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Truly the worst movie I've ever seen in a theater

The movie really just wants to entertain people.

Great movie. Not sure what people expected but I found it highly entertaining.

.Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Usually, stories about lovers and mistress are drama en end in blood. Here, it's the opposite: it's funny and happy. The idea is original and is well played as the separated lovers meet all along their life in Spain. So it's a good way to learn about the evolution of this country and its people, especially with their King. But there's more as the first look comes from the Beatles! It's Pené who plays the young lady and she is cute in this old fashion. With the years, the mature woman is played by Ana Belen, who has the same sexy look than a very famous Justice Minister of my country (RD). Thus, it's 100% Latin charm and not at all superficial: their story really speaks about why people can have two loves: as i write for "Douche froide", the reason is the difference. So it's not really about a competition of lovers, of choosing the best as they are unlike and opposite. In a way, they can be in good terms together, the bad side is that the unofficial lover is stuck to bits and leftover: he can't never access the best level because if he did, there's no more difference thus no more desire. So it's funny and tragic to see those lovers meet, dream and leave as it's their fate. In addition, it's never repetitive as there's a lot of humor, due to the facts that they must do little lies, silly plans for their official families.Again a good surprise from my neighbors !

El Amor perjudica seriamente la salud (Love Can Seriously Damage Your Health) is a smartly written and produced Spanish Romantic Comedy dating back to 1996 when two of the 'stars' (Penélope Cruz and Javier Bardem) were barely known: of course now, their names add enormous credibility to the DVD issue on today's market. Written and directed by Manuel Gómez Pereira, this is a tale of a boy/man and girl/woman who meet in a slapstick situation in the 1960s when the Beatles were all the rage, fall in love, part and have recurrent meetings over the next thirty years under varying circumstances that prove to be both humorous and sensitive.In the mid 1960s there is a reception for the King of Spain and in the hotel site of the reception we encounter a bellboy Santi (Gabino Diego) and an over the top Beatle's fan Diana (Penélope Cruz) whose antics include hiding under John Lennon's bed as he makes love to a local trollop, much to the chagrin of the smitten Diana. The two lock in an attraction and over the ensuing years, each becomes married with family in various forms of devotion and fidelity, and as adults Santi (Juanjo Puigcorbé) and Diana (the gorgeous Ana Belén) continue to have mutual assignations in the most bizarre of circumstances. In the end the repeated replay love affairs take their toll and the two eventually manage to proceed with getting on with their married lives with a degree of normalcy ... or do they? The flavor of the various passing decades during which Santi and Diana meet is well captured by the director, the scenic designer, the musical score and by the quartet of superb actors. At times, especially in the beginning, the film seems as though it is going to be a slapstick comedy, one that could become tiresome given the subject matter. But just when madcap 60s pass the tone of the film takes on a more sophisticated stance, dealing with serious issues of lust, infidelity, abuse of power, commitment to family and political changes. It all works surprisingly well and the film ends like a 1940s enduring love story. There are numerous bit parts my serious actors, not the least of which is a split moment by an unknown Javier Bardem who even in that twinkle of time gives evidence of the gifted actor he has become. The very young Penélope Cruz likewise proves not only her early comedic gifts, but shows us that even as a beginner she has electric screen presence. A fun and tender little diversion of a film. In Spanish with English subtitles. Grady Harp

After a well-handled and intriguing light-comedy scene at a reception for the King of Spain, this film returns us to that moment through a thirty-year-long flashback told through numerous rather distinct scenes, each striving toward another amorous turn of triumph in the enduring attraction of the two main characters. The quality of those triumphs matures over time, and in each we confront, to varying degrees, light suspense, nostalgia and humor. The dialogue is at times hilarious - quick turns of phrases, clashes of word choice with social surroundings, etc., but of course understanding the Spanish is at times essential for full comic appreciation.In the first half of the film occurs a short sequence of rapid-fire madcap stunts that surprise and work well, but thereafter, slapstick is largely absent through the remainder of the film - or at least till the end. As already hinted, some of the scenes end so successfully, and with a sentiment seeming so perfectly to wrap up the film, that I was momentarily disillusioned to see it continue.As for acting, the leading actors project wonderfully and are capable of charm and "sutileza" (the English spelling escapes me at the moment). I order zone-2 dvds from Spain and received this along with Cielo Abierto, which I rate higher (I like Albaladejo's work). Yet I give this a 7-rating. With many films I can envision how I might reorder or change the work - with El amor perjudica seriamente la salud, I find the basic plot extremely challenging - yet when it did end, all in my family left the room smiling and laughing. There is no graphic sex, and whatever violence that occurs is comic. The language is non-offensive, at least to Spanish sensitivities. Probably my favorite film with a plot vaguely-vaguely similar to this one is Avanti, with Jack Lemmon.

I saw this film as part of a series while I was going to school in Spain. Spanish films tend be, for the most part, confusing, unsatisfying, and obviously low-budget. _El amor perjudica seriamente la salud_ is none of these things. The performances are absolutely outstanding (with a very notable early Penelope Cruz role) and the story is at times screamingly hilarious. At others, it is devastatingly sad. It has the wonderful quality of seeming to be a cute little romantic comedy that actually evolves into a complex, finely tuned film that can easily become the topic of a night's conversation after the film. I've not yet seen it in English, but I'm doing all in my power to find it here in the United States. Truly, truly excellent.