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A factory worker in a dark, gray world assembles devices that promise happiness. In his spare time he tinkers to create something better, and finally succeeds in perfecting his invention, which allows people to see life through rose-colored glasses, but he has to pay a price for his success.

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Release : 1998
Rating : 8.1
Studio : Large Format Cinema,  Bad Clams Productions,  Flemington Pictures, 
Crew : Cinematography,  Director, 
Cast :
Genre : Animation Science Fiction

Cast List

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Reviews

Cubussoli
2018/08/30

Very very predictable, including the post credit scene !!!

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ReaderKenka
2018/08/30

Let's be realistic.

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Baseshment
2018/08/30

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

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Bob
2018/08/30

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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MartinHafer
2008/02/12

This is a very interesting animated film and I understand that it is trying to tell us that having stuff doesn't make us happy--I do get it. However, in the end, this is a decent idea but I really don't understand all the rapturous applause for it. Now understand, I did like the film--but for it to an Oscar nominated film? I dunno, but it just didn't seem that amazing. Now this doesn't mean that all the animations I like are simple cartoons or I am an idiot--I just didn't love it. And, no, it isn't because I am a plebe--heck, I really liked Petrov's really artsy award winning shorts (such as THE OLD MAN AND THE SEA and MERMAID). But MORE just seemed like a nice idea--but not great.Now as for the technical merits of the film. The animation is very nice and the music effectively oppressive. It all worked together well.See it for yourself--maybe you'll love it, too. But I wonder if the average schmo out there will agree that it's THAT good.

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ackstasis
2007/05/20

Frequently held as one of the most emotionally-affecting animated short films ever made – and rightly so – Mark Osborne's 'More' is a poignant allegory for Mankind's everlasting search for happiness. The main character is a depressed factory worker living in a grey and dreary metropolis, whose only sanctuary exists within his dreams, as he recalls the bliss of childhood. Wanting to help those around him, our character invents a pair of special glasses, into which he places a few drops of his own inner happiness, spreading bliss and contentment to everybody in the city. He becomes rich and famous for his invention – the world's greatest inventor! – but ultimately finds that it has come at the cost of his own happiness. By sharing it around to everybody, he has diluted the bright light within himself to nothing.The stop-motion animation in 'More' is exceptional, serving well to give the characters sullen, downcast expressions and producing the bleak, emotionless cityscape in which they live. The film has been released with two background music tracks. The first, from the version that I watched, is "Elegia," from New Order's 1985 album 'Low-Life.' It is a remarkably hypnotic piece of music, complementing the beautiful images and themes wonderfully. The track "Hell Bent" by Kenna was also later used as an alternate background track, though I am yet to see this particular version.Many modern short films are simply produced to tell a quick story, straightforward and insignificant. Others, like 'More,' attempt so much more than this, and it is truly remarkable that, in just six minutes, Osborne has endeavored to explore the very meaning of life. Whether he has succeeded or not is left entirely to the viewer, but here is certainly a film that leaves you with plenty to think about.

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James Alex Neve
2006/02/06

More (no pun intended) effecting than so many feature length pictures, Mark Osborne's short wonder invigorates on so many levels. It's like a visceral maze of one man's soul slowly getting lost, and then neglecting to find it. Only in the end feeling the lack, attempting to reminisce about the lost innocence of childhood, whilst feeling the void inside.More shows how the human condition can get lost in it's search for artificial enlightenment. The genius is that it can tick all these boxes despite the fact that it's shorter than a cinema ad brake - And they're not even humans! The use of New Order's brilliant song Elegia is a wonderfully melancholic trip of emotions.It only received a nomination from Oscar, but in my opinion is so much more worthy than that. A must see.

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Oslo Jargo (Bartok Kinski)
2001/08/17

This is an absolutely astonishing short work concerning the meaning of life and what can not be manufactured in a synthetic factory. It presents a proletarian (in fantastic clay-mation) day in and day out, as he works in a factory assembly line building impersonal products to keep society happy. His dream is to one day create a new life affirming 'lense machine', for he is also an inventor with ingenuity. In his struggles, he continues having glimpses of children playing around a merry-go-round and they are in vibrant color, while laughing and involved with joy. His dream is achieved, and then he becomes an over zealous capitalist who is sitting all alone in his skyscraper office, after directing the harsh void of the assembly line that manufactures his new product. In the fleeting time that this short film runs, one gathers that it is something stupendous and magnificent, and the true satisfaction of creativity is not how many products one sells but the "fire that burns within"...The song by the band 'NEW ORDER', is also melancholy, which adds to the ambiance, and is a joy to listen to. Strongly recommended! Look for it on Sci-Fi channel's "Exposure" or on PBS "High Intensity TV".

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