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Did you people see the same film I saw?

Pretty good movie overall. First half was nothing special but it got better as it went along.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Louis Coline tries to keep up with his demanding wife and an equally demanding boss. They both want something else of him. How to cope with this? I liked the theme of how work can have an immense influence on your life. Louis is under pressure and we see him trying to cope with it. How would you respond when at midnight your boss (Michel Piccoli) and his aid (Jean-Pierre Kalfon) are on your doorstep and seconds later they are in your kitchen baking an egg? Shaving naked in your bathroom the next morning? And your wife wants to leave in her nightgown in the middle of the night? I did not enjoy the film thoroughly, unfortunately. I waited for the magic to happen but it never came. The reason is, I guess, that I found the film just too regular. A regular story about a regular guy, living with other regular people, in a style of filming that is equally regular. It was visually not very enticing. I am not familiar with the work of Pierre Granier-Deferre, but my guess is it shall be mostly slow and observing.I wouldn't go as far as calling the film bad. It is a solid production after all. It also boasts a couple of decent actors, Gerard Lanvin in his early years being surprisingly sensitive; Nathalie Baye as his wife; and Michel Piccoli as his boss. But it was actually only Jean-Pierre Kalfon who was outstanding (he would've fitted greatly in The Wolf of Wall Street).On the other hand this observing style works fine when you watch the film as some sort of time machine, to have an honest view of life in 1981 (and not the punky kitsch version of these years the media has invented). As how it was for probably most people: working, family, eating, sleeping. Not as different as life nowadays.

This film is shy, one of those you'll fall over on a sleepless night, on an obscure TV station. And you'll find yourself attracted by its awkward mood and characters (check Jean Pierre Kalfon's performance, amazing here). Truth is, "une étrange affaire" is an "étrange" masterpiece, and I'm not ashamed to say it could have been a Kubrick film in the way it depicts extremely accurately the relationship between a king and his court, and the behaviour of mind bent court followers and how this relationship can work today, in a democracy. Piccoli is at his best, so are Balmer and Kalfon (two very under used and rated french actors) and this is probably Lanvin's best flick (that's if you're a fan of the guy). The film is cruel, and shows how easily a man can get his mind twisted, be it by a ceo or out of a "big company" context, anyone standing on any upper level and how weak and cheap the ways to use are. On that sleepless night, try to stay awake, you won't regret it, even at 4.00 AM.

"Une étrange affaire" is Pierre Granier-Deferre's magnum opus,where he goes for broke and proves he can be brilliant.He made another important work at the beginning of the seventies "le chat" but it owed a great deal to its stars Gabin and Signoret.Here,there's a veteran, Michel Piccoli,and Gérard Lanvin,a generally unambitious actor,finds his best part.But it does not explain everything:the screenplay is very well constructed,the atmosphere stifling and the hero seems to be caught in a giant cobweb.First part depicts the fears of the employees of a department store :a new boss is about to arrive and some skivers are in a cold sweat about it.All rings true,and the whole cast is really excellent.Enter the new boss,Piccoli,who will not be the one everyone expected:he's a bon vivant and he treats Gérard ,the hero, as a friend.He takes him to chic places,where the young man feels like a bull in a china shop,he gives him responsibilities and promotion is around the corner.When the future seems brighter than ever ,it's actually the beginning of the end:his wife ,Nina (a lucid sensitive Natalie Baye) ,has cleverly noticed something was wrong:actually the boss and his beaming but disturbing henchman (Jean-Pierre Kalfon) are making her husband their thing,a slave at their beck and call.They even look into his private life ,and one night,the boss even requisitions the apartment and the couple's bedroom ."You do not exist anymore" says the wife as tragedy is impending.The boss 's method is some kind of professional fascism,which destroys all that makes a man a human being.It's all the more terrifying as the Master is always friendly,joking,smiling and even fascinating.The conclusion ,which refuses the happy end will give you the jitters.A strange affair indeed.highly recommended.

What if a man doesn't fit the role of being the centre of his loving wife's life but jumps instead to the opportunity of getting invaded and absorbed by his new boss who expects from him and two colleagues that they constitute a team without borders of privacy like one body and the boss as the ruling head?