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Barão Olavo, o Horrível
Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival
| Release : | 1969 |
| Rating : | 5.9 |
| Studio : | Belair Filmes, TB Produções, |
| Crew : | Art Direction, Director of Photography, |
| Cast : | Rodolfo Arena Helena Ignez Isabella Cerqueira Campos Lilian Lemmertz Guará Rodrigues |
| Genre : | Horror Comedy Crime |
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Reviews
What a waste of my time!!!
I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
It really made me laugh, but for some moments I was tearing up because I could relate so much.
