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I like the storyline of this show,it attract me so much

Good movie, but best of all time? Hardly . . .

Admirable film.

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Plot-- Trail-driver Cord (McCrea) is blamed for letting his cattle crew wreck a town. After prison, he consents to head up a trail drive that will save the same town's finances. But the town's in competition with an outside cattleman to be first to arrive at the buyer's base and get the contract. So who will win, and can Cord be trusted. Despite the great Joel McCrea and a grabber opening, this is a bland western. The only action, until the showdown, is loping cattle going here and there and who knows where. The rambling script fails to gel into any kind of suspense, with one talky scene after another to accommodate the many characters and subplots. Meanwhile the large supporting cast flounders getting no help from director Warren. The one compensation —the scenic eastern Sierras— is marred by contrast with poorly designed nighttime sets that take us back to the studio. Considering this was a TCF production, I'm surprised it was so poorly put together. Maybe they were trying to capitalize on the McCrea name. But by this time, he was in his mid-50's, still quietly commanding, but aging, nonetheless. At least they don't have him riding into the sunset with one of the girls. Mostly he sits astride his horse and gives orders. As a fan of the ace cowboy, I wish there were more to compliment. But unfortunately, there isn't.

Cattle Empire opens with Joel McCrea being dragged through the streets of a small western town. He's a former trail boss who went to prison because he was held legally responsible for his crew shooting up a town and a lot of people getting permanently injured. That's a first in all the westerns I've ever watched and there've been a lot. But now the big cattle baron in the area, Don Haggerty who incidentally married McCrea's girl Phyllis Coates has need of his services. Haggerty has to get his herd to market and beat another baron's herd there or they win an army beef contract and Haggerty goes broke. Haggerty was also blinded in the fracas that put McCrea in prison.So much nobility in one western I could hardly believe it. McCrea always on film epitomized the strong silent western hero maybe more than any other player. But it was just too much for me to swallow.Steve Raines, Rocky Shahan, and Paul Brinegar wound up on the Rawhide series the following and all three have parts in Cattle Empire. Possibly they were cast after being seen here. In fact Eric Fleming was very much in the Joel McCrea mold as Gil Favor the trail boss, but he was not a candidate for sainthood as McCrea is here.

I wasn't blown away by Cattle Empire, however I do think it is worth the look. The production values are impressive, Joel McCrea is splendid, Gloria Talbott is a welcome presence and Charles Marquis Warren's direction is passable. Also the film starts brilliantly and the climax is pretty strong.What didn't do it for me though was the film's length, it is far too short. The story felt rushed and underdeveloped and the script is decidedly patchy. Less of an issue is the pace, but it is still an issue, if the film had slowed down a little more the characters, story and script could have done with more credibility.All in all, a decent film but nothing really to blow the mind. 6/10 Bethany Cox

In its time the American B western was possessed of a form as rigid as any dramatic form in existence. There would be half a dozen plots that could be used for a western and the story was usually told in a conservative fashion, using techniques that ran back to when William S. Hart, popularizer of the Good Bad Man in the movies, was one of the leading western stars. The conservatism was a combination of practicality and art: the Bs were the stomping grounds of silent A directors who wished to continue to work.... and the fact that the story took place in the outdoors meant that the outdoors formed a good part of the story.In this one, Joel McCrea is the Good Bad Man -- a great trail boss whose men got out of control and wrecked a town. Now the town is struggling to make a comeback, and has hired McCrea to lead the drive -- and much of the town has come along on the drive The movie is beautifully shot and the plot has a revenge drama quality that makes it peculiarly interesting. Unhappily, most of the acting talent, once you get past McCrea, is less than first rate. Still, it does have its not inconsiderable charm and its easy assumption of what may seem like bizarre attitudes may give you the start of an understanding of the genre.