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Good , But It Is Overrated By Some

Pretty good movie overall. First half was nothing special but it got better as it went along.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Paramount. 10 October 1935, Howard Bretherton. Screenplay by Doris Schroeder and Harrison Jacobs. Based on the 1931 novel, Hop-along Cassidy and the Eagle's Brood, by Clarence Edward Mulford. William Boyd, Jimmy Ellison, William Farnum, Addison Richards, George Hayes, Joan Woodbury, Frank Shannon, Dorothy Revier, Paul Fix, Al Lydell, John Merton. 59 minutes. (Available on an excellent Passport or Platinum Disc or Echo Bridge and also a VintageFilmBuff DVD). In this one, Bill Boyd is referred to as "Bill Cassidy" rather than Hopalong. It's a minor entry with all the action saved for the last reel - and pretty tame action it is too! True, there are some attractive location exteriors and one or two deft touches in Bretherton's direction. And Joan Woodbury dances to the Sam H, Stept (music) and Sidney Mitchell (lyrics) song, "Free With Love".

This is one of the best Hopalong Cassidy movies I have seen, and it is also most unusual for a Hoppy movie. Mainly it has a small narrow plot that drives the action every step of the way. The other Hoppy movies are more like epics with large forces of horsemen on each side; usually the bad guys slip up at the end which unleashes a furious battle of riders. Here it is more like a well-tuned detective mystery with every little discovery initiating a counter move.On one side you have several bad guys, led by Big Henry, who murdered El Toro's (a famous retired Mexican bandit) son during a gold shipment robbery. They warn Gabby Hayes to stay quiet about the son and the gold passing their way, and in doing so learn that there was El Toro's grandson there who must have witnessed the murder-robbery and who has vanished. So the bad guys set about to locate the kid and kill him.On the other side, Dolores, an honest dance hall girl, finds the kid in the woods. She decides to ask her boss, Big Henry, to help return the kid to his grandfather in Mexico, but before she can open her mouth, she overhears Big Henry discussing his part in the robbery-murder. So she hides the kid in the woods and writes a letter to El Torro to find her and get his grandson.El Torro, on his way to Dolores, bumps into lawman Hoppy, saves Hoppy's life, and ends up giving Hoppy Dolores' letter so Hoppy will find the kid and bring him to El Torro (payment for saving Hoppy's life).By now, Big Henry becomes wise to Dolores and kills her. Both the bad guys and Hoppy are looking for the kid. I won't say more about the intricate plot.Other pluses for the movie: wonderful scenery and cinema photography; lack of comic side kick and cornball humor; and James Ellison as Hoppy's best sidekick.

Pablo Chavez watches his parents killed by a band of outlaws who are after the elder Chavez' gold. Pablo runs away from the scene of the murder to get help and runs into Dolores, a dancer in the town's saloon, who hides Pablo in her cabin, and then goes to town for help from her boss, Big Henry, but when she arrives, she overhears that Big Henry was responsible for the Chavez murders. Dolores hides Pablo in a more secluded place and writes a letter to Pablo's grandfather, Pedro, who lives across the Mexican border as a notorious bandit known as El Toro,who rides to the saloon where Dolores works, En route he saves the life of Hopalong Cassidy (a county deputy), who was searching for the outlaw. El Toro begs Hoppy to let him go after his grandson, but Hoppy won't let the outlaw go across the US border. Instead, Hoppy agrees to go after the boy himself and rides (with fellow deputy Johnny Nelson, who have both turned in their badges) to meet with Dolores. Meanwhile, Big Henry learns that Pablo is still alive and can recognize the bandits and that Dolores is hiding him. Dolores is killed by Big Henry, right after promising Hoppy information on the boys' whereabouts. Hoppy gets a job as one of Big Henry's gun hands, thinking he can prevent Big Henry from making anymore attempts against Pablo, but the outlaws believe that Hoppy might be double crossing Big Henry and decide to take him out. A very gritty entry in the Hoppy series, with the character being less noble and more meaner than in the subsequent entries. Farnum is excellent as the former outlaw El Toro, evoking a lot of sympathy from the audience. Hayes gives another great performance as Big Henry's bartender who is trying to help Hoppy, behind his boss' back. Bretherton creates loads of action and suspense in this worthy entry. Many nuances Hoppy shows in the film (buying drinks for the ladies, rolling a cigarette, and his stern disposition) would disappear in the later films in the series. Rating, based on B westerns, 8.

"The Eagles Brood" was the second feature in the long running Hopalong Cassidy series produced by Harry "Pop" Sherman. Directed by Howard Bretherton, it gives us some spectacular outdoor photography and several exciting action sequences including the good guys riding to the rescue in the nick of time at the film's climax.The story opens with the notorious Mexican bandit El Toro's son and his wife being brutally murdered. Their young son hides and is taken in by saloon girl Dolores (Nana Martin aka Joan Woodbury). El Toro (William Farnum) vows revenge and sets out to find his grandson. Along the way he rescues "Bill" Cassidy (William Boyd) from quicksand. Cassidy then offers to find the grandson in payment for El Toro's saving of his life.Cassidy and his pal Johnny Nelson (Jimmy Ellison) set out to find the murderers. Dolores meanwhile, is the girl friend of the head bad guy Big Henry (Addison Richards) and learns that it was his men who murdered El Toro's son and his wife. Big Henry finds out that the grandson is alive and has witnessed the crime. So he and his gang which includes Frank Shannon, Paul Fix and John Merton, also search for the missing youngster.Big Henry learns that Dolores is harboring the child and in a scene unusual for a series western, murders her in cold blood. Cassidy in the mean time, finds the boy and shields him from the outlaws. A shootout ensues followed by the aforementioned ride to the rescue and concludes with a cliffside fight to the finish between Cassidy and Big Henry.Boyd was still playing the lead character with a rough edge. He is called "Bill" throughout except for one instance where Ellison calls him "Hoppy". Heck, Hoppy even has an eye for the ladies in this one. George "Gabby" Hayes had not yet settled into his Windy Halliday character. He played several character roles in the early films of the series, much as he had done in the John Wayne Lone Star series. Here, he plays a good bad guy Spike, Big Henry's bartender who spends most of the picture trying to roll a cigarette. Hayes doesn't have his tell tale whiskers in this one, only a drooping moustache with short hair.This is a good action packed series western which maintained its excellent production values throughout. The Hopalong Cassidy series was in my opinion, the best "B" series ever made.