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Sadly Over-hyped

It is a performances centric movie

How sad is this?

The film's masterful storytelling did its job. The message was clear. No need to overdo.

A nice little story about self-sacrifice and redemption disguised as a low-budget sci-fi shoot-em-up. While most of the special effects are a little cheesy, the characters and storytelling are solid. Scott Plank in the lead is both heroic and vulnerable, Jocelyn Seagrave is both ballsy and tender (easy on the eyes, too). The director does a nice job with both the action and drama, and there are even a few great comic moments (the "real" Neil Armstrong story). Revelations, about the characters' past, add some emotional layers to the movie, and a couple of fun twists help round it out as well. Check out Robert O'Reilley (StarTrek's Klingon "Gow-ron") as the main bad guy (He's pretty intense as a cold-blooded convict desperate to highjack his way back to earth).

I saw this a few years ago. I thought that it looked OK and OK it was. Not an outstanding movie by any means but it has some ingredients that make it appealing to certain people. Obviously to some it won't. One blessing that the film has is that it features veteran character action actor Stack Pierce who plays Will . When the film swings into action mode Stack Pierce's experience in this genre comes in very handy and he plays it well. This slightly better than mediocre Scifi film that is about escaped prisoners attempting to hijack the moon base and gain passage back to earth does have a few saving graces. Stack Pierce and Kurt Fuller are two of them , and I guess that you'll have to watch the film to see the others.

This seemingly unaffiliated space drama, borrows from everyone but is a more than adequate representation of the genre. Nothing new here, but you keep trying to pick where you have seen 'that' before. Great entertainment when scheduled late-night Wimbledon coverage has been washed out.

No Fireworks Despite Violent Action.Science fiction films that reflect quality are scarce indeed, largely because transposal of imaginative themes from the genre to the screen too often falls short of effective execution as a result of insufficient funding or inadequate invention, and unfortunately for its producers, this work is lacking on both counts, woefully so in the case of the latter. With essentially no budget with which to operate, it is a grave mistake to attempt the depiction of such a gamut of events as those within this scenario and, in particular, special effects of space opera warfare which appear only clownish, while seeds from the scriptors' imagination lie fallow due to some of the most fatuous misunderstanding of basic scientific principles to be found. Among these are frequent firing of weapons within a sealed environment, and a wayward law of gravity which enables freedom of movement of cast members while inanimate objects float weightlessly, but it is easier to accept these than it is to pretend that any of the episodes have a basis in plausibility. The plot involves an escape of life sentenced prisoners from a space station penal colony to a waste landfill upon our moon and their various attempts to obtain passage back to Earth, with some few capable players present who are execrably directed by first-timer Paolo Mazzucato, whose production team wastes effort upon such as holographic pornography while ignoring a pressing and basic requirement for the creation of states of suspense and of impetus.