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Get Mean

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Get Mean

The plot revolves around the return of a Spanish princess from America to her native country Spain. To help her she enlists the aid of a reluctant hero.

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Release : 1975
Rating : 4.4
Studio : Cee Note,  Stranger Productions Inc., 
Crew : Director of Photography,  Costume Design, 
Cast : Tony Anthony Diana Lorys Lloyd Battista Raf Baldassarre Mirta Miller
Genre : Western

Cast List

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Reviews

Smartorhypo
2018/08/30

Highly Overrated But Still Good

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Keeley Coleman
2018/08/30

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

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Zandra
2018/08/30

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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Haven Kaycee
2018/08/30

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

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moran-78845
2018/01/28

This is an extremely bizarre movie that is still a great deal of fun. A cowboy delivers a beautiful princess to Spain for $1,000 and the promise of more. However, it is a strange Spain full of medieval Vandals and Moors fighting with swords, muskets and cannons. There are magical elements to the story that makes things even more outlandish. At one point the cowboy starts howling like a wolf. Later on, he turns black. It is still great fun to watch. Tony Anthony, once again, takes on incredible odds, and still wins!

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Mikelikesnotlikes
2017/04/23

3 is a strange number to choose as a vote. It implies that the film was bad but it had some (one or two) redeeming qualities (or maybe a single laugh). Although, in this case, I'm unsure what that quality was.I like spaghetti westerns and chose to watch GET MEAN along these lines. Since the wife was having a sleep I figured I'd get away with watching it alone, but I was sprung not long after it started so I had the embarrassment of her incredulous looks to cope with.It is not a good film. I suspect the director was drunk, his unsupervised crew raided the props shed while stoned, and three competing writers fell down the stairs together and got their screen plays mixed up.It starts as a western and quickly escalates into the absurd. Somehow a fight with Vikings in a wild west ghost town, occurs after a witch tells the main character to escort a Spanish princess somewhere. Along the way there are Goths, Huns, Spanish conquistadors, a treasure hunt, more witches, a flaming gay dude, a rich hunchback, and an incoherent story-line so loosely tied together you need a really forgiving imagination to keep up.The acting is atrocious and Post-production looks like an independent interpretation of the footage with no consultation with the director.They spent a lot of money on pyrotechnics. Maybe that's where I got the 3 from.Your credibility will suffer if you get caught watching this crap.

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marc-366
2005/04/04

Now this one really is an oddity! The Spaghetti Western did throw up a few odd films (think Django Kill and its homosexual bandits, Blindman with its 50 wives and nudity, the circus troupes of Sabata, and Providence with its Chaplin-esq antics). But, my, if you thought they were weird, wait until you get a load of "Get Mean".Tony Anthony returns as the Stranger, but rather than being a parody/rehash (depends on how you view it) of A Fistful of Dollars, this film involves our hero on a quest to Spain to escort a princess for money, amidst the battling Vikings and Moors. Proof if any that the Spaghetti boom was on its last legs, desperately seeking new ways to be innovative.Anthony is very ham-fisted throughout, but I guess that is part of his charm in this genre. The rest of the cast are, in truth, fairly forgettable.However strange this film may be (and believe me, it is strange), it remains watchable. Not as a western, but as an oddball art-flick.

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Wizard-8
2003/04/15

Once again, Tony Anthony (one of the least charismatic spaghetti western cowboys of the genre) rides the range.... though this time in Spain... and encountering Vikings (!) and Moors(!) It's played somewhat straight, though there are some broad attempts at humor (such as a embarrassingly unfunny gay character.) There are some impressive visuals, clearly showing this movie wasn't cheap - kind of surprising when you consider the spaghetti western was considered all but dead by European producers at the time. But despite the money spent, and the absolute goofiness of the premise, it's just as dull as Anthony's other spaghetti westerns. It's just another part of the mystery as to why Anthony managed to be so popular in Europe.

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