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The Rest Is Silence

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The Rest Is Silence

In 1911-12, the Romanian movie director Grigore Brezianu and the financial tycoon Leon Popescu made together the 2 hours long movie "Romania's Independence" - an as faithful as possible screen adaptation of the real Independence War that had been fought in 1877. Now, "Restul e tacere" tells us, in a loose and half-fictionalized way, the story of this movie making.

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Release : 2008
Rating : 8
Studio : Domino Film,  Avrig Group,  Realitatea Media, 
Crew : Art Direction,  Production Design, 
Cast : Marius Florea Vizante Ovidiu Niculescu Sandu Mihai Gruia Valentin Popescu Nicu Mihoc
Genre : Drama Comedy

Cast List

Reviews

GamerTab
2018/08/30

That was an excellent one.

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SincereFinest
2018/08/30

disgusting, overrated, pointless

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Derrick Gibbons
2018/08/30

An old-fashioned movie made with new-fashioned finesse.

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Dana
2018/08/30

An old-fashioned movie made with new-fashioned finesse.

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Stef
2008/12/06

First time when i heard about this movie i thought it's gotta be another sad romanian movie with a low budget, but i was wrong! After i saw it, all i can say it's that this movie is one of the greatest romanian movie made in last 20 maybe 30 years. It has great humor, the acting it's very well done and the story-board it's amazing. I didn't knew that romanians are the first who made a long movie.Anyway, from all the movies that i saw this year "Restul e tacere" it's in top 5 of my favorite movies. After i saw it, i decide to buy it! If you want to see it, don't pirate it, buy it!

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rusu-4
2008/07/26

Or, of course, half empty. I had been waiting for a while for this movie. Really liked Nae Caranfil's other films - especially his last one, Filantropica, a dark and cynical comedy that manages to be both original, funny and thought-provoking. Now, this one is different. Not that it's bad - but it's "serious". It's about the first (or one of the first) movies ever made in Romania, about the war of independence with the Turks. The action is set in 1911, and the events depicted in the "film in the film" had happened some 35 years earlier.The film does avoid the most basic traps - like being overly patriotic. But in my opinion it does not avoid the "folklore" reconstitution of the early 20th century Bucharest. It has all the expected clichés all Romanians know about - like Bucharest supposedly being then a "little Paris". It has some standard characters - "the young idealist", "the hot actress", "the patron of the arts", ... none of which are very believable. It has some pretty heavy metaphors - the "hot actress" gets sprinkled with water twice in the movie, only to die in a fire towards the end ... come on...It also has its good moments. I liked the old generals quarreling about who arrived first on the battle scene, and loved the scene with the King to whom in is explained that the film's director is a kind of an accountant! Another one I liked was the projection of the Independence movie - a bunch of elderly gentlemen in fancy suits getting all excited watching the battle scenes, almost like at a soccer game!I could have ended right there. Unfortunately, it did not - it goes on for another half hour, probably to provide information about the fate of the "film in the film" and of those who made it. And the very last scene nails it to the ground - an actor saying "the rest is silence". Could have included himself in that...So, overall, a disappointment, maybe because I was expecting too much.

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simonasidorin
2008/07/07

Well first of all I like the title : it is very suggestive , very theatrical . This movie is a needed change of rhythm in the Romanian cinema because it is depicting an episode of pioneering cinema in Romania . The year is 1912 but INDEPENDENCE WAR do not forget : is not the very first Romanian movie , maybe it is the first historical movie , even from the historical point of view the real UNION came in 1918 with Basarabia and Transilvania joining Valahia and Moldova ...but we are getting too much into national history .That era depicted in film is when Bucharest was opening more to European influences and especially french culture , it later became LITTLE Paris and it was not an exaggeration at all. French was spoken by aristocrats , intellectuals , artists and even common people. Of course the movie is got a lot of comic moments , we are Romanians N'EST CE PAS ? Do not forget also that haughty people they despised cinema , they preferred theater . I know they we're right but , let's get over it . Cinema was incredible cheap , even in those days , it was a sort of entertainment for low social classes , for the mob . But of course in time people they changed up minds , it is to admire the passion the people involved in this project they sacrifice to see their dream come true . Also it is showing us how VOLATILE and transient the films are ......they burn so easily .I enjoyed watching this movie , and is a nice feeling to know that they are still people who cares about CINEMA .

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tributarystu
2008/03/27

Love films. Always have, always will. Would like to love Romanian films too, because it just feels good to hear a film unfold in my very own language. But things are as they are and I can't make them any different. All I can try is change my "optic" of things, which I can't seem to do in this particular case. Some films sway you to, others don't. It's just as simple as that.In Caranfil's style, "Restul e tacere" is a jolly new film about film, but also about jolly old Romania and the people inhabiting it. It looks good and is decently acted, as a young protagonist tries to make a film about the Romanian battle of independence, against the Turks, which leads him on a road of enlightenment about the people of that world. A lot of character types pop up in this morally vile Romania which bear a lot of criticism to the contemporary one as well.What disappoints me is that subtlety is often sacrificed for clarity, with an ending so full of itself that it just undermines many of the things said and done along the way. It is undeniable that the film has moments of poignant humor and all in all manages to sketch a very true form of the ill society which rules the land, now and then, but it isn't "round" enough to be placed on the shelf it wishes to place itself.I may be overly harsh about Caranfil's latest effort, but I do not wish to ignore the underlying themes and motifs he ties in with the story, the allegorical parallels of other stages of the world and some of the great single elements which are part of it. However it isn't enough - as far as I'm concerned - to be really smart about the things you say, if the way you say them doesn't fit.

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