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Excellent, Without a doubt!!

Absolutely Fantastic

A Masterpiece!

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

The plot is not quite credible, although it is splendidly acted. You actually can't fail to observe how Maximilan Schell enjoys his part, and Charlton Heston came into this film directly from the vaults in the Sistine Chapel as Michelangelo and makes almost the same hopelessly stubborn case of idiotic obstinacy here. However, the weak point of the film is the colonel, (Anton Diffring, who almost exclusively played wicked German Nazi officers). It's not plausible that any German officer would have treated musicians like that, coldly lining them up for execution with all their instruments with no respect or regard for music at all - this is extremely alien to German mentality. Of course, it makes an ideally dramatic plot, and you follow it with interest, while also Kathryn Hayes fails to convince, both as lover and musician. Nevertheless, it's a very enjoyable film, especially for musicians, as it is the music that makes the film, with Beethoven, Schubert, Brahms, Tchaikovsky and Wagner dominating and leading the show. It's horribly exciting as well, and although, as I said, the plot is very far from convincing and not in the least realistic, you buy the end with delight. It might have happened that an American orchestra like this could have got caught behind the German lines in winter 1944-45, but if such an incident occurred, they have made a mammoth out of it, and in reality the outcome would have been no more than just a harmless incident. Here it is blown up with a lot of dead bodies, as the Germans in the 60s had to be made as wicked as possible.

I saw "Counterpoint" back in 1968 at a local cinema in the Midwest, and I liked it so much I went back the next night and watched it again. I was especially captivated by the acting, the offbeat plot, and the wonderful music. I've not seen it again in forty years . . . until last night, when I was finally able to watch it on DVD. The film is superb. It portrays a psychological tug-of-war between brilliant classical conductor Heston and the great Maximilian Schell, playing another of his patented Nazis who has other dimensions to him besides just being a brutal Nazi. It's during the Battle of the Bulge, and Schell is conflicted in that he loves music while at the same time he must obey orders and practice the routine cruelties of war. His love of music demands that maestro Heston (whom through a quirk of fate he's captured, along with an entire USO orchestra, behind enemy lines) play for him, wanting "something Wagnerian perhaps..." To which the stubborn Heston counters, "categorically, no Wagner." It's mostly about an egocentric, pampered and pompous musician who refuses to play because he realizes that once he does, he and his entire orchestra will be shot (along with two US soldiers who have been trapped in the same net) and a military authoritarian who craves a private, full-orchestra performance just to indulge his sense of art. In reality, both men are uncompromising martinets who demand perfection and absolute obedience to their will. But, as has been pointed out, things are made even more interesting in that there's (a) a traitor in the orchestra; (b) a relationship between Heston and a married female cellist; and (c) an SS officer (perennial Nazi Anton Diffring) who wants to wipe them all out. The plot is similar to the Vanessa Redgrave film "Playing for Time," but with fascinating twists - such as here it is NOT playing that enables Heston and his people to buy time. The music is extraordinary, the setting (an old bombed-out castle) intriguing, the atmosphere foreboding, and the acting - especially the interplay between Heston and Schell - a treat. The "counterpoint" (you've probably by now figured out the pun in the title) between him and Schell is in some ways reminiscent of the relationship Heston had with Olivier in "Khartoum," only a bit nastier and missing the religious overtones. Leslie Nielsen and Kathryn Hays are also interesting and quite convincing as members of the star-crossed triangle. The scenes are all very well written; and the music alone is worth the film. As with my first viewing forty years ago, I've watched it now twice in the past 24 hours, and I'm adding it to my list of Heston's and Schell's best, most essential roles. Odd that Universal never put it out on either VHS or DVD, and that even some of Heston's most ardent fans don't know of its existence. I'm an unabashed Heston AND Maximilian Schell fan. And if you like Schell, you won't be disappointed, since, as one of the other reviewers mentions, the film captures perfectly his charm, private enigma, and charismatic sex appeal. He's one of those delightfully complex Nazis you hate to love; yes, he's a cynical and brutal soldier in service to Hitler and the evil Reich, but his performance makes it impossible not to feel a bit of sympathy for him. His finer instincts also make him a philosopher and music lover, and one gets the feeling that, were it not for the arbitrary lot time and place has dealt him, he would have been someone very similar to Heston - an egoistic, authoritarian professor of music at Berlin University perhaps? But he's been given his orders - kill all prisoners - and he must play the part of an obedient general. Or will he ?? Here one must see the film to its finish, which is not exactly unsatisfying, emotionally speaking. While the plot is definitely offbeat, that's precisely the beauty of it. A riveting film, to say the least. I bought it from ioffer.com for $9.99. The quality of the transfer is middling (the sound is marginal, and the color is so washed out at times I thought I was watching a black-and-white film!); but it's almost impossible to find, so I can't really quibble. This is one little gem I'd love to see restored onto DVD with full surround stereo sound. COME ON, UNIVERSAL, GET WITH IT! An absolute MUST for Heston and Schell admirers - not to mention lovers of classical music.

This is one of the dumbest movies I think I've ever seen. Prison camp commandant Maximillian Schell is obsessed with the idea of having Charlton Heston's orchestra perform a concert for him. Charlton Heston's character is equally stubborn in refusing to do so. This battle of wills totally dominates life in this stalag and makes trivial all other issues surround life in a Nazi POW camp in World War II. Does that make any sense? A young Leslie Nielsen looks debonair but plays a real lox. Neva Patterson is really good as the only sensible character in the whole movie. But Heston and Schell are so over-the-top, this movie plays more like a comedy than like a drama. At least the cinematography is real good,

This is another cliched war picture in which the Germans are all sadistic psychopaths and the Americans are all noble and brave. If nothing else, this film proves that Charleton Heston --- Ben Hur with a baton --- was as rotten an actor in 1968 as he is now. The story is fanciful. The characters are about as deep as the phony snow they stumble around in. Women were non existant in the symphony orchestras of the era yet the orchestra in this story has several. Is it likely that a USO troupe entertaining American soldiers in 1944 Belgium would play Beethoven and other German composers. By the standards of 1968 it would rate a c-. Today it simply isn't a contender, even on the late show. Now maybe if they had used John Wayne rather than Heston...