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Western

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Western

Catalonian Paco is a traveling rep for a shoe manufacturer. When he stops to pick up Russian emigree hitchhiker Nino, Paco soon finds himself on the side of the road with everything stolen out from under him. Local gift shop owner Marinette gives the Spaniard a lift. Their mutual attraction manifests itself quickly, and Paco, who was fired over the stolen-car episode, hangs around. When he happens to spot Nino in the same town, he beats up the scrawny Russian, who lands in the hospital. Oddly enough, this marks the beginning of a beautiful friendship. Paco and Nino soon take the trip down the road together

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Release : 1997
Rating : 6.7
Studio : Diaphana Films,  Salomé, 
Crew : Director, 
Cast : Sergi López Sacha Bourdo Élisabeth Vitali Marie Matheron Bernard Mazzinghi
Genre : Drama Romance

Cast List

Reviews

Tetrady
2018/08/30

not as good as all the hype

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Ploydsge
2018/08/30

just watch it!

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Inadvands
2018/08/30

Boring, over-political, tech fuzed mess

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Brendon Jones
2018/08/30

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

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coyets
2006/05/04

A surrealistic story of two credible typical men with a tendency to loneliness, which is made even more intensive through chance events, to meet, and then, despite their dissimilar characters, proceed to get to know and like each other even though the circumstances of their first encounter are extremely inauspicious. Sergi López, playing the Catalonian Paco Cazale, and Sacha Bourdo, playing the Russian Nino, do not put in brilliant acting performances, but they are sufficiently good to convey the pathos in their roles, which becomes more apparent as the film progresses.The women they meet all behave credibly, but the sum of all the encounters is so unrealistic as to appear nonsensical, even with the anchor of a picturesque background of rural western France and many of its aspects. This surrealism, or irreality, is mercifully not nearly as pronounced as in 'Buffet froid', and is even somewhat entertaining, but it detracts from the otherwise fascinating character studies of both the two travelling companions and the various people they meet.The double date and the game of 'Bonjour, la France' are highlights in this film, but many other scenes are also of good quality and entertainment value. These two scenes and the survey scenes are particularly well acted.The dialogue reminds the viewer of the announced purpose of the journey and the event which one can expect when the two men return. When this stage is reached, a characteristically unexpected turn leads to a refreshingly unexpected but unfortunately unrealistic conclusion.Good ideas and good dialogue are woven rather weakly into a rather good story.

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franco
2001/12/17

I am not usually very fond of French movies but for reasons I cannot describe too well, this movie was very appealing to me. Although it is very French (it's located in Bretagne west of France) in its context, the idea of the movie is universal. It's about friendship and meeting and seducing women. The events are according to me unrealistic and mostly improbable. I live in Europe and know for a fact that having women and relationships are not as easy as they are portrayed in the movie but we would wish them to be.this makes the movie a kind of fantasy fulfillments tinged with streaks of reality throughout. In the lonely and grey countryside, inside anonymous houses, could one find love and happiness? Whenever I pass a house wherever it is located I'd think `could the woman of my life be inside that strange place that I pass by and will soon forget? If you don't really understand what' I'm saying go watch `Western' and you'll know. It will surely make you feel good.

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tom.ridgway
2000/10/26

Poirier's film is as good a study of loneliness as anything you're likely to see. (PT Anderson's Magnolia is on the same level.) Nino's search for love is heartbreaking and, the film uses all its various scenes to underline how loneliness affects everything the characters do. The men wander, but the film doesn't.Western is gentle, delicate, and touching--and manages to avoid any sentimentality. In other words, a rare gem.

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Jasper-12
1999/04/05

With such a great concept as two guys hitching around France seducing women and getting into various scrapes, you'd wonder how you could go wrong, but despite its moments, this comes across as a rather half-baked affair, of interest mainly due to some impressive acting and the way they've made use of an obviously miniscule budget. The main problem is in its arbitrary plotting, which consists of a number of lengthy sequences, the majority of which seem to have no evident role within any larger narrative arc, and at times seeming like they are just there to make up time. Some of these scenes are impressive in their own right (the double-date dinner party, and the game of 'Bonjour a la France'), but it soon becomes apparent that the film is going absolutely nowhere. That's not to say that the scenery along the way isn't impressive, and the repartee between our two protagonists is generally amusing.

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