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How sad is this?

An action-packed slog

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

After playing with our expectations, this turns out to be a very different sort of film.

The writers and producers of "Hellfire" seem to have wanted to throw away the formulas and cliché's usually found in Westerns. They put an emphasis on character development to bring us vivid characters, performed very well by superior b-movie actors.This movie marked the beginning of my long-time infatuation with Marie Windsor. View it and your own Marie love affair will begin. She brings us a rare combination of strength and beauty and her performance is to be admired by both men and women. About 15 years before Jane Fonda saddled up, Marie gives us a precursor to Fonda's "Cat Ballou" but in a more serious acting style with less emphasis on comedy.Bill Elliott underplays as usual but his role calls for it, and this is probably his best film performance. His performance beautifully compliments the dynamic Windsor. Elliott is known for underplaying, but underplaying is not always a bad thing. Elliott proves that here.Elliott, Windsor and a restrained Forrest Tucker form an effective 3-way acting ensemble that is fascinating to watch, as aided by some great screen writing.In the 1940's or today you don't always need big names or budget to make a successful film. Just watch "Hellfire" straight through and let the characters and unusual plot twists grab your attention. You will be entertained.The color filming is good and all the supporting actors are first-rate. Look for the great Harry Woods in a small part- I wish he could have had a bigger role because every performance by Woods is essentially a screen acting clinic.

In Hellfire, Wild Bill Elliott in one of the few times in his career does something less than heroic. When we first meet him he's a no good tinhorn gambler who gets caught with some cards up his sleeve. Just as he's about to get some frontier justice an itinerant preacher H.B. Warner steps in front of a bullet meant for Elliott. As he's dying he makes Elliott promise to build the church he was collecting funds for. But he has to do it by the rules as laid down in the Good Book.History is full of folks who do an about face in belief and character, the most well known is from the Bible with Paul struck down on the road to Damascus and turning from a Sanhedrin persecutor to a full fledged believer in Christianity. But Elliott's about face was really a bit much to swallow.Even more so is his idea that he can get all the money he needs if lady outlaw Marie Windsor will turn to the Lord and turn herself in. This woman makes Sharon Stone in The Quick Gun and Joan Crawford and Mercedes McCambridge in Johnny Guitar and Barbara Stanwyck in any number of westerns look like a Sunday schoolteacher is not about to do that. Windsor gives a great performance that is completely wasted in an unreal film.Besides she's also got outlaw brothers Jim Davis, Paul Fix, and Lewis Faust after her. And sheriff Forrest Tucker whose agenda isn't all about law and order.Hellfire is one of those films that Elliott hoped would break him out of the B picture cowboy ranks into something better. But instead of breakout, he got one weird film.

You can't ask for more in a western than Wild Bill Elliott and Marie Windsor. Elliott was one of the manliest and most genuine western stars of the '40's, and no woman had more strong charactered parts in B westerns and film noirs than Marie Windsor.This is a rousing movie about redemption and the hard road to reach it. Things don't come easy for the two stars, but they both just keep on a pluggin' away in true western style. What makes this movie more than just another formulaic oater is the fact that Doll Brown (Marie) is not your average swooning damsel in distress. One gets the feeling that the two stars had genuine affection for each other (notice that I said affection, not lust) and this shows through in the film.Changes in the characters that take place during Hellfire seem like changes that would really happen if two people liked each other- it is not the usual surrender of one star (almost always the female lead) to the strength of the dominant one (almost always the male lead).If you like Westerns (and here I mean not just Howard Hawkes or John Ford films and not just any weak programmer destined for a Saturday matinée second feature), you should enjoy this one.

The review by Filmaven tickled me. I feared I was alone in believing this movie is one of the greats.Marie Windsor, a fine actress in any role, just outdid herself in this film.Bill Elliott was even better than usual, and so were all the other actors.Best of all, though, was an excellent script, one definitely worthy of A movie budgeting and distributing.There is a quality in this movie that is sadly lacking in most modern films, and the emphasis on a story line is one aspect that elevates "Hellfire" above the mass of films.