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not horrible nor great

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

It’s sentimental, ridiculously long and only occasionally funny

One of the most extraordinary films you will see this year. Take that as you want.

Engaging thriller that follows a strict path. Like so many thrillers, this film has a lot to sort out. There are relationships to develop, a character to move from point A to point B, and twists and turns. Scorupco returns to her home town after an old flame is found murdered and her best friend is the prime suspect. The film takes on religion as its main adversary. The victim was a preacher that made millions for the church. We see a close-knit community wanting to keep things simple. No one's to be trusted. The films succeeds in offering a finale that causes you to question the final actions of individual characters. The film has some gorgeous landscapes that it explores. The ice, the snow, the northern lights. All this is captured and creates a cold, isolated, but hypnotic atmosphere. It's a wonderful ending, but the journey there was so generic, it's impossible to rate it any higher.

There's no glamorous international jet setting, no big names or well known locations. The story line is slick, tense and well paced. The setting alone adds the drama without Hollywood special effects or unbelievable court room antics thrown in. It's a gripping tight thriller that will satisfy the moviegoer that appreciates a good storyline without being told what to think. I also enjoyed the cinema photography - it would have been hard to brings this aspect of the film to life when you are dealing with a predominately white subject but it passes muster and adds a real sense of emotion and isolation. Food for thought - the setting in which the story takes place could be anywhere, any town any country - just proving how alike the world can be. A great rainy afternoon film and one that you could watch again.

Leif Lindbolm's film is a chilly Nordic thriller, filmed (with striking cinematography) in the far north of Sweden. A religious cult has taken hold of an insular town near the Arctic Circle; a former member, now a successful lawyer, returns home after the death of a priest, initially to help her sister, but she increasingly finds herself involved in the investigation. The atmosphere is tense and claustrophobic, and although (as with most thrillers) the plot is slightly contrived, a tone of realism pervades throughout. Having just seen the Swedish television adaptation of the 'Wallander' novels, I noticed its star, Krister Hendriksson, in a small role here - but whereas those stories are set in a very normal town in southern Sweden, the isolated nature of life in the far north gives 'Solstorm' a very distinctive feeling. Ultimately, it's hard to care too much about the natives, however, who keep their emotions very much to themselves (although the dead man was an interesting exception). But it's still a superior and haunting tale.

I was looking forward to seeing this, mostly because I have frequently visited Kiruna, where it was shot, the past few years. Technically there is a solid craftsmanship at work here, the photography is nice and so forth. Still, where it is lacking is in the scriptwriting and directing departments. The storytelling is unfocused, confused and sometimes just plain sloppy. Crucial information is conveyed by jarring use of voice-overs, where it just as easily could have been worked into the dialog. The backstory of the congregation and the charismatic leader is not properly setup and explained, and thus never becomes believable. I get a sense of post-production tinkering, along the lines of "oh, we should explain this or that because we forgot (could't afford) to shoot it...etc". The use of fast cross-cutting between dramatic events, flashbacks etc, is irritating and oftentimes deprives scenes of dramatic potential (possible spoiler: the incident with the dog, for example). Despite the best of intentions, this emerges as a fairly mediocre movie. I have not read the book on which it is based, and if this is anything to go by, I probably will not bother. Isabella does the best she can with the thin material, as well as most of the other actors. All in all, the scriptwriter and director is to blame here.