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Thanks for the memories!

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Nobody could ever accuse director Kwon Jong-Gwon of false advertising in the title of this film. But even with the advance warning, the viewer is scarcely prepared for the tragic emotional impact of the movie. After the initial credits rolled, I found myself mentally girding my emotions for what I anticipated to be two hours of barely held-back tears and defensively crossed arms. But after the first twenty minutes of the film, I began to question my expectations and even wonder whether the title was merely hyperbole.The film is a medley of four stories, each independent and integral to setting the general mood of happiness and hopefulness that permeates that first three quarters of the movie. There is the brave firefighter, played by Jung Woo-Sung, who is in love with a sign language interpreter (Lim Su-jeung) who desperately wants him to find a less dangerous job. The sister of the interpreter (Shin Min-Ah) is a deaf mute who develops a crush on a handsome young painter (Lee Ki-Woo) in the park where she works as a costumed character. The last two stories follow a young son (Yeo Jin-Goo) whose mother (Yeom Jung-Ah) is dying of cancer and a near-do-well young man (Cha Tae-Hyun) who hatches a creative plan to earn money and win back his girlfriend.All of the stories combine a good dose of humor with their romantic plots. The viewer is taken on a pleasant stroll through the lives of the central characters, developing sympathy and really relating to the romantic successes and mishaps of the rather motley cast. By midway through the film, the anticipation of any deep sorrow is completely gone, but at the same time the title still looms over the ending. I found myself actively hoping that each character would be able to resolve his problems but still knowing that something had to go wrong before long.It is the intensity and utter devastation of the ultimate crises that pick the viewer up and fling him against the wall. There is an expectation that the film will be balanced; the "sadness" will be of an amount commensurate with a romantic comedy. It is in this aspect that Kwon Jong-Gwon brilliantly executes his bait and switch; without any warning other than the title itself and whatever "clues" the suspicious mind might have inferred based on the title, the film suddenly goes from sunny skies to hurricane intensity. Not one dream is left unshattered and not one character's expectations are fulfilled.Having said all that, I really enjoyed this film. Jong-Gwon's artistic expertise is evident in the details of the movie; many of the shots are gorgeously composed, and the colors throughout are vibrant and stimulating. And I also view the movie as almost an "experiment in emotion"—the stories are all simple and basic, but it shows that in the hands of a great director the audience can be brought into the story to such extent that the final betrayal feels almost personal. I feel that this is the mark of a "successful" film, because most viewers are so cynical and "worldly" when it comes to cinema that they often fail to suspend disbelief in emotional terms. This movie causes us to do so, and the result is that we are forced to question our own expectations—must romantic comedies or any other genre follow the typically prescribed formula?

I had long given up on Korean romances, when they degenerated from quality films such as "Palwolui Christmas" to the contrived melodrama that have flooded the market in the last few years. "Sad movie" is more of the same.Having 4 stories presented in a sort of "Love actually" style helps a little, even just in providing diversification. The story of the pretty (word chosen deliberately) young man's quest to paint Snow White is actually not too bad. Snow White here is a mute girl who is also disfigured (but not seriously) as a result of a fire from which she was rescued. As she works in an amusement park as one of those photo-session figures walking around, together with the Seven Dwarfs, with over-sized head gears on, she is able to hide her face during most of her work day. The rest of the story is somewhat predictable, but nicely put together.The other three stories are banal. Cha Tae-hyun (best remembered from "My sassy girl") provides most of the comedy element playing a professional "break-up announcing messenger" until his own girlfriend becomes a client. Another story features the mute girl's elder sister, a sign-language TV announcer and her fire-fighter boyfriend. If it aims at conveying the constant frustration and pressure of having a romance with with a fire-fighter, it's at best a pale shadow of "Ladder 49". As a run-of-the-mill romance, it has some passable moments. The mother-and-son story is contrived and sappy, employing a plot element that you see in just about every single Korean melodrama – terminal illness.The problem is really that the movie constitutes entirely of cliché. The unimaginative editing deprives it of its only chance of having some life. Not even with the most powerful microscope can you detect a tiniest trace of originality.

Like my summary says, the movie reminds me of the ABC series "Six Degrees." Why? because the movie is not just one story but many stories compiled together. Its worth watching I find. I dunno since when or who came up with the idea of creating a movie with several stories going on at the same time, but it works for me. I gave it a 8 out of 10 and not a 10 because I didn't like how it ended. The system won't let me post my comment if its not 10 lines so I'm going to blablablablabla. I tried this and the system still doesn't let me post my comment because there were too many blablas. Want me to talk more about the movie? Rent it and watch it to find out more. This is my first comment so excuse me if its crappy. There, that should do it.

When i started watching this film i wondered to myself what part of it should be so sad. The atmosphere was very lighthearted; no problems in sight. But man, i was so extremely wrong.The reason why i give this movie a 10/10 is because it accomplished to succeed in many aspects. First of all it was very well shot; lightning, camera ... really beautiful. And then there is the the smooth and touching music, which has very nice themes. The essential aspects are the story (or better stories) and characters. Especially the characters are really strong here. The cast did an amazing job in making you feel what they feel. And it was really elegant how this movie was directed. You will never feel a disruption or something similar; very fluent until the very, very sad ending.I guess people, who like Korean dramas in general will love it. And if you are a first-timer watching Korean dramas: watch it! This is a very nice example here.