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Smoke Signal
Capt. Harper's cavalry patrol returns to the fort to find it besieged by Ute Indians. The apparent cause is the recapture of Army traitor Brett Halliday, who deserted to the Utes in a previous war; but Brett has a different story. With capture imminent, the only chance for the surviving men (and one woman) is to boat down a wild, uncharted river, where Harper and Halliday must pull together, like it or not.
Release : | 1955 |
Rating : | 6.2 |
Studio : | Universal International Pictures, |
Crew : | Art Direction, Art Direction, |
Cast : | Dana Andrews Piper Laurie Rex Reason William Talman Milburn Stone |
Genre : | Drama Action Western |
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Excellent but underrated film
Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
An old-fashioned movie made with new-fashioned finesse.
It seemed to me a lot was made of the Utes fearing the river because it went through a no man's land of dangerous rapids and unknown terror, but once the soldiers made their escape in boats, the Indians pretty much followed along in order to take out the cavalry. That was a disconnect for me, making me wonder why the story line brought it up in the first place. I guess it sounded good as a rationale for Brett Halliday (Dana Andrews) to pitch the idea.This is one of those stories where the female lead, in this case Piper Laurie as Laura Evans, switches allegiances mid-way through the picture, throwing over her fiancé Lieutenant Ford (Rex Reason) when he sides with his commander Harper (William Talman) against Halliday for all the wrong reasons. Well OK, he was mostly following orders, but just like the Captain, he never did consider Halliday's point of view, even after Halliday proved his loyalty to the cause once hostilities got under way. Smooth move there Lieutenant, trying to take out Halliday and going over the cliff for his trouble; he should have watched that first step.It seemed to me Dana Andrews was pretty low key in his lead role here, almost like he wasn't invested in the outcome of the movie. We eventually get to learn his character's back story, but it seems he could have put more energy into the role. Say, what's with that scene when he tries to save Livingston (William Schallert) and right there in the middle of the river, the screen writer came up with a quicksand gimmick! Has anyone ever heard of that? A complete head scratcher for this viewer.Well this one winds things up pretty well up to expectation, with the headstrong Captain finally being convinced to see things the right way in regard to Halliday's circumstances. No feel-good romance ending to close out the picture though, since Talman allowed Halliday to escape according to the rule book.
This fine production is in every way one of the best westerns, and the best adventures ever made by my standards. It is also a "sense-of-life" film, during whose course the viewer along with the characters discovers the truth about the central character for himself. The plot situation here is a tense one. This script has in fact one of the most interesting story lines of any western of which I have knowledge. A man named Halliday is being called a renegade, even accused of having started an Indian war. Yet Brett Halliday is a man who deserted to join the Ute Indians--who have now joined the Sioux---on a previous occasion for what he says was a different reason entirely. His story was he wanted keep the peace then and still does, but Evans, the man in charge at the local fort, wanted the war. The man who has captured him, Harper, leads his patrol back to the fort. Laura Evans, the Colonel's daughter, is also present. Her father is dead; and an overwhelming attack on the fort is now imminent. With no other choice, the few survivors have to make their way down the walls of the canyon beside which the fort is perched and try to escape via the river that flows there. The body of the film's many action scenes involve that attempted escape and Halliday's part played during it, which finally convinces a by-the-book Harper to let him go to the Indians and try to avert needless bloodshed. By this time, he has told the daughter the truth about her father--that he brought on the two wars by the way he had maltreated the tribes. And she has fallen in love with him and will wait for his return. Veteran Jerry Hopper directed the colorful scenes contained herein from a script by George W. George and George Slavin. In the good cast beside Dana Andrews, very good as Halliday, young star Piper Laurie as Miss Evans, William Talman in a his best role ever in film as Harper, Milburn Stone just before he achieved fame as "Doc" on "Gunsmoke's" long-running TV series, Rex Reason as Laura Evans' jealous suitor, Gordon Jones, Robert J.Wilkie, Peter Coe, Douglas Spencer and William Schallert. There are many good technical and creative contributions that make this a beautiful and memorable outdoor drama. Bill Thomas did the costumes and other fine professionals were involved; but the plot line concerning how men face adversity is so strong that a lesser cast, producers and artists could still have made this a creditable effort. That they did so much better than they might have done is a tribute to all concerned.
Huge war party is about to attack an Army outpost against an outnumbered military unit. To survive, the soldiers must take to a dangerous river flowing through canyon country, harassed by the savages all the way. Their troubles were compounded by internal strife created by a prisoner the Army was taking with them. Good action yarn filmed in the Grand Canyon.
The wrinkle here, is that most of the action takes place in boats, traversing a treacherous river in the west. Andrews, Laurie, and Reason acquit themselves well, but the script is tired, even for the mid 50s. There is enough action to satisfy and Piper is easy on the eyes, otherwise this one is just passable.