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Although it has its amusing moments, in eneral the plot does not convince.

In truth, there is barely enough story here to make a film.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

A young Catholic priest, Luke Kovak, doing good works in his parish has his life turned upside down when his past as an assassin catches up with him. After a previous operation had gone bad he sought sanctuary with the church but he kept a piece of evidence from that operation which his former unit now wants. There are a lot of flashbacks in the film but the narrative is clear and on the whole it is a decent enough film.The priest is played by Mark Dacascos and he does it very well, not only in the action scenes where he is so proficient but also in the emotional scenes. You get a good sense of how scarred his character is and the mounting despair he has when falling back into his more violent ways. It always puzzled me how Mr Dacascos never became a bigger action and martial art star. He had all the necessary attributes in martial art and acting skills and was very likeable and watchable.The very last scene is a lovely ironic twist in the tail of the tale.

The previous Mark Dacascos movie I watched—buddy kung fu flick Drive (1997)—was hugely entertaining nonsense, with a lightweight but fun plot, likable characters, and very impressive martial arts scenes; Sanctuary, made the following year, is the antithesis of that film, a joyless thriller that takes itself way too seriously, suffers from lifeless direction, and which completely wastes the extraordinary fighting skills of its star.Dacascos plays CIA agent turned priest Luke Kovak, who finds himself pulled back into the violent world of black-ops espionage by his ex-boss Dyson (Alan Scarfe), who is keen to lay his hands on an incriminating tape that could prevent a senator from becoming security adviser at The Whitehouse. A confusing narrative structure that involves numerous dreary flashbacks, coupled with a plodding pace and a lack of martial arts makes Sanctuary a B-movie bore from start to finish.

Pretty impressed with this thriller. Mark Dacascos has a good on screen presence as the CIA killer-turned-priest-turned-killer-again. The story holds interest and the director steers clear of the usual mad machine gun frenzy Hollywood imagines its action viewers want to see. This is a movie with some style, of an almost modern Gothic feel. Dacascos performs with all the intensity expected of a man facing his past demons. The action is sharp and straight to the point, with no unnecessary flourishes. My only criticism was the standard showdown between hero and chief villain at the end, which was a tad too long. It would be refreshing if this formula was altered to an extent by having the chief villain getting it maybe a lot sooner, and then having the rest of the enemy polished off after as they panic. Instead we have martial arts expert Dacascos pitted against the Schofield Kid from Unforgiven, and the Schofield Kid holding his own for more than ten seconds. This is a minor blip however in an otherwise engaging thriller. Nice little twist in the tail at the end, and as other viewers have observed, it leaves the door open for a sequel, although hopefully not Sanctuary 3, 4 and 5, as that would just kill the original concept. All in all this is a good movie and much recommended.

I turned to this movie late at night mainly to see Mark Dacascos who is nice to look at, and not a bad actor either! I tend to fall asleep if a movie doesn't keep me interested. Well, I felt that, for a cable action movie (on Action Max) it was entertaining and had an actual plot that made sense. In a series of flashbacks, we see the events that shaped Dacascos's character. It's got plenty of guns, a few explosions, a government conspiracy, bad guys, good guys, a possible good gal, and an ironic ending that is both unexpected and appropriate. This is a flick that both guys and gals can watch - lots of action but not any gore. I wish Dacascos luck in catching a mainstream movie and riding it to the big screen. He deserves it!