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Battle Girl: The Living Dead in Tokyo Bay

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Battle Girl: The Living Dead in Tokyo Bay

A meteor lands in Japan and the fallout creates a “shield” around Tokyo, encasing the city in a foggy darkness. A state of martial law is declared. People are in a panic as violent crime and corruption spreads throughout the region and punk gangs are ruling the streets. As if things weren’t bad enough, a chemical reaction from the meteor unleashes a deadly virus and now the dead are coming back to life as flesh-eating zombies!

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Release : 1991
Rating : 4.7
Studio : Daiei Film, 
Crew : Art Direction,  Director, 
Cast : Cutie Suzuki Keralino Sandorovich Kenji Ohtsuki Shinobu Kandori Katsuhiro Fukuda
Genre : Horror Action Science Fiction

Cast List

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Reviews

Onlinewsma
2018/08/30

Absolutely Brilliant!

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MusicChat
2018/08/30

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

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Kien Navarro
2018/08/30

Exactly the movie you think it is, but not the movie you want it to be.

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Matho
2018/08/30

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

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Thy Davideth
2017/11/19

Battle Girl is an example of what I look for in a movie: Dark, somber, slow paced, low produced, gritty, absurd, stylish and imaginative. But one thing that kept this movie from b-movie gold is the inconsistent tone in the action sequences. It ranges from p!ss poor slow ass choreography to intense and bad ass. It's funny but it is sort of distracting as well and can kill the pacing. I recommend this movie to those who like gritty and dark ass sci fi action movie lovers.

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dbborroughs
2011/04/09

Meteor slams into Tokyo bay covering the city is a weird shell. Inside the dead begin to rise and one girl fights to rescue the living and stop a mad general looking to use the dead for his own ends.Forerunner of the modern shot on video gore films this is a "serious" (well at least compared with say most Sushi Typhoon films) film that was done on the cheap by people with more passion than perhaps talent. It reminds me of the late 80's scifi films from America. While certainly wild and crazy it's more interesting as an artifact rather than as film I'd watch again for enjoyment.I'd take a pass.

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HumanoidOfFlesh
2010/06/03

When a meteor crashes into Japan it brings lethal danger:a virus capable of raising the dead and turning them into flesheating zombies.It's up to K-ko to save Tokyo and to fight with living dead and crazed army men.Cheesy and fast-paced Japanese zombie flick which plays like cross between "Dawn of the Dead" and "Resident Evil".First of all "Battle Girl" is nowhere near as violently graphic nor sexually depraved as his earlier features like "Guts of a Virgin".There is not much gore on display and surprising lack of cannibalistic grue.The fights are plentiful,albeit poorly choreographed and the cyberpunk elements are fun to watch.An entertaining and inoffensive zombie effort from Japan.7 out of 10.

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Bogey Man
2003/04/06

Japanese low budget underground film maker Kazuo "Gaira" Komizu is the man behind the hyper sleazy Guts/Entrails of a Virgin trilogy from the late eighties. Those films are filled with (almost) hard core level sex scenes, nudity, some very bizarre goings on, some ultra gore plus monster semen. Yes, you read right, those three films are perfect examples for those who think they've seen it all in the genre of low budget horror cinema. "Gaira" has also written a film called Female Market (Yasuaki Uegaki, 1986), one of the most deeply disturbing and sadistic rape related films I've witnessed. His lightest film may very well be this, Living Dead in Tokyo Bay aka Battle Girl (1992) which stars the female wrestler Cutey Suzuki, and she is, as her name suggest, quite cute.The film is about some meteorites that crash into the Earth, bringing some kind of a zombie virus here turning people into flesh eating monsters very similar with the Romero ones. There's also an evil general that tries to take the world domination by using the virus as his weapon. One brave lady (Suzuki) is a daughter of a military officer and she is sent to fight the evil general as well as the zombies, dressed in a cool black leather uniform with incredible powers, martial art talents and ability to use various weapons! Unfortunately I only saw the unsubtitled Japanese version so any possible noteworthy things or bits of social commentary in the dialogue went sadly beyond me, but still I have plenty of positive things to say about the film.Craig Ledbetter wrote in the ATC magazine, having just seen the English subtitled version, that the film indeed is a metaphor of the Japanese society and its history as Japan, for example, exploited the World War II by making horrible human experiments to the Chinese in the name of science, a truly horrific and disturbingly sad part of the world history depicted detailedly in a film Men Behind the Sun (1987) by Taiwanese/Chinese film maker Tun Fei Mous. This kind of low low budget zombie romp having such important message and metaphoras is a very great thing and it naturally raises this film to higher level.The film is also very enjoyable as pure zombie horror with some inventiveness to fill the gaps caused by the lack of money. The film is not too long and thus never boring (especially if I had managed to understand the dialogue parts, too) and there are plenty of action and mayhem to keep things interesting alongside the calmer parts. The visual look is pretty dark which is nice, and the effects consist of much colored and naturally over-the-top "gore", rather well done zombie masks and zombies plus not so convincing but still good enough for a film like this meteorite scenes at the very beginning. The film is naturally pretty close to George Romero's zombie classic Dawn of the Dead (1978) with many almost identical scenes. One poor soldier can't take it anymore and kills himself. A group of gun selling punks arrive to fight the ghouls, just like the Tom Savini led motorbike gang at the end of Romero's film. Still I don't find these things irritating or exploiting at all since "Gaira" knows what's he doing with his limited budget and always adds his own ideas and ambitions to the soup, and since the problems in the society haven't vanished since the Dawn's days, why should the fight stop?This is, in fact, among the more enjoyable and interesting low budget action horrors I've seen from Japan and everything the director couldn't buy or pay for, he created otherwise with creativity and that's why the film looks so good and heart warming for those who understand the sub genre. 7/10

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