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the audience applauded

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

There are better movies of two hours length. I loved the actress'performance.

Exactly the movie you think it is, but not the movie you want it to be.

It's the JFK assassination - The Western! The plot of this film would easily still be playable in cinemas in 2017. No stolen gold here, no Mexicans, relevant social commentary, and actual politics! The President killed in this one is President Garfield, but here Garfield is killed in Dallas in an open top carriage beside his glamorous wife and shot in the neck and head whereas the real Garfield was killed in Baltimore (I think) and died eight months later of his wounds. This one is JFK all the way.Gemma plays the son of a man who is murdered when he gets wind of the initial assassination plot to blow up the president's train. Gemma manages to stop that attempt but fails to stop people shooting the president in Dallas and pinning the murder on Gemma's black mate, who was merely trying to stop the actual assassins! Conspiracy theories arise right away as the actual killers track down and kill the accused, whereas most folk don't believe he did it anyway. This leads to several characters (one of which is disabled and goes around in a wheelchair) to figure out where the actual shots came from and track down the killers.To complicate things further there is an upper layer of bad guys who have been orchestrating the whole lot and are trying to start a second Civil War! These guy have to try and control the barely sane Confederate guys who are still smarting from the result of the civil war, and also contend with a mysterious government guy who is trying to cover up the crime but also bring those responsible to justice.There's an awful lot of plot in this one, but Tonino Valeri manages to squeeze in a lot of action too, thankfully. Gemma was an acrobat in a previous life and although he does his thing here, he plays it all deadly serious and has many gun fights with the numerous bad guys, including a gunfight in pitch darkness! Fernando Ray is especially good as the refined bad guy trying to conduct all this bad business without getting his hands dirty, but the main star here for me is Stelvio Massi's camera-work. There's just something about the way he handles every shot that enlivens everything you see here.Not a film to watch when tired, but really rewarding in that it is a Spaghetti Western that contains very few clichés and oodles of plot.

On a trip to Dallas, the president of the United States (Van Johnson) is the target of a sinister cabal, led by Fernando Rey, intent on his assassination and the installation of the easily manipulated vice-president as their patsy. Disgraced former soldier Giuliano Gemma, whose father was murdered by the conspirators, attempts to stop them.The Kennedy assassination transplanted to the old west, this throws out all the facts and re-casts the assassin's role with that of a more convenient, politically correct villain, exactly as Oliver Stone did twenty years later, taking a few easy swipes at America along the way.Undoubtedly ambitious, this is held in high regard by many spaghetti western fans and critics. Personally though, I find it a bit too sanctimonious for it's own good, especially from a country electing Fascists less than a quarter of a century before and filmed in a country that was still under Fascist rule!However, action and suspense are competently handled. The production values are good. As pure fiction, it's not too bad.

"The Price of Power" (1969), directed by Tonino Valerii, is a Spaghetti Western starring Guiliano Gemma, Van Johnson, Fernando Rey and Benito Stefanelli. Made six years after the assassination of US President John F. Kennedy, it seeks to comment sharply on the situation, perhaps more bitingly than Hollywood wanted or was able to do at that time.The plot is thus, with their 1963 equivalents blatantly obvious: in Dallas, Texas, 1883 an unpopular liberal President (Johnson) visits the city and is assassinated in a crossfire of lead. A black patsy is quickly found by the corrupt sheriff (Stefanelli) and is killed while in transit between prisons. The framed man's friend (Gemma) seeks to find out the truth, variously aided and set back by a mysterious government agent (Warren Vanders).Reading the synopsis, it's pretty clear where Valerii is heading, and he does so with style and tension. Well-acted, photographed and edited, with some excellent gunfights, this is a Spaghetti Western that deserves a much wider reputation that the one it currently holds.

Clearly inspired by the assassination of JFK, this impressively bold and imaginative spaghetti Western offers a fierce critique of the corruption and dirty double-dealing that's an intrinsic component of American politics. A handful of rich folks led by slimy wealthy jerk jerk Pinkerton (splendidly played to the hateful hilt by Fernando Rey) plot to assassinate President James Garfield (a fine performance by Van Johnson) when he visits Dallas, Texas. It's up to noble gunfighter Bill Willer (an excellent portrayal by Giuliano Gemma) and his black friend Jack Donovan (solid Ray Saunders) to stop them. Director Tonino Valerii, working from an audacious script by Massimo Patrizi and Ernesto Gastaldi, relates the gripping story at a steady pace, creates a good deal of tension, maintains an appropriately hard and serious tone throughout, and stages the stirring shoot-outs with considerable skill and gusto. This film further benefits from bang-up acting from an able cast, with especially praiseworthy supporting work by Warren Vanders as the president's loyal aide Arthur McDonald, Maria Cuadra as the president's proud wife Lucretia, and Benito Stefanelli as mean, crooked Sheriff Jefferson. Stelvio Massi's polished cinematography boasts a lot of tight close-ups and smooth pans. Luis Enriquez Bacalov's twangy, harmonic, and dynamic score hits the rousing spot. A very gutsy and enjoyable movie.