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La Rabbia
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.
| Release : | 1963 |
| Rating : | 6.7 |
| Studio : | Opus Films, |
| Crew : | Assistant Director, Assistant Director, |
| Cast : | Giorgio Bassani Renato Guttuso Carlo Romano Charles de Gaulle Dwight D. Eisenhower |
| Genre : | Documentary |
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Reviews
Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
One of the worst ways to make a cult movie is to set out to make a cult movie.
The movie really just wants to entertain people.
