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Voyeur
Journalism icon Gay Talese reports on Gerald Foos, the Colorado motel owner who allegedly secretly watched his guests with the aid of specially designed ceiling vents, peering down from an "observation platform" he built in the motel's attic.
Release : | 2017 |
Rating : | 6.1 |
Studio : | Impact Partners, Brooklyn Underground Films, Public Record, |
Crew : | Director of Photography, Director, |
Cast : | Gay Talese Gerald Foos |
Genre : | Documentary |
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Reviews
Pretty Good
Load of rubbish!!
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
By the time the dramatic fireworks start popping off, each one feels earned.
Journalism icon Gay Talese reports on Gerald Foos, the owner of a Colorado motel, who allegedly secretly watched his guests with the aid of specially designed ceiling vents, peering down from an "observation platform" he built in the motel's attic.The movie starts with a lie: Gay Talese says he's 80. He's 87. In fact, he says he's 80 twice. I'm not sure anything in this movie is real. The truth is, the film is more about promoting Gay Talese than about Foos. The guy who claims to be Foos looks like a phony. Died hair giant glasses so strange. Is it good? Not so much
This documentary film tells the story of a man who owns a motel for peeping into the private activities of motel residents.The fact that someone put their perverted idea into action for a sustained period of time, then write about it and share with the world is quite beyond me. The documentary does do due diligence on whether the claims are true, and you will have to decide for yourselves whether the claims are true. My assessment of Foos is the same as the female journalist in the beginning. It is an interesting documentary.
This is like a couple hacks watched The Thin Blue Line and then set out to recreate its weight and nuance but lacking both skill and a compelling subject. It tells the largely non-story of author Gay Talese's effort to immortalize a motel peeping tom. Talese's "insights" into his protagonist seem as manufactured and tenuous as the protagonist's credibility and the film indulges rather than subverts the two blustering egotists it presents. Talese lives in a home ornamented with pictures of himself, while his counterpart has a basement full of "treasures" he boasts are worth millions. Talese's books repeatedly and laughably litter the background of many shots, including one at the home of "the voyeur" where the author just happens to be sitting in an easy chair with an older volume framed nearly touching him. The revelation near the end of the subject's duplicity to the author involves something which any high school kid would have checked before writing a story for his school paper, but neither Talese nor his vaunted fact checkers seem to have bothered. The only real subject here is two old men struggling to burnish their lives with some added relevance as the sun sets. If that alone were worthy of a film, it would have taken a filmmaker with deeper skills and more original ideas.
This was creepy as hell. Man.... at the end of the day there are some weirdos out there. Pretty cool access to a strange story. Interesting characters. The cinematographer was on point most of the time. Wonder what happened to get his guy to do the film? Lol