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Very very predictable, including the post credit scene !!!

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

I'm always one for a good martial arts flick, so when I saw the DVD box for KILTRO I was excited. "The best...since Ong Bak" it proclaimed, underneath a picture of a muscle guy in some weird mask pulling off a typical kung fu move. The blurb has five shots of a weapon-wielding hero tackling a street gang, warning of strong bloody violence and looking absolutely fab. So I bought it, took it home and...Found out that the box was a lie. The action shots on the back – ALL of them – come from one single, five-minute fight sequence at the film's climax. This isn't an action film as all, more of a romance. There are virtually NO fight scenes in the film aside from that one big set-piece, and even that one isn't too good, with obvious wire work and some pretty awful CGI blood effects. Instead, we get some sappy story about an idiot member of a street gang and his stalker obsession with a pretty Korean girl. Soon enough there's a bad guy killing some people, and this idiot guy must go and train and then fight him, blah blah blah...the kind of story that's been done to death.The novelty here is that this is a Chilean film – and for me, like many others I suspect, my first Chilean movie. Sadly, this lacks none of the expressiveness or style in the similarly South American CITY OF GOD: instead, it's content to rip-off Hollywood with an inappropriate spaghetti western soundtrack, cardboard sets, and a whole dearth of imagination and interest. The characters are boring, the actors bad, and the storyline sucks. Why we're supposed to care about any of this, I don't know.The biggest disappointment lies with the hero, Marko Zaror. Now, Zaror isn't much of an actor: his facial expressions are often amusing rather than believable, and his street thug character offers the viewer no sympathy whatsoever. But, to be honest, that's par for the course for an action flick. The crime is that Zaror is a great fighter in his few brief moments of action, so why on earth didn't the director utilise that talent more, rather than focus on his acting? ONG BAK this isn't: that film was perfect in recognising Tony Jaa as a fine martial artist, throwing him into the midst of fight or chase scenes all the while, but KILTRO goes the opposite way and is just dull as a result. Dull as dishwater in fact. Let's hope that Zaror finds himself a director who recognises this big guy's appeal and casts him in more appropriate roles.

Hmm, so, having played up the stereotypes of Latino amour: passion, obsession and blood-searing rage, this one basically makes a bit of a hash of the script, with some Serrano Family-like boy-talk, lots of jumps and kicks, a bit of hit-and-miss humour and a stunning leading lady whom I personally had trouble taking my eyes off of!The story is simple yet bizarre in its flash-backs and editing and where Zamir - the "hero" - can either be interpreted as a stalker or loved-up boy without a clue as of how to express himself (just as the beautiful Kim can be called either the ingénue unsure how to prompt Zamir, or a total bitch and tease), it all equates to a bit of fun to add something extra to an otherwise two-dimensional plot (not to mention laugh-out-loud memories of Zamir punching out any man who dares so much as look at her!).Other users here may see this and HATE the computer-animated blood effects poorly tacked on afterwards to give the film a bit of wholly unnecessary gore, but bare in mind that this flick is incredibly low budget, don't allow this and some of the terrible studio backdrops to ruin it for you and you'll find a film that just wants to kick a lot of butt and have a lot of fun in the process.Still, budget restraints aside, the final shot of Zamir walking off into the painted sunset, clearly not making any ground on the running machine he's made walk upon just has to be intentionally funny.I was going to give this film a 7 for effort but a 6 is about right - just keep an eye open for the impressive Marko Zaror, who deserves a brighter future. For Caterina whatever-her-name-is (okay, Jadresic) who plays Kim, I'll rate it a 10.

Kiltro is an ultra low budget Chilean martial arts film, apparently the first of its kind. Since the budget is so low I can look past the bargain basement set pieces straight out of the 40s, but what I can't look past is a jumbled, incoherent story full of plot holes; stone-faced actors; terrible pacing; and god awful CG blood. They would've been better off pulling a Tony Jaa and breaking everyone's limbs and neck. It would've looked better, saved money, and had a greater effect.Another gripe I have is with the whole love story. Everyone else seems to think it is cute and emotional. I think its scary. Zamir is nothing but an obsessed stalker. The opening of the movie has Zamir skulking in the shadows at a club watching a girl (Kim) dancing with some guy. When the guy gets a little frisky Zamir goes into rage mode and attacks. We find out later on that this guy that Zamir attacked is really Kim's boyfriend. We also find out through the story and flashbacks that Zamir had been stalking Kim for 2 years and violently attacked any guy who tried to get close to her. I don't know about you guys, but to me that isn't a good way to set up a quirky love comedy.But I can't be all negative. Marko Zaror is an impressive individual. He is so ripped he makes some of the Spartans in 300 look scrawny, and for a man his size he has some incredible moves. I just wish he had a better director behind him. Espinoza's ham-fisted attempts at capturing the action was embarrassing. One reason why Tony Jaa is getting so popular, even though he shares the same stoic demeanor as Zaror, is because his director knows how to capture all of his moves and make them look gorgeous.In conclusion, I think Marko Zaror has a lot of potential. I just hope he gets a decent director soon. Even if the story and acting is sacrificed again, I believe that if they can get his action scenes looking great he can be a new rising star.

Amazing, the soundtrack will blow the mind of all the fanatics of Morricone or Bacalov... a lot of spaghetti western influence like Tarantino's Kill Bill, plus bloody gore fx zatoichi style. Zaror was very good in the fights , and also he has a lot of charisma , but my favorite one was Miguel Angel DeLuca, the Kung Fu sensei who plays the bad guy in the film, a really great performance full of intense moments , like the tragic flashbacks (you will remember Leone in one of them). A very entertainment film that has quality and heart. Back off Tonny Jaa , here comes Kiltro!. I recommend this film to all the fans of the old kung fu films, spaghetti western, Miike, Tonny Jaa and martial arts.