Watch The Spook Who Sat by the Door For Free

Too much of everything

The greatest movie ever made..!

Good movie but grossly overrated

The film never slows down or bores, plunging from one harrowing sequence to the next.

I agree this movie could have been better but looking back now I'd say it was exactly what people were looking to see on the screen.All the films with Black cast had the same feel to them and we ate it up.Two of the best that strayed from all that were not talked about as much as the action pictures."Sounder" and "The Learning Tree" which also need to be shown more on TV.As for this film I liked the actor who played the lead.Lawrence Cook who I see died 3 yrs ago was exactly what I pictured Dan Freeman to be like.I recommend this film and i'd love to see a Black film channel that gives you some commentary along with the films as TCM does.Where's Max Julien? How about all the black actresses who paved the way for those working now.Not Hattie McDaniel but Gloria Hendry,Brenda Sykes,Shelia Frazier and Judy Pace just to name a few.I know Vonetta McGee who was with Max Julien on screen and in real life for a time ,married Carl Lumbly.Lonette McKee was on TV often at one time and Rosalind Cash has passed away.Anyhoo see this movie and then see another black film and another.Then pick up a book.Or do both read the book "Native Son" then watch the film "Native Son"-any version."The River Niger" is on DVD in the dollar bin but it's good.If only because James Earl Jones and Glen Turman are in it.

This movie will make you think. What if an ordinary citizen joined the CIA with an agenda and was then able to carry it out? The believability of the storyline is what makes this so chilling. Even though the movie was released 31 years ago the idea is still fresh. Lawrence Cook was a one man show, playing an intelligent, accomplished and intense individual who becomes the first African American to join the CIA. There was not a hint of flash or style with him. Instead, he was like your brother or next door neighbor, the last person you would expect to start a revolution. The last line of the movie says it all.When I read this book in High School, it quickly became one of my favorites. Now, as a movie it is an even more vivid reminder of the importance of never underestimating your opponent. When a motive is strong enough and that motive meets opportunity, watch out!

The Spook Who Sat by the Door is a cult classic and named one of the most influential black films of the 70s (by Torriano Berry and Venise Berry in their book The 50 most influential black films). This film holds this title with good reason. The film begins with a senator facing the prospect of losing an election without the pivotal black vote. To win favor he decided to charge the CIA with racism since they have no black agents. The CIA agrees, although those in charge of the training do all that is possible to kick all of the recruits out. Only one survives, Dan Freeman. Freeman finds himself the token black, he is often called to show visitors what progress the CIA is making in race relations, before continuing his menial tasks of copying papers and giving tours. Though he plays his role, one gets the impression he is planning something big. After a few years of service with the CIA he returns home to Chicago and in his capacity as a social worker he organizes local gangs using his knowledge and training from the CIA. Without spoiling the rest of the film there is the classic struggle about how to approach change through the system or to over throw? This is represented by Freeman and a former friend who is now police chief in Chicago. Included is some of the socio-political issues that made the 60s and 70s what it was, making this film one that stands out in a decade of films high on action and low on plot. Taking budget issues into consideration and what director Ivan Dixon had to do to get the film made, it is well worth watching (even again).

Okay, by the low budget standards of blaxploitation films-- say, Three The Hard Way, which also deals with revolution on a cartoon level-- this is relatively intelligent, even witty (the idea that black men can sneak in anywhere-- as long as they look like janitors), and not full of howlingly silly things. That said, like Ganja and Hess it has been wildly overrated just because it's not ridiculous; it still has the snail's pace, relative lack of action and just-better-than-Oscar- Micheaux production values that mark the 70s genre. Say what you will about today's gangsta exploitation movies, they've got film-school style and a snappy pace even when they have nothing else.