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Good movie, but best of all time? Hardly . . .

Disturbing yet enthralling

To all those who have watched it: I hope you enjoyed it as much as I do.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

It is quite some time since I have seen a movie that is so inept as this one. The Story. The cheesy story. The Nazis are experimenting with the occult to make zombie soldiers. Obviously the director had never seen the far superior shock waves. Will they succeed? In the event it is more who cares and why is this movie so bad that you will be thinking. Effects.Dreadful throughout. Some of the worst cgi I have seen in years.The movie starts in a forest. 50 minutes later they are still in the forest. So the movie never really starts. Overall, totally pathetic attempt to make a movie. Do yourself a favour do not even watch this on pirate. I bought this for a £1 but I know this trash is going to end up in someone's Christmas stocking.

There's a lot to hate about this film. It's cheap, there's too much bad CGI, the director is obviously a big fan of Tarantino style post modernism, but then again, there's a lot of action, and the film most definitely is tongue in cheek. People reviewing this have scoffed at the girl with a camera jammed between her boobs, squeezing them together to get a picture. Here's a thought: It was probably a joke to begin with.What you have is four GIs sent over to Europe to rescue an undercover agent who's there to spy on some Nazi occult goings on. There's the ex-priest, the good guy, the redneck racist and the Ghost Dog style black GI with a samurai sword. They all make their way to the Nazi base, where Claudia, the undercover agent, is working.This film (including the soundtrack) is a huge homage to seventies and eighties films (but not Nazisploitation films as noted by another reviewer). Someone else here thought the 'girl on a bike' effect was hilarious but it's a clear copy of Tarantino's same thing from Pulp Fiction.And that's the problem with the film: There's too much by way of Tarantino's 'Grindhouse' influences, with the ageing of the film and such like. But then again, no one bores you for twenty minutes with a soliloquy about black widow spiders (I hate that crap!).Then again, the soundtrack is spot on, with it sounding like a mix of Ennio Morricone and Tangerine Dream. I choose to accept there's a huge amount of irony in this film, and kind of enjoyed it (I'm beginning to think even the CGI was used ironically).Maybe I'm just in a good mood. Watch it or not, I don't care.

I bought this straight-to-video release at Walmart with extremely low expectations. Everywhere on line rookie writer & director Eli Dorsey's abysmal World War II thriller goes under the title "Devils of War." "Devils of War" sounds better than the generic title "101st: A-Company." Actually, this movie combines elements of warfare and devil worship. This utterly preposterous 75-minute combat epic is so hideously awful that it is hilarious. The action occurs in Nazi occupied Poland in 1944. President Roosevelt assembles three elite American soldiers and inserts them behind enemy lines to storm a castle and extract an undercover agent. As it turns out, the maniacal Nazis are conducting Satanic experiments using the blood of virgins to conjure up an army of indestructible demons. William Baldy,a.k.a. The Chaplin (Jerry L. Buxbaum), Adam Wald (Lawrence Anthony) and Herman 'Black Hercules' Jackson (first-time actor Jamin Watson)are flown in but their aircraft is shot down. They run afoul of German patrols and engage in one firefight after another until they rendezvous with their buxom agent, Claudia Klum (Carly Kingston), whose claim to fame is her big boobs, hides the camera between. When she squeezes her breasts together, the camera takes pictures. The actor who plays FDR looks nothing like Roosevelt, while most of the actors and actresses have a difficult time making you believe that they are the genuine articles. There is a quasi-"Where Eagles Dare" vibe going on in this crisp opus. The production values are far from opulent, but the film works until the occult elements are shown. Meanwhile, the firefights in the forest look tolerable, and some of the back projection is okay.

Take one Tarantino fanboy/film school dropout director, some WW2 re-enactors armed with airsoft replica firearms, two washed up bimbo strippers, a couple of B movie stuntmen/actors and a few of the director's geek buddies as assorted Nazis and Satanists. Add some horrible CGI backdrops, airplanes, front projection scenes and bullet hits and a cheezy misplaced spaghetti western synthesizer soundtrack, guzzle it all down and puke it up and you get Devils of War. This is not worth 75 minutes of your life. Leave it in the Redbox and go into WalMart buy a decent WW2 movie in the 5 buck bin. This makes the cheapest 70s exploitation war movie you ever watched look like cinematic gold by comparison. Ugly, stupid and cheap.