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The Kingdom of the Fairies

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The Kingdom of the Fairies

At the royal court, a prince is presenting the princess whom he is pledged to marry when a witch suddenly appears. Though driven off, the witch soon returns, summons some of her servants, and carries off the princess. A rescue party is quickly organized, but the unfortunate captive has been taken to a strange, forbidding realm, from where it will be impossible to rescue her without some special help.

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Release : 1903
Rating : 7.3
Studio : Star-Film, 
Crew : Production Design,  Director, 
Cast : Georges Méliès Bleuette Bernon André Deed
Genre : Adventure Fantasy

Cast List

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Reviews

Alicia
2021/05/13

I love this movie so much

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Evengyny
2018/08/30

Thanks for the memories!

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Zandra
2018/08/30

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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Philippa
2018/08/30

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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Horst in Translation ([email protected])
2017/12/14

"Le royaume des fées" or "Kingdom of the Fairies" is a French 17-minute movie from 1903, so this one is already way over a century old. It is among the more known works by prolific filmmaker Georges Méliès, who once more did not only write and direct, but star in here too. This is a rare example of an early silent film that is in color and this one here is not just a quick joke or a magic shgow, but tells an actual story and it is even based on literature. Sadly, despite the color certainly making it a more interesting work, you never have any idea here what's going on if you haven't read Marie-Catherine le Jumel d'Aulnoy's work. Méliès tries his best, but film in the very early 20th century was simply not yet at a level that does the story justice. And it is not just the absence of sound I am talking about here. If you hear any music while checking this one out, then that was added later of course. This film feels all over the place lacking focus and coherence completely from start to finish. An, most of all, lacking intertitles that could have made it easier to understand at all what was going on in here. Not one of my favorite works by Méliès, even if it does look really beautiful at times for a 1903 movie. All in all, it's probably still only worth seeing for film historians. Pretty much everybody else can skip it.

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Michael_Elliott
2008/04/29

Kingdom of Fairies, The (1903) *** (out of 4) aka Royaume des fees, LeEpic film from Melies was meant to be in the same league as his A Trip to the Moon but it doesn't reach that level. In the film, a Prince is about to marry a Princess but before the wedding a witch comes and kidnaps the Princess. The Prince must then go on a dangerous journey to get her back. The film uses spoken narration to tell the story, which is certainly needed because without it the movie really doesn't make too much sense. I think the biggest problem with the film is its story, which I found rather weak and it really couldn't get me involved with the film. Even with that said this is a must see because of the beautiful costumes and art design, which are among the best from this era of film-making. The entire film is hand colored, which is another plus because it adds a lot of beauty to the film. The best sequence in the movie is an underwater one where we get to see large lobsters and a man eating whale. Most of the devils are colored either red or blue and this added effect makes for a lot of fun as well. The film runs 16-minutes, which was certainly epic in the day and it never really gets boring and again, this is due to the incredible look more than the story itself.

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Cineanalyst
2008/01/31

"Kingdom of the Fairies" is undoubtedly one of Georges Méliès's best féeries, or fairy films, alongside other such ones as "Blubeard" (1901) and, if you want to consider it as part of the genre, "Le Voyage dans la lune" (1902). It is also one of his best films in general. Its narrative follows the abduction of a princess by a wicked fairy/witch, and her subsequent rescue by the prince (played by Méliès)--an adventure which takes the prince and his men to the depths of the sea, where they meet the kingdom of the fairies, ride inside a whale to shore, and to the eventual rescue of the damsel from a burning castle. This was one of the most elaborate Star Film productions, with 20 some changes of scenery, a requirement of many costumes, and a runtime nearing 20 minutes.Méliès consistently produced the best movie set designs of his era, but the ones in this film especially stand out, including the undersea design and the burning and collapsing castle. Even the miniature model scene of the ship sinking works, because, after all, it's fantasy. The aspect, however, that I particularly appreciate in these fairytale films is their frequent use of the fairy as a narrator, or manipulator of the characters and plot. Another good example of this can be seen in "Bluebeard", as well as in films by others, such as "The Magic Sword" (1901) and "Jack and the Beanstalk" (1902). One scene in "Kingdom of the Fairies" is especially remarkable: it's a vision scene projected by the wicked fairy to the prince and involves the changing of the scenery from the castle room to the vision and back to the castle room.(EDIT: The hand-colored print now available on home video makes this film look even better.)

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boblipton
2002/10/31

One of Melies' elaborate story productions, ranking with VOYAGE TO THE MOON, using camera tricks, sleight of hand, elaborate costumes and interesting model work. Technically it will look primitive to the modern eye -- the sets are clearly sets, the models clearly models -- but it is all done with Melies' verve and dedication. Certainly, the grotto and underwater sets are beautiful; he knew how to draw stonework.Melies, I feel, remains the most accessible of the oldest directors, in large part because of the sheer sense of showmanship and joy that is evident in these works. His scenes, when they are not sleight-of-hand magic, are essentially tableaux, punctuated by acrobats. His tableaux are much more elaborate than other directors who use the form, providing a feast for the eye. Working, as he does in this movie, with familiar images, he elaborates them, whereas in VOYAGE TO THE MOON, he invents them and suggest them. The effect is -- there is no other word for it -- magical.

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