Watch Gunfight in Abilene For Free

Memorable, crazy movie

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Blistering performances.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Are you kidding me - Bobby Darin - in a Western? I would have lost that bet big time. But you know what, he wasn't that bad. There were a few times I thought he was over-acting the role but in general a credible job. One problem though, was his casting as a baby face in the starring hero role. Like Audie Murphy, the matinée good looks don't always work when going up against the town bully or a gnarly gunslinger like Joe Slade (Donnelly Rhodes). Not only that, but when sized up against some of the other players, he was pretty much on the small side.But all in all, the story was pretty good. Now Leslie Nielsen - I guess I've seen him too many times in Airplane and Police Squad pictures to take him seriously in a dramatic role. So with that club hand of his, injured by Cal Wayne (Darin) when they were youngsters, it looked like a caricature and any minute I was expecting the kind of treatment we got from Kenneth Mars as the inspector in "Young Frankenstein". It came pretty close at one point too, when he started banging the hand on the back of a chair, but that was it. You have to admit though, Nielsen's character Grant Evers looked pretty fast on the draw for a cripple. It would have been something if the final showdown was between him and Cal.You know who got the short end of the stick here though, don't you? After all her fussing over Cal, Leann (Barbara Werle) got broomed so quickly she didn't even show up at the end of the picture. She could at least have gotten eighteen yellow roses for her trouble.

I am, of late, a serious Bobby Darin fan. I didn't see Gunfight in 1967 when it was released, but was fortunate enough to track down a copy just recently. The film was badly panned by the critics in its day, but I gotta tell, I loved it. It's one of the few films Bobby Darin made in which he's the central character and he's on-screen throughout the movie. For this reason alone, it's a must-see for true Bobby Darin fans. I think that Bobby Darin was a good actor and very much underrated. Gunfight is fast-paced, entertaining, and if the plot is a bit predictable, well probably most westerns back in those days were somewhat predictable. Bobby Darin also wrote the musical score for this film, including a beautiful song called "Amy." And, of course, he sings the title song. I think it was one of his finest efforts and it's one my personal favorites.

Though only 11 years had elapsed since the release of "Showdown at Abilene," Universal re-made this under the title "Gunfight in Abilene" with, surprisingly, Bobby Darin taking over the Jock Mahoney role. It's an unexpected casting which does not pay off since Darin seems out of place in a western and he's simply too small and modest to be the kind of tough lawman who could "clean up" a frontier town. In some scenes, he looks even shorter than leading lady, Emily Banks, and whereas Mahoney appeared on the balcony of the Abilene hotel gloriously bare-chested -- showing off his impressive physique but wearing his pants high enough to hide his navel -- Darin plays this same scene with his shirt on though open a bit at the top. (When Darin wakes up from a nightmare in a brief and dimly-lit scene, however, he's bare-chested whereas Mahoney, in a comparable scene, wears an undershirt.) On the plus side, Darin did contribute a song, "Amy," which is sung under the opening credits and which, though undistinguished, is pleasant enough and which today -- due to a decline in movie-song-writing quality -- might win an Oscar.The triangular relationship among Jock Mahoney, Lyle Bettger, and Martha Hyer which strengthened the original movie is still of interest here but one can't quite believe that Bobby Darin and Leslie Nielsen had once been close friends.Though this re-make follows the original quite closely, there are two notable changes. This version begins with a Civil War battle sequence showing Bobby Darin accidentally shooting a friend. Thus the audience knows from the start why the guilt-stricken Darin is reluctant to carry a gun when he returns to Abilene and why he feels he owes a debt to the dead friend's brother. When Darin later confesses the truth to Nielsen, his remarks lack the impact they had in the original version when the audience did NOT know what had happened back in the Civil War battle.The other change is also questionable. In the new version there's a young blonde woman in Abilene who has a crush on Darin and who pops up in a few scenes. This character does not appear in the original version and she adds nothing to the story.The re-make is superior to the original in two respects, however. Donnelly Rhodes makes a much more convincing "bad guy" than Ted de Corsia, and Michael Sarrazin's whipping is more effectively staged than Grant Williams' whipping in the 1956 version. Sarrazin is stripped of his shirt and subjected to more punishment and taunts than Williams who, for some inexplicable reason, is allowed to keep his shirt on while being flogged, even though he has a pleasing physique -- as was proved in "The Incredible Shrinking Man" -- and even though Universal had begun to groom him for his "hunk" appeal.Finally, all the character names from the 1956 version have been changed for the 1967 one.

This is a good western film from the mid- 60's with Bobby Darin playing a Civil War soldier who returns home, only to find that things have changed in his occupation status, and love life. Darin gives a good performance, and Leslie Nielson is good as the villain.*** stars