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Our Nazi
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him.
| Release : | 1984 |
| Rating : | 7.5 |
| Studio : | Quasar Productions, |
| Crew : | Director of Photography, Director of Photography, |
| Cast : | Henri Alekan Thomas Harlan |
| Genre : | Documentary |
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Reviews
hyped garbage
Pretty good movie overall. First half was nothing special but it got better as it went along.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
