Watch Ghost Chasers For Free

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

The acting in this movie is really good.

"Ghost Chasers" surprised me, as it's a very enjoyable Bowery Boys film...something I just didn't expect...especially when I learned that the picture was shot in just 6 days!!!The story involves some phony psychics who are bilking customers out of their money with promises they can talk to their dead loved ones. Oddly, the only one who doesn't fall for any of this is Slip...and he's an idiot! Well, the story gets very strange when Edgar, a 300 year-old ghost shows up because he, too, is mad about the phony psychics and offers to help Sach uncover the gang's dirty tricks. However, no one else seems to be able to see Edgar and you can only assume he appears to REALLY dumb folks! Overall, this is actually a rather cute installment of the series. Edgar is a very likable character and I loved when he stopped to talk to the audience early in the story! In addition, the film offers some nice twists and kept my interest. Is it brilliant entertainment? Certainly not but it is a very watchable B-movie--and better than you'd expect.

Considering all the stories the East Side Kids/Bowery Boys did that hinted at ghosts in the title, none actually ever showed up, at least not of the white sheet variety. Besides this one, there was "Spooks Run Wild" (1941), "Ghosts on the Loose" (1943), and "Spook Busters" (1946). Trying to pick a 'best' out of this mix is a moot exercise, you haven't a ghost of a chance.The first surprise I got here was during a roll of the opening credits. Topping the list it was unusual to see the name of Bernard Gorcey, a regular in these stories as Louie Dumbrowsky, but his name usually wound up on the second screen of supporting players. It was also unusual to see the amount of quality time that Billy Benedict got in the story, especially in the early going teamed up with Sach (Huntz Hall). The term 'quality' here is used as a pejorative, there wasn't much quality to these pictures, but if you enjoy the goofy antics of the Bowery Boys, it doesn't much matter.You know, if you follow the money trail here, you might wonder why Slip (Leo Gorcey) never got into the investment business. After he snookered Louie out of the hundred bucks during the séance routine to help out Mrs. Parelli (Argentina Brunetti), he wound up collecting two hundred dollars from Madame Zola (Belle Mitchell). Check it out, if you watch that scene again, you'll see that he got his own hundred bucks back for Louie, and Mrs. Parelli got her hundred dollars too! Maybe these guys weren't as dumb as I thought.Well, hold that thought a minute. There was that later scene when Professor Krantz (Marshall Bradford) failed to hypnotize Sach. Even his amazing hypnotic power wasn't strong enough to affect a moron or an idiot. I guess Sach was both.With an able assist from Lloyd Corrigan as a three hundred year old 'ghost', this is a fast paced Bowery Boys flick that wreaks havoc on the spirit racket and leaves the con men (and women) with the short end of the stick. The only problem with the story was that Louie never did get his money back from dead Uncle Jake, but at least he had the best analysis of things when he observed at one point - "It's a long and ridiculous story".

The boys get mixed up with a gang of phony spiritualists, at the same time Sach gets some special help.What a hoot when Slip gives elocution lessons "how now brown cow" to coarse-talking Cynthia (Kayne). That's like Attila the Hun giving nice-nice lessons to Ghengis Khan. The pace really picks up once the boys invade Margo the phony Medium's house. Along the way, Sach picks up an impish ghost Edgar (Corrigan) that only he can see. It's a funny schtick since Edgar does all kinds of magic that confounds the disbelieving gang. Then too, catch that fractured Shakespeare Sach starts speaking after listening to the high-brow Edgar. Corrigan and Hall really work well together and Hall is livelier than in many of the other entries.In fact, there are several centers of comedy, including Slip and the gang, and pint-sized Louie (B. Gorcey) doing his midget brand. And I hope they paid the boys extra for holding those frozen poses as well as they did, especially when they get lifted up. Also, I like the way Edgar "breaks character" and talks to the audience. Here, it's a rather charming touch. Of course, no one expects high-brow humor from these grade school drop-outs, but this entry is more imaginative and livelier than most.

GHOST CHASERS turns out to be a well-paced comedy, and a little better than usual. It involves Slip, Sach and the gang trying to expose a phony clairvoyant (or"clairvoyage," to quote the ever-prolific Leo Gorcey). Good fun all around, with some humorous assistance added courtesy of Bernard Gorcey (Leo's dad) as Louie Dumbrowski.This is my favorite period for The Bowery Boys films (1946-1956), which was the point where they became all-out comedies. Unfortunately, as of this writing, there are no DVDs planned. Hopefully, Warner Bros. will put them out very soon.**1/2 / ****