moving as him .And he perfectly conveys his hero's drama: in a society based on the family , an orphan has really got a raw deal:a message which is still relevant today.